Line 6 M13 Stompbox Modeler

http://www.fulltone.com/sites/default/files/imagecache/artist_node_other_main/photos/artists/pat-smear-pedalboard.png

Paisley uses the Line 6 M13 Stompbox Modeler, “for some pitch effects and some really long delays where I’ll double delays up on a couple of things, use a short and a long delay in it, it’s a really nice piece,” (4:45).

In this video around 2:30, Teppei on using the Line 6 M13: “I pretty much only use maybe some reverb and delay here and there. Possibly like some really, really minimal amount of compression if I want a little boost, but really minimal.”

Featured in this Instagram post by Neely.

[Nicole says](http://www.reverendguitars.com/artists/12-questions-with-nicole-fiorentino/) she mainly uses the M13 for effects thanks to the way it sounds with her Reverend bass guitars.

At 3:19 in this video, a Line 6 M13 can be seen in front of Jeff Schroder.

Oz Noy lists all of his current gear, including this one on his website.

Simon Delaney's IG account

Featured in PG Rig rundown

"Rehearsal today @Line6."

"The guitarist’s rack gear mainly comprises analog and digital effect pedals—including Line 6 M13 for modulation effects, and analog JHS and Walrus—controlled via MIDI by the [RJM Mastermind GT16](https://equipboard.com/items/mastermind-gt-16-midi-foot-controller)." - [*Mix Online*](http://www.mixonline.com/news/tours/all-access-onerepublic/368344).

In the bottom left of this shot, the I/O of the unit and the U-shaped guards for the control knobs match that of an M13. Rob has metnioned the use of Line 6 pedals in various interviews.

Tom Keeley Thursday-Guitar

“Our last album had a lot of sounds, so it was impossible for me to make them all come on at the same time, so I had to resort to a multi-effects. “And I was pleasantly surprised. I’d always had a bit of a thing - I guess a lot of people do - about multi-effects pedals, like they’re inferior, but for what I needed it for, it was great. And it has a looper in it, as well.”

In this [interview](http://www.musicradar.com/us/news/guitars/interview-school-of-seven-bells-benjamin-curtis-on-new-album-ghostory-540836), Benjamin Curtis of [The Secret Machines](https://equipboard.com/band/the-secret-machines), and [Tripping Daisy](https://equipboard.com/band/tripping-daisy), says, "It's probably not the coolest thing in the world because it's not boutique, but I just love the Line 6 M13 [Stompbox Modeler]. I know everybody's using it, but man, it's just great. There's a reverb on it called 'Particle Verb,' and it's a sound I've been trying to make for years. It sounds like a drunken London Symphony Orchestra or something like that."

As seen in rig rundown

Can be seen on the floor. Used from this point until the NYC concert during the final tour. Later sold along with his presets via his personal twitter account.

In this photo, we can see bits of Krompass' pedalboard, and one of the pedals is the Line 6 M13 stompbox modeler.

At 3:32 his foot is shown and on the pedalboard there is a Line 6 M13 Stompbox Modeler.

Used with synths in studio and live

Joseph Milligan, of Anberlin, used a Line 6 M13 stompbox modeler from the Dark is the Way era until Anberlin's disbanding in 2014.

"I use the Line 6 M13 for all of my looping/effects. "

In this Premier Guitar article, Steve Pedulla's pedal board is shown to include a Line 6 M13 Stompbox Modeler.

effect, effects, effect and more

"...I have a lot of pedals but my favorites are the Line 6 M9 and M13 pedalboards. They have all the effects I want and I like most of them. I’m really not into the distortions of those boards but delays, modulations, and compressors are great. They have weird synth sounds I like to use sometimes..."

Luke Weiler of Positive Mental Trip used a Line 6 M 13 stompbox Modeler for a short amount of time while touring in 2009-2010. He saw a girl use it in florida while on tour in 2008 and thought it sounded good on her violin. However the line 6 M 13 had a “ghost on the machine” issue and turned on and off and very important festival gigs and large club gigs. “Basically that pedal not only ruined my show but also ruined my reputation with those promoters and clubs in that city. It’s a terrible feeling when your pedal keeps turning on and off like that during a gig and your the main musician carrying the show. To watch possible fans walk out of the venue and know they will never come see your act again is the worst. It was not a cheap pedal I bought it new for $500 from guitar center. I was so sickened by the sight of it I gave it away for free to a bass player who could use the filters in it on bass and the looper.”