The Future Sound of London

The Future Sound of London's Garry Cobain and Brian Dougans explain how, in order to emulate the compressed sound of their songs played on the radio, they ran their entire mixes through a Fostex 3070 Compressor:

"Our best tracks were mixed as we went along because the sound basically dictated the mix, and in the case of 'Papua New Guinea' we acquired a compressor and Brian stuck the whole mix through it", says Cobain.

"That was a very dodgy Fostex 3070 that I got from my dad," Dougans recalls. "It seemed to give the track a gel which we played into. As I was mixing it the whole track went through that compressor, and as you know, compressors can cause a real squeeze effect when you put too much through them. So, we were sort of mixing through the compressor but pulling it back — taming it, pushing it, taming it — and that's how it gelled together."

"We were really in love with hearing our music on radio and it didn't happen enough for us," says Cobain. "However, we loved the compression on Kiss FM and Radio One, so our dream was to get the music sounding like that before it hit radio. That's why Brian stuck the whole mix through that compressor, which was something we'd never done before — it gave a certain squashed sound, and by the time that then went back through the Radio One compressors it just sounded like magic. We always say that track came alive on radio, and after that we coined the term 'twice-baked' — in other words, if you overdo the compression and then it goes through the broadcast network it's twice-baked and it just sounds crap; totally mushed. However, with 'Papua New Guinea' it worked really well."

Original article here.

The August 1992 issue of Music Technology contained an interview with Cobain and Dougans:

"I think the beauty about the sampling world is that you're basically becoming attuned to listening to small bits of music that you like," opines Cobain. "I learnt to work in that way when I was using my first sampler, an Akai S612, because it didn't have much memory and you could only play one sample at a time."

In a Sound on Sound interview, Cobain discusses the creative process for Accelerator and mentions that the two-second limit on the S612 sampler was an important part of the sound:

with the two seconds of samples offered by the S612 we learned the beauty of how to take one note and write with it. So, when I'm talking about sampling I'm not referring to just dropping massive bloody hip-hop chunks. I'm talking about going through records, going through TV, getting a conga note and then playing weird rhythms with it.

In this photo of The Future Sound Of London's Earthbeat studio from the early 90's, the S1000 can be seen

In this photo of The Future Sound Of London's Earthbeat studio from the early 90's, the S1100 can be seen

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

In this photo of The Future Sound Of London's Earthbeat studio from the early 90's, the B-16 can be seen

In the Sound on Sound article "Classic Tracks: Future Sound of London 'Papua New Guinea,'" The Future Sound of London discusses their Earthbeat studio setup, highlighting the use of a 28-input Soundtracs mixing desk. While the specific model isn't explicitly named, it may refer to the Soundtracs Topaz Project 8.

In the Sound on Sound interview linked, Cobain talks through the setup of the Earthbeat studio and mentions that FSOL

"also had an Atari 1040 running Creator" Later in the article Cobain discusses use of the 1040 to trigger other kit.

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:

Instruments

Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z

Effects

Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor

Recording

Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors

Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module

Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)

Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module

Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)

Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module

Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)

Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module

Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)

Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module

Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)