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Description
The Alesis BRC ADAT Remote is an essential tool for any professional studio setup that incorporates ADAT digital multitrack recorders. Designed to provide seamless control over your recording and playback processes, this remote enhances the functionality of your ADAT system, making it an invaluable asset for audio engineers and producers. With its intuitive layout, the BRC ADAT Remote allows for efficient and precise manipulation of your tracks, ensuring you capture every detail with accuracy.
One of the standout features of the Alesis BRC ADAT Remote is its ability to manage up to 16 ADAT recorders simultaneously. This capability gives you unprecedented control over large-scale recording projects, ensuring smooth synchronization and operation across multiple units. The remote also offers a comprehensive set of transport controls, making it easy to navigate through your recordings with precision and ease.
In addition to its robust functionality, the BRC ADAT Remote includes features like locate points and loop functions, which streamline your workflow and help you focus on the creative aspects of your projects. Whether you're in a professional studio or working on location, the Alesis BRC ADAT Remote is a reliable choice for managing complex recording setups.
Key Features:
- Controls up to 16 ADAT recorders simultaneously
- Comprehensive transport controls for efficient navigation
- Locate points and loop functions for enhanced workflow
- Seamless integration with existing ADAT systems
- Intuitive interface for easy operation
Product specs
| Brand | Alesis |
| Model | ADAT BRC Master Remote Control |
| Finish | Black |
| Year | 1990s |
FAQs
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What is the primary function of the Alesis BRC ADAT remote?
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The Alesis BRC ADAT remote is designed to control multiple ADAT machines, allowing for synchronized operation and advanced editing features, which is essential for managing complex recording sessions.
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How many ADAT machines can the Alesis BRC control simultaneously?
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The Alesis BRC can control up to 16 ADAT machines at once, giving users extensive control over large-scale recording setups.
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Does the Alesis BRC ADAT remote offer any editing capabilities?
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Yes, the Alesis BRC provides advanced editing functions, such as track arming, punch-in/punch-out, and location memory, enhancing the workflow for recording and playback.
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Is the Alesis BRC compatible with modern DAWs?
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While the Alesis BRC is primarily designed for use with ADAT systems, it may require additional interfaces or converters to integrate with modern DAWs, as it was originally developed in the 1990s.
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Can the Alesis BRC ADAT remote be used for live performances?
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The Alesis BRC is typically used in studio environments for controlling ADAT machines, but it can be adapted for live use if the setup includes ADAT-compatible equipment.
Videos
chris537a
Alesis Adat Black Face & BRC of how to read information from the tape
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Alesis BRC ADAT remote.
Setup and maintenance
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Avoid cleaning ADAT heads with alcohol; use a dry VHS head cleaning tape sparingly to prevent damage.
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Excessive tape shuttling can wear down ADAT heads quickly; handle tapes gently due to delicate punched metal loafers.
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Some tapes can cause head clogs faster; BASF tapes are noted for better performance compared to Panasonic.
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When using the BRC, ensure the word clock syncs properly with the interface to avoid issues with Logic's clock slaving.
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Features and functionality
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The ADAT recorder includes built-in analog inputs and outputs, eliminating the need for additional converters with analog mixers.
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The ADAT outputs are at -10 dB, compatible with mixing consoles that have adjustable input levels.
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The BRC can simplify track alignment by setting song start times, allowing for easy play/record operations without manual adjustments.
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Use cases and applications
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For line-level instruments like synths, connect directly to the ADAT inputs; consider using a Portastudio as a mic preamp.
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ADAT is beneficial for experimenting with digital recording outside of a DAW, appealing to those who prefer physical gear interaction.
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For projects with multiple songs across tapes, the BRC is invaluable for saving time and maintaining sanity during transfers.
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Software and compatibility
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It is crucial to use MIDI timecode from the BRC to Logic Pro, as Logic should be the subordinate machine for effective syncing.
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5.0 out of 5
Based on 1 Review and 3 Ratings
1822
Alesis BRC ADAT remote
Autolocation and Transport Control for up to 16 ADATs The Alesis BRC Master Remote Control adds a set of powerful creative and operational tools to your ADAT or ADATXT digital recording system. It provides SMPTE, MIDI, and Video synchronization, digital editing, and a full-function multi-machine autolocator with an onboard memory. The BRC is the only device that allows you to control up to 128 ADAT tracks from one location, either table top mounted, in a studio rack, or on an optional roll-around stand. Another BRC function that can't be found anywhere else is the ability to edit and assemble your songs using bars and beats. Other features include sample-accurate auto punch in/out and rehearsal modes, 460 Location points with 8-character alphanumeric names, full control of Track Delay (up to 170 ms per track), Tape Offset between multiple recorders, SMPTE Offset and Generation, MIDI Tempo Maps and Clock Generation, and MIDI Machine Control.
