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Pricing and availability
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Description
It is a Carl Thompson 6 string that was originally made for Chris Brubeck in 1978. It was also the first 6 string fretless bass ever created. Carl put frets on and sold it to Les Claypool in 1993
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Carl Thompson - Maple 6 String Bass.
Build quality
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The scroll design, while appearing top-heavy, is crucial for balance; removing it would make the bass unwieldy.
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User experience
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Despite its appearance, the Carl Thompson bass is lighter and well-balanced, but the frets could benefit from additional smoothing.
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Upper fret access on the Carl Thompson bass isn't optimal, surprising given its high-end status.
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Owners of Carl Thompson basses describe the playability as "dream-like," indicating a highly positive tactile and auditory experience.
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Some owners prefer the uncompressed bass sound from the "Brown Album," indicating interest in alternative production perspectives.
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Value and pricing
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Carl Thompson basses command high resale value due to limited availability and high demand, making them a strong investment for collectors or serious musicians.
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Comparisons
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The Carl Thompson bass is often mentioned alongside Wal Mk I basses, suggesting a shared esteem among enthusiasts for both brands.
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Features and functionality
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The Rainbow Bass by Carl Thompson is coveted for its unique aesthetics, which include intricate color patterns that are highly desirable yet rare.
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The Carl Thompson bass used on the "Brown Album" is made of birdseye maple with a cherry neck and ebony fingerboard, contributing to its distinct tonal characteristics.
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Extreme panning on the "Brown Album" can affect headphone listening experience, highlighting a unique production choice that influences perception of the bass tone.
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Other
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Carl Thompson basses are noted for their scarcity, which adds to their allure and mystique among bass enthusiasts and collectors.
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Use cases and applications
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Artist usage
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