Ween – Live In Chicago

He plays it on the Live in Chicago DVD

“I can’t really even describe to you the moment I found that guitar,” he told Fender.com. “You are really lucky if you can find one or two in your entire life – even if you are somebody like me who has bought and sold literally hundreds of Strats. That guitar – I was leaving with that guitar. Whether it cost $50,000, it was going out the door with me. I knew that I had found the instrument that I had been looking for my entire life. It was really magical.”

In this video of there live in Chicago live film, Deaner is seen playing this guitar

At 42:45 you can see that Deaner has the pedal as his Wah on “Live In Chicago”

"What are some of your favorite vintage pedals? The Mu-Tron stuff, for sure. Mu-Tron phasers and the envelope filter."

Pedal 95 in Stompbox: 100 Pedals of the World's Greatest Guitarists, as can be seen in the quick browse video at 0:39.

You can see this pedal within the first few seconds and throughout the video.

You can see this pedal in the first few seconds and throughout the video.

In this photo, Dean Ween's pedal collection is showcased, and the Boss DD-3 Digital Delay can be seen. Judging by the lack of an "Output B" label on the pedal, this is the DD-3, not the DD-7. This photo was seen in this article: https://stompboxbook.com/visiting-dean-ween-the-making-of-stompbox-book/

In this photo, you can see Dean Ween live on stage, playing through a Mesa/Boogie Dual Rectifier 100-Watt Tube Head. There is tape covering the Mesa/Boogie logo.

Edit: If you look around online you'll find he actually uses the Lace Sensor pickups for neck and middle and the Seymour Duncan Hot Rails for the bridge, which is not what he says in the following quote.

"I actually am using Fender Lace Sensors in my neck and bridge position, and then I use the Seymour Duncan Hot Rails in the lead position on all of them. Fender built me an exact replica of my ‘61, exactly the same with the wear marks on the guitar and they put in the same pickups for me. It was awesome.

But the Seymour Duncan Hot Rails is the loudest pickup made known to man, and that’s why I like it. It just really, really, really cranks – it gives you a lot more overdrive then a regular stock Fender pickup.

As far as the Lace Sensors — they’re quiet. A Strat is a notorious buzzing guitar – makes that telltale buzz on stage. They are noisy pickups because they are single coil pickups and they pickup AM radio and God knows what else, but the Lace Sensors are dead quiet. It takes that vintage sound of a Strat and just improves upon it."

"The Lace Sensors are pretty quiet. A Strat is a notorious buzzing guitar–makes that telltale buzz on stage. They are noisy pickups because they are single coil pickups and they pickup AM radio and God knows what else, but the Lace Sensors are dead quiet. It takes that vintage sound of a Strat and just improves upon it."

In the video titled "Ween - Don't Laugh I Love You - Live In Chicago," Dean Ween can be observed playing a Rickenbacker 4001 bass guitar. This performance took place at the Vic Theater on November 9, 2003, and was uploaded by PieKlan on YouTube.

Gene is seen utilizing a Rogue RM-100AE Mandolin during a live performance of the song "Ocean Man" at the Brooklyn Bowl in Las Vegas on October 1st, 2021. This instrument is distinct from the Ibanez M510E-BS mandolin featured on their 2003 live album, Live in Chicago. At the beginning of the performance, Gene Ween partially remarks, "I have my little..." in reference to the mandolin, as captured in the video. Thanks to the high resolution and close up shots of this performance, it confirms his use of the Rogue RM-100AE during this specific live event.

Aaron plays a '58 Historic Les Paul per this (http://www.premierguitar.com/articles/21257-aaron-freeman-return-to-form?page=3) article.

Gene plays this guitar according to this (http://www.premierguitar.com/articles/21257-aaron-freeman-return-to-form?page=3) article.

Gene Ween is seen using a 1968 Gibson Les Paul Standard - Gold Top as a backup guitar during a 2003 Quebec tour. In this video it’s specifically tuned to the 5th to play "The Argus," as shown in the YouTube video "Ween The Argus Live in Chicago" Additionally, at the end of "Roses Are Free," a stagehand hands him the Gold Top.

This amp was included in Aaron Freeman's gear in this Premier Guitar Interview (http://www.premierguitar.com/articles/21257-aaron-freeman-return-to-form?page=3).

The photo of Gene Ween's 2003 rig clearly shows the Electro-Harmonix Stereo Polychorus, confirming its use in his setup.

In a photo of Gene Ween's rig, the Boss DS-1 Distortion pedal is clearly visible, confirming his use of this equipment.

Gene Ween is confirmed to use the MXR M169 Carbon Copy pedal, as it is visible in a photograph of his rig.

In this photo of Gene’s pedalboard from the February 18th, 2022 Ween show at the Capitol theater in Port Chester, NY, you can see a Boss TU-3, Wampler Sovereign, MXR Micro Flanger, MXR Phase 90, MXR Micro Chorus, Xotic EP Booster, Keeley 30ms, Death By Audio Echo Dream 2, and Boss AW-3.

In this photo of Gene’s pedalboard from the February 18th, 2022 Ween show at the Capitol theater in Port Chester, NY, you can see a Boss TU-3, Wampler Sovereign, MXR Micro Flanger, MXR Phase 90, MXR Micro Chorus, Xotic EP Booster, Keeley 30ms, Death By Audio Echo Dream 2, and Boss AW-3.

In this photo of Gene’s pedalboard from the February 18th, 2022 Ween show at the Capitol theater in Port Chester, NY, you can see a Boss TU-3, Wampler Sovereign, MXR Micro Flanger, MXR Phase 90, MXR Micro Chorus, Xotic EP Booster, Keeley 30ms, Death By Audio Echo Dream 2, and Boss AW-3.

Aaron Freeman, better known as Gene Ween, walked onstage sporting a megaphone as the band launched into “The Stallion, Part 1” 1991’s The Pod. Parental discretion was advised early on as “You Fucked Up” took the second spot of the show and got the rabid fans foaming at the mouth. After “Transdermal Celebration” and “I Gots A Weasel,” “The Golden Eel” got some extra love as the crowd ceremoniously chanted along. Next, the band set the crowd ablaze with their most MTV-approved track “Push th’ Little Daisies,” off of Pure Guava.

Can be seen played on Ween's Live in Chicago DVD

At 22:56 in the dvd of "Ween Live in Chicago” McClelland can be seen playing the Korg Karma keyboard during the piano part of "Even If You Don't."

seen at 20:06 with this keyboard

Seen with this keyboard at 45:17

Coleman is seen using the drum machine numerous time in “live in Chicago” for stuff like the intro to “Roses are free”. Coleman still uses this drum machine with ween to this day, and has since 2000

At 6:24 of ween’s “Live in Chicago” dvd. you can see Coleman has a yellow one on his snare drum .

At 42:37 you can see the drum pad Coleman used to play the Crotales on “Spinal Meningitis (Got Me Down)”. He also uses them to hang the setlist from

"Claude Coleman plays DW and Bucks County drums, Bosphorus cymbals, and Vater sticks"

In the video "Ween - Live in Chicago DVD (Audio corrected)" by Le Ron Hubble, Dave Dreiwitz is seen playing a Rickenbacker 4001 bass in Mapleglo.

In this photo you can see Dave plugged into a GK 800RB Amp.