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Average Price: $189
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$60
$181+
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Description
Unleash divine fury with the Red Witch Fuzz God II Pedal, where celestial soundscapes meet earth-shattering fuzz. This compact marvel isn't just a pedal; it's a sonic revelation, offering a spectrum from classic warmth to aggressive, suboctave chaos. With intuitive controls like Volume, Fuzz, Wrath, and Sputter, shaping your sound becomes a transcendental experience. Whether you're aiming for soul-stirring melodies or want to plunge into the depths of sonic bedlam, the Fuzz God II is your faithful companion. Keep your tones in check, or let them loose and watch the heavens quake with every strum.
Key Features:
- Silicon-based fuzz for a more aggressive and versatile sound
- Suboctave functionality for adding depth and dimension
- Intuitive controls: Volume, Fuzz, Wrath, and Sputter
- True bypass for unaltered tone when the pedal is disengaged
- Robust construction designed for both studio and live performance settings
Product specs
| Brand | Red Witch |
| Model | Fuzz God II |
| Finish | White |
| Year | 2010s |
| Made In | United States |
| Categories | Distortion Pedals, Fuzz Pedals and Effects |
FAQs
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What kind of power supply does the Red Witch Fuzz God II Pedal require?
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The Red Witch Fuzz God II Pedal requires a 9V DC power supply or a 9V battery, ensuring compatibility with most common pedalboard setups.
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How does the Red Witch Fuzz God II Pedal differ from other fuzz pedals?
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The Red Witch Fuzz God II offers unique features such as a sputter control for gated fuzz sounds and a wrath control for oscillation effects, providing a versatile range of fuzz tones.
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Is the Red Witch Fuzz God II Pedal suitable for bass guitar?
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Yes, the Red Witch Fuzz God II Pedal can be used with bass guitars, offering rich and dynamic fuzz tones that complement the lower frequencies of a bass.
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Does the Red Witch Fuzz God II have true bypass?
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Yes, the Red Witch Fuzz God II Pedal features true bypass switching, ensuring your guitar signal remains unaltered when the pedal is not in use.
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Can the Red Witch Fuzz God II Pedal achieve both classic and modern fuzz tones?
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The Red Witch Fuzz God II is designed to deliver a wide range of fuzz tones, from vintage-inspired warmth to aggressive, modern fuzz, making it versatile for various music styles.
Videos
ProGuitarShopDemos
Red Witch Fuzz God II
Reviews
PROS
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Meaty, heavy fuzz without losing clarity on low/high ends
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Versatile tones from desert-dry to sharp, vintage fuzz
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Easy to dial in great tones, including "extreme" fuzz sounds
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Separate footswitch for toggling oscillations adds flexibility
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Includes faux denim bag for a unique touch
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Compatible with both single coil pickups and humbuckers
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Internal trim pot offers extensive tone control
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Sputter control allows expression linked to pick attack
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Can produce a wide range of sounds, from 8-bit to static
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True bypass maintains signal integrity when disengaged
CONS
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Can get muddy at high fuzz settings due to no tone control
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Lacks an indicator light for oscillator status
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Sputter control's range could be more usable
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May cause bass guitars to lose some low end
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Controls are sensitive and may be confusing at first
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Red Witch Fuzz God II Pedal.
Features and functionality
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The wrath oscillation feature is highly praised for its ability to latch onto notes and its interaction with the guitar's volume knob.
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The Red Witch Fuzz God II uses a 2-transistor NPN design, contrasting with the Fuzz Factory's 3-transistor PNP setup.
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The Red Witch offers a more usable range of sounds by tweaking the traditional Fuzz Face circuit for enhanced versatility.
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The pedal's sputter control acts as a voltage-starve feature, creating sputtery effects when turned counterclockwise, adding to its sonic versatility.
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Setup and maintenance
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Adjusting the internal pot can fine-tune the pedal to achieve a goosed clean channel sound on lower volume settings.
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Optimal setup involves placing the pedal first in the chain without a buffer or tuner for the best sound quality.
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Owners find that setting the internal pot to allow volume roll-off around '8' can clean the sound without crackle, enhancing treble boost capability.
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User experience
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Multiple users note the pedal's volume is relatively low even when maxed, recommending a boost pedal for additional gain.
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Users appreciate the Red Witch's consistent silicon build, providing a more reliable unit-to-unit sound compared to other models.
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One owner has relied on the Fuzz God II as their main sound for several years, highlighting its lasting appeal and reliability.
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Comparisons
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Users compare its one-dimensional fuzz character to other models like Hoof Fuzz and Frantone, suggesting those might offer more tonal variety.
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The Fuzz Factory is described as smoother, whereas the Red Witch is more aggressive and offers unique features not found on the Fuzz Factory.
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A user expressed a desire for a sub switch similar to the Mastotron or Fat Fuzz Factory, indicating a preference for additional tone-shaping options.
