Moderat

Picture from their Facebook of them playing with their modular gear. You can see the Dark Energy on the bottom left.

Picture from their Facebook of them playing with their modular gear. The Phonogene is in the upper left corner of the modular rack.

In this picture from their Facebook you can see the Fireface on top of the eurorack.

In this picture from their Facebook you can see the duet in a shelf behind the lunchbox preamps.

In this picture from an interview with Moderat you can see the Monotribe.

"I have a mixer [that receives] a lot of split signals from Sascha and Gernot, and I have distortion, two delays, and a little Waldorf Rocket synthesizer, which is very simple."

In this image from an interview with Moderat you can see the VoiceLive 2.

You can see the KP3+ in this picture. He also mentions in the interview "He also uses an APC controller and he has a Kaoss Pad that is a MIDI controller for a custom program for live application."

You can see the RE-20 in this picture from an interview.

You can see Sascha's Nord Modular G2 in this picture. He also states in the interview "On the last tour, I used a Nord Modular, an old one, the G2. And I reprogrammed all the sounds, just because I wanted to have more access to the parameters. Only using samples was a little too limiting. {In the new live show,] I still use the Nord for the old sounds"

You can see the blueSky in this picture from an interview with XLR8R.

You can see the EHX Big Muff Pi in this picture from an interview with XLR8R.

In this article Sebastian Szary states “Much of our bass was built in [NI’s additive synthesizer] Razor, and we did a little in the new Monark [a monophonic analog modeling synth based on the Minimoog].”

In this article Sascha Ring states “Massive was our favorite for the last record, but we noticed we were using all the same sounds, so it was banned this time so we wouldn’t end up with the similar stuff,”

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

in this instagram post Szary is seen using a Mpc 1000 in rehearsal for the "Moderat 3" tour

Szary used this mic on the "Moderat 2" tour

In a Vine video clip, Modeselektor is seen using the Critter & Guitari Pocket Piano. Given Modeselektor's role in Moderat, it's likely that Moderat also utilizes this tabletop synthesizer.

"...and I have a Guitar Rig system. I don't play guitar much—[only] for two songs—but Guitar Rig is really powerful for every kind of effect, so I use it a lot."

"...For over 10 years, we had played with software made by Sascha, Safety Scissors, and Joshua "Kit" Clayton. It's based on Max MSP and it's a simple eight-track live looper. You put loops in and they are all in sync. It can play them half time, double time—you can make funny, simple things."

"I don't have that much gear onstage but what I have gives me a lot of options. I have an Eventide H9... the one with the wheel. You can make your patches with an iPhone so these days you call your guitar effect! I have a Strymon BlueSky reverb that I use too, which is the best reverb I've heard in a box the size of a guitar pedal."

Pedal used to tune vocals at Modeselektor | "Who Else" live tour setup

Moderat employs the Moog Minimoog Voyager Rack Mount Edition, describing it as a "monophonic battleship" ideal for bass, as highlighted in their studio setup.

We can see a RE-201 in the last picture under the TR-66.

Picture from their Facebook of them playing with their modular gear. The Nebulae is in the middle row on the far left.

You can see the filter factory on the right in this picture from their facebook page.