More than just a remote control, the BRC is a SMPTE time code synchronizer, allowing ADATs to chase-lock to time code from video or analog recorders. SMPTE offsets may be set to single sample (1/48,000th of a second) accuracy. You can select ADAT's tape time, SMPTE time, or bars and beats as a display reference. All BRC settings and memories may be stored digitally on the data header of each ADAT tape for quick recall at any time. When you need to bring your ADATs together into a complete, fully-professional system, the BRC is the ultimate in digital audio recording control.
Artist usage
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Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module
Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)
The two centrepieces of Levine's studio are the Yamaha 02R digital desk and his four ADAT machines with BRC (Big Remote Control). The small size of the desk is in itself a breakthrough, for it means that he can have a top‑quality desk in his tiny room to mix on. Before the Yamaha, Levine had a Mackie 3204 desk, which was only used for monitoring, but not for recording, let alone mixing. Levine says about the Yamaha: "It's fantastic. I don't mind the 'page' system, because in practical terms you only use very few. Having a meter bridge does help, though — it means that you can look at two things at the same time. This desk is one of the best things I ever bought, and I can't describe how happy I am with it. It may not be perfect, but for the money it's amazing. You're looking at a man who once spent £220,000 on two Sony 3324 24‑tracks, plus £28,000 on a DDA desk with £20,000 Optifile automation. All great gear, but the Yamaha costs only £10,000 fully loaded, it sounds great, and I can do top‑quality mixes with it. It's connected to my ADATs with fibre‑optic cables, which results in a phenomenal S/N ratio."
List of equipment at his studio:
KEYBOARDS F Kaim & Son grand piano Korg SG1D master keyboard
SAMPLERS Akai S1000HD Akai CD3000
SOUND MODULES Emu Proteus 1 Emu Proteus 2 Orchestral Emu Proteus 3XR World Emu Morpheus Sequential Circuits Prophet 2002
DRUM MACHINE Roland R8
COMPUTING & SOFTWARE Atari 1040ST Emagic Notator Time + Space sample CD‑ROMs
RECORDING Alesis ADAT (x5) Alesis BRC remote control Soundtracs Jade mixer Drawmer dual gate TC Electronic M5000 digital effects Lexicon PCM70 digital effects
Michael Bradford's 'Chunky Style Gear'
A big, beefy guy with a penchant for making big, beefy‑sounding records, Michael Bradford aptly names his production company Chunky Style Music. Accordingly, he also has his own chunky style setup at a post‑production facility named Millennium Sound. Mostly MIDI‑related or used to run Pro Tools, this collection of equipment is pretty comprehensive:
Akai S1100 sampler.Alesis ADAT digital multitrack w/BRC.Apple Power Macintosh 9600 running a Digidesign Pro Tools 5.1 Mix Plus system.Casio RZ1 drum machine.Clavia Nord Rack and Nord Modular synthesizers.CM Automation Motormix.Compaq AP500 Pentium III with Windows NT running Pro Tools 5.0 Mix Plus System.Emu E6400 and Emax samplers, Orbit and Planet Phatt sound modules, and E‑Synth keyboard.Korg M1R and N5SR sound modules.Line 6 Pod and Bass Pod.Mackie HR824 hard disk recorder.Mackie HUI control surface.Mackie 3304 mixer.Yamaha FB01 sound module.
David Ferguson's equipment list:
Apple G3 266 computer, 96Mb RAM/4Gb HD. Akai S3000XL sampler. Alesis ADAT XT digital recorder/BRC remote. Alesis Microverb effects. Bit 99 synth. Drawmer DS201 Gate & LX20 compressor. Emagic Logic Platinum 2.6 sequencer. Emu Proteus 1, 2 & 3 sound modules. ("On the album, the 'Hall Strings' preset from Emu's first Proteus module is used a lot, because it's a great marcato string sound.") Emu Proformance piano module. Ensoniq VFX synth. FriendChip Timecode Refresher. Iomega Jaz drive. Korg 1212 PCI card. Korg DRV3000 effects. ("Weird and sometimes wonderful.") Korg Wavestation SR synth. Lexicon MPX1000 effects. Logan String Melody keyboard. ("The last of Random Hold.") Mackie 32:8:2 mixer. Oberheim DPX1 sample player. Roland D550 synth. Roland S760 samplers/SP700 playback unit. Sony 600Mb optical drive. Sony DTC690 DAT recorder. Spirit Absolute 2 monitors. SPL Vitalizer enhancer. Symetrix 511A noise reduction. Tascam DA30 MkII DAT recorder. TC M2000 Wizard effects. Yamaha AN1x synth. Yamaha SPX50 effects.
Genre Usage
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Used With
Based on how musicians on Equipboard use Alesis BRC ADAT remote, it is most commonly used with the following gear.
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