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Use cases and applications
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The pedal is favored for its unique oscillation feature, with some users pairing it with a Whammy pedal for diverse sound experimentation.
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Engaging the wrath mode and setting the sputter control to around 10 o'clock can allow oscillation in the same key as a song, enhancing musicality.
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Tuning the oscillation note to a fifth or octave below played notes creates heavy, in-key sounds with dynamic oscillation effects.
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5.0 out of 5
Based on 2 Reviews and 15 Ratings
117
From sputtering 60s Rolling Stones to the Smashing Pumpkins to 8 bit Video Games to all out oscillation ........ this fuzz is versatile!
I purchased this pedal after months of research online and in local guitar shops. I really wanted a fuzz that worked well with both single coil pickups and humbuckers. Between the "ear" switch(which boosts high frequencies) and the internal trim pot, all pickup types are fair game! Let's take a look at the controls.
AWAKEN: True bypass footswitch that turns the pedal on or off
VOLUME: Boosts or lowers the overall level of the fuzz
FUZZ: This is your gain control. From slight boost to chewy velcro, there is plenty of gain on hand
WRATH: When engaged by the DOUBLE LIGHTNING BOLT foot switch, this knob adjusts the frequency(tone) of the oscillation. It also interacts with every other knob or switch on the pedal. You can create octave-down fuzz, ring-mod sounds, arpeggiating oscillation, uncontrollable oscillations, and synth-type sounds just by dialing the knobs!
PUTTER: Fully clockwise, your guitar signal is full and this pedal roars! As you turn back the Sputter knob you signal starts to, um... well... sputter! This might be my favorite knob on the pedal! It really makes this pedal expressive to your pick attack and guitar volume knob.
LIGHTNING TOGGLE SWITCH: Switched to the left, your pedal has gobs of fuzzy overdrive and distortions tones! Switched to the right? Double your gain and ask Santa for a new set of ear drums! So. much. gain. Helpful if you hear too well or if you switch from humbuckers to single coil pickups regularly.
BRIGHTNESS TOGGLE(EAR): Engaging the Ear switch adds brightness to already dark humbuckers making this fuzz pedal more versatile than most!
INTERNAL TRIM POT: Adjusts the master bias of the pedal. You have the power to make this pedal even more sputtery or even more sustainy... these are technical terms, I assure you.
This pedal uses a 9 volt battery or Boss style adapter with wall wart or pedal power supply. If you don't like those options........this pedal is an expensive paperweight! Which would be sad.
Enjoy!
Artist usage
Add artist
According to the Red Witch website "...The Fuzz God II has established itself on the pedal boards of Fuzz afficiandos around the world including The Edge (U2), Monte Pitman (Madonna), Peter Stroud (Sheryl Crowe) and the Arctic Monkeys..."
At 1:06 into this video, you get a glimpse of the pedals in Martin Gore's rack. Bottom row, third from the left is the Red Witch Fuzz God II pedal.
This is a picture I took of Austin Jenkins pedalboard right after his show in De Melkweg in Amsterdam in 2013.
The Fuzz God II has established itself on the pedal boards of Fuzz afficiandos around the world including The Edge (U2), Monte Pitman (Madonna), Peter Stroud (Sheryl Crowe) and the Arctic Monkeys
And then that’s going down to the mother of my rig, the Line 6 M13, which I use on everything pretty much. And to control that, I just bought a pedal switcher. I have a Red Witch Fuzz God II – lots of noises in that. It’s awesome. It’s pretty much related to the Z.Vex Fuzz Factory. And then I have a Boss Super Shifter that I use for drops and whatnot. And I’m controlling my M13 with an Ernie Ball 25k volume pedal as an expression pedal, and I have another Ernie Ball Jr regular volume. Then I have a regular Dunlop Crybaby wah pedal but I took it apart and changed all the inductors on the inside, so it’s fatter when it’s closed. I nerd out, man. I sit there with my solder machine, take shit a part and put it back together til I like what I hear. So that’s what I’ve got. And other than that, a lot of my effects are whatever I can grab, whether it’s glass bottles, air conditioner systems on stages, or whatever Jason breaks I’ll take pieces of it off the floor and start drilling it into my guitar.
The Flickr photo by leftoverking captures Erik Menteer of Blitzen Trapper with a Red Witch Fuzz God II Pedal on stage.
In a 2016 interview with JAM Magazine, Jordan Griffin of THEM EVILS discusses using the Red Witch Fuzz God II Pedal, highlighting its role in his sound.
The pedalboard on the left belongs to Dominic, which you can see in this video for a glimpse https://www.youtube.com/watch?v=g53S7WqeHBM , and the fuzz god can be seen on it.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Red Witch Fuzz God II Pedal, it is most commonly used with the following gear.
Community setups
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