Jeff Sahyoun

"Jeff hit the studio with his trusty Egnater HW45 Handwired amp and a pair of Fenders - a Baja Telecaster, to which he’s added an Fender USA neck, and a new American Elite Telecaster."

And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.

"I’ve been a part of the Egnater family for six or seven years, when they were making the amps out of a garage. A buddy of mine introduced me to them. They brought me over the Renegade. I love it! It’s been a part of my rig for the past six years. I actually just had a conversation with a producer/engineer buddy in Chicago and he said ‘You’ve never let go of that head.’ I don’t know if it’s just that I’m so used to it, but I love it. I’m full Egnater up and down, all over the place. And they’re really good to me. It sounds good for my style."

"Jeff hit the studio with his trusty Egnater HW45 Handwired amp and a pair of Fenders - a Baja Telecaster, to which he’s added an Fender USA neck, and a new American Elite Telecaster."

In a MusicRadar interview, Jeff Sahyoun discusses his studio setup, highlighting his use of a Behringer UCG102 alongside his Egnater HW45 Handwired amp and Fender guitars, including a customized Baja Telecaster and an American Elite Telecaster.

Jeff Sahyoun of Letlive is seen playing a Fender Blacktop Telecaster HH during a performance at the Kerrang! Relentless Energy event, as captured in a Getty Images photo.

Jeff generally uses his Renegade through an Egnater Tourmaster 412 cabinet

In the music video for "Banshee (Ghost Fame)" by letlive., Jeff Sahyoun is seen playing an EVH Wolfgang USA Vintage White Guitar.

And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.

And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.

And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.

And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.

And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.