Tom Petty

Mentioned in this March 1983 Musician article.

Ever loyal to their roots, both Petty and Campbell play through very cool looking Vox Super Beatle amps, jazzed up with Echoplex and MXR Dyna Comp.

“Over the years I’ve added the SoundToys Decapitator and the Cranesong Phoenix plug-ins to our systems, because they are compatible, but of course many plug-ins have been released over the years, which is the reason why I currently am setting up two state-of-the-art Pro Tools HDX systems, one for Tom and one for me, which we will be running on Mac Pros with three HDX3 cards for each system. But whatever the exact version of Pro Tools we have, I will continue to use it to enhance performances, rather than edit them to death. I am a big fan of the whole digital approach, and of mixing inside a box, not because of the sound, but because of the creative freedom it gives the musicians. It allows us to move very quickly, and I can simply open up a session for a song if Tom wants to fix just one line. That’s something we can do in five minutes. The sound is another issue. All equipment has a colour, and you work with what you have, making your judgements as to what sounds good and doesn’t accordingly. I think people give too much weight to the equipment that they use."

The Tube Tape Echo is part of Petty's setup, as stated on the Fulltone website.

Producer Steve Hoffman has stated his use of the LA-2A for Petty.

My Teletronix LA-2A, ganged for stereo or mono reproduction via the handy toggle switch in the center of the two units. (...) I've used it on countless projects, Nat "King" Cole, Frank Sinatra, Beach Boys, Doors, Eagles, Ringo, McCartney, Fleetwood Mac, Bob Dylan, Ray Charles, Peggy Lee, Jethro Tull, Chuck Berry, Creedence Clearwater Revival, Van Morrison, White Stripes, Tom Petty, Red Hot Chili Peppers, Ella Fitzgerald, Yes, Sonny Rollins, John Coltrane, Steely Dan, Steppenwolf, Bad Company, Jim Croce, Elvis Presley, Billie Holiday, Judy Garland, Dave Mason, Paul Simon, America, The Band, Crosby, Stills & Nash, The Cars, ZZ Top, James Taylor, Art Pepper, Steve Miller Band, Queen, Rod Stewart, Duke Ellington, John Lee Hooker, Al Jolson, Roy Orbison, Bing Crosby, Sammy Davis, Jr., The Who, Lightnin' Hopkins, Bill Haley & his Comets, Miles Davis, Mamas and Papas, Blue Öyster Cult, The Byrds, Eric Clapton, Bill Evans Trio, Blood, Sweat & Tears, Phil Collins, Alice Cooper, Deep Purple, Jeff Beck, Doobie Bros., Faces, Grand Funk, Heart, Billy Joel, Linda Ronstadt, Ten Years After, Grant Green, Wes Montgomery, Pat Benetar, Elton John, Leon Russell, Metallica. etc.

Given Ryan Ulyate’s long-standing involvement with a handful of old rockers, it’s perhaps surprising to find that he works entirely ‘in the box’. However, the fact that he “froze” his system in 2006 means that until very recently he worked with Quad G5 Power PC Macs from that year, running Mac OS 10.4 and Pro Tools HD version 7.4cs11, and 95 percent of his processing was applied with just two plug-ins. All the Tom Petty-related albums he’s engineered were recorded on this system.

“I’ve been very happy using the same Pro Tools system for seven years, because everything works, and I don’t spend my time chasing down the latest upgrades. Once Pro Tools got to version 7.4, all the main really important mix features had been integrated, and any new developments since then have not really been that important for our process. In any case, I value stability over being cutting edge. The two plug-ins I use for most of my processing are the Massenburg DesignWorks Hi-Res Parametric EQ, and the TDM version of the UA 1176, which is not compatible with Macs that run on Intel. I love that plug-in so much that it’s one reason I froze my system in 2006, as well as Tom’s system, which is exactly the same system as mine.

The Fulltone website states Petty uses a Custom Shop Tube Tape Echo.