Steve Hillage

"With Gong and the Steve Hillage Band, I’m using a Steinberger GL2T guitar..."

"I’ve also got a Takamine EAN10C dreadnought cutaway acoustic-electric and a Yamaha SLG100S Silent steel-string acousticelectric. The Yamaha is a solidwood instrument that sounds like an acoustic but doesn’t feed back. I use it during Mirror System shows that feature a lot of acoustic guitar."

"I have a Danelectro baritone guitar I use when I want something really deep sounding and a bit Twin Peaks-y. I’ve also got a Takamine EAN10C dreadnought cutaway acoustic-electric and a Yamaha SLG100S Silent steel-string acousticelectric. The Yamaha is a solidwood instrument that sounds like an acoustic but doesn’t feed back. I use it during Mirror System shows that feature a lot of acoustic guitar."

Here, Hillage can be seen playing a Gibson Les Paul Custom.

Boss GL100 is included in the equipment list.

"The Sound- Toys plug-ins have some of the same feel as the Eventide—especially Crystallizer, which combines delays with harmony effects. Other SoundToys plugs I like are FilterFreak, a powerful analog-like filter; Tremolator, which emulates old tremolo sounds; Sound- Blender for multieffects; and EchoBoy for delay."

"The Sound- Toys plug-ins have some of the same feel as the Eventide—especially Crystallizer, which combines delays with harmony effects. Other SoundToys plugs I like are FilterFreak, a powerful analog-like filter; Tremolator, which emulates old tremolo sounds; Sound- Blender for multieffects; and EchoBoy for delay."

"The Sound- Toys plug-ins have some of the same feel as the Eventide—especially Crystallizer, which combines delays with harmony effects. Other SoundToys plugs I like are FilterFreak, a powerful analog-like filter; Tremolator, which emulates old tremolo sounds; Sound- Blender for multieffects; and EchoBoy for delay."

"With Gong and the Steve Hillage Band, I’m using a Steinberger GL2T guitar, Line 6 PODxt Pro rack unit with a Line 6 pedalboard, and a Fender Twin FSR amp. With System 7, I swap out the Line 6 PODxt Pro for a Zoom 9050 multi-effects processor and also use Cry Baby wah and Boss Compressor pedals. In addition, in System 7, I have a Behringer Xenyx 502 baby mixer that I use to preamp the sound before sending it to our Pioneer DJM-800 Pro DJ mixer with crossfader control."

"With Gong and the Steve Hillage Band, I’m using a Steinberger GL2T guitar, Line 6 PODxt Pro rack unit with a Line 6 pedalboard, and a Fender Twin FSR amp. With System 7, I swap out the Line 6 PODxt Pro for a Zoom 9050 multi-effects processor and also use Cry Baby wah and Boss Compressor pedals. In addition, in System 7, I have a Behringer Xenyx 502 baby mixer that I use to preamp the sound before sending it to our Pioneer DJM-800 Pro DJ mixer with crossfader control."

"With Gong and the Steve Hillage Band, I’m using a Steinberger GL2T guitar, Line 6 PODxt Pro rack unit with a Line 6 pedalboard, and a Fender Twin FSR amp. With System 7, I swap out the Line 6 PODxt Pro for a Zoom 9050 multi-effects processor and also use Cry Baby wah and Boss Compressor pedals. In addition, in System 7, I have a Behringer Xenyx 502 baby mixer that I use to preamp the sound before sending it to our Pioneer DJM-800 Pro DJ mixer with crossfader control."

"Then the LinnDrum came along, and I started using it on record because it was using samples and it sounded, at the time, more like a real drummer - although now if you listen to a LinnDrum it sounds really bizarre!"

Hillage is fully conversant with both the modern technology of synths, samplers, sequencers and digital audio recording and the impact that this technology has had on the roles of musician and producer, a consequence of his years spent working in studios as a producer. Today, a hi-tech gear setup which includes a Korg Wavestation, two Akai S1000s, an E-Mu Proteus and C-Lab's Creator sequencing software running on an Atari 1040ST allows him to work on ideas and put tracks together at home.

Hillage is fully conversant with both the modern technology of synths, samplers, sequencers and digital audio recording and the impact that this technology has had on the roles of musician and producer, a consequence of his years spent working in studios as a producer. Today, a hi-tech gear setup which includes a Korg Wavestation, two Akai S1000s, an E-Mu Proteus and C-Lab's Creator sequencing software running on an Atari 1040ST allows him to work on ideas and put tracks together at home.

Boss DR550 is included in the equipment list.

"I got into drum machines originally through playing with echo", Hillage reveals. "I first got an Echoplex in 1974, and I got a very early digital stopwatch and calibrated my Echoplex in milliseconds so I could quickly change the timing for different tempos. I had the figures written in big letters onstage so I could see them."

Hillage is fully conversant with both the modern technology of synths, samplers, sequencers and digital audio recording and the impact that this technology has had on the roles of musician and producer, a consequence of his years spent working in studios as a producer. Today, a hi-tech gear setup which includes a Korg Wavestation, two Akai S1000s, an E-Mu Proteus and C-Lab's Creator sequencing software running on an Atari 1040ST allows him to work on ideas and put tracks together at home.

EMS Synthi A is included in the equipment list.