in his breakdown of the cheerleader flp, he talks about using toraverb as an effect on the lead.

in the video at the two minute 38 seconds Mark they both show & discuss using ToraVerb on the track "Alone"

In a reddit ama Scott Hansen (aka Tycho) did, a Redditor asks him some gear related questions, including, "What’s your favourite reverb? Do you only use analog?"

Tycho answers:

"My favorite reverbs are probably the one on the Virus C series, the Ursa Major Space Station SST-282, and the Ursa Major StarGate 626. But I love Toraverb and Epicverb in the VST domain."

By "Toraverb" he means the D16 Group Toraverb reverb plugin.

In an interview, he's asked, "When I listened to your show last night, and when I listen to the records, I hear that really watery chorus reverb sound running through a lot of things. What is that?" Tycho replies:

"It’s definitely the D16 Toraverb, which has this… it’s a lot like that Ensoniq DP/4 thing. I guess it’s like a modulated reverb. But whatever’s going on in there it’s got this really weird kind of warbley thing, and I used to do a lot of pitch modulation on the actual tone or on the printed tone with the effects and just kind of warp it. So it sounds like it’s going through tape or something. And I found that I don’t really have to do that as much anymore when I use a reverb like that. So it’s really nice. But then on the Virus, that’s a Virus C, and I just felt like that series, whatever was going on with the conversion or the output stage, gives everything this warmth. It smooths things out and gives it this darker space. And so I like to run stuff through that. It’s got a nice sound."

Listed on this spreadsheet: https://external-preview.redd.it/tlQLmUOjrQ-QdWrTIJrq5mYo4Olghe6hEypG68ttD-w.png?auto=webp&s=9f150726172b96d32d5880f67e81bf49c14abff4

At 1:55 you can see toraverb on the mixer of Basses

At 2:28, it can be seen that the plugins used in Eelke's channel, SurfLead, are: Redopter, UAD Teletronix LA-2A and Toraverb.

Luke on his twitch stream uses D16 Group Toraverb on 1:30:08

Used on Minogue's vocals for "Dancing", as stated by producer Sky Adams in this July 2018 Sound on Sound interview.

"My vocal chain on the Kylie bus begins with a Logic Channel EQ, with a high?pass at 69Hz; I also boost 285Hz and 3100Hz. Next is the Waves CLA Vocals, with which I again boost some high end and add some compression, and a tiny bit of reverb; altogether it enhances the vocals a bit. The third plug?in is the Waves Butch Vig Vocals, with the de?esser and compressor both at 50 percent and adding some presence and air, all to give it some sharpness. For some reason Butch Vig gives a nice saturation and clarity on vocals, but I find that it only works on the Aston microphone. With every other mic I’ve used it tends to sound too distorted.

“The next plug?in is a Waves dbx 160 for some more compression, then the Waves SSL G?master bus compressor, set to a ratio of 2, attack 1 and release 3, and the Waves C4 multiband set to the Pensado preset, adding above 8kHz, the Waves API 560 EQ adding yet more high end, and the Waves RVox, with the compressor set to 4.2. I find that the RVox really helps to bring the vocal to the front.

“My main reverb in this session, which I used mostly on the vocals, and my favourite reverb in general, is the Toraverb. It’s really hard to find a good reverb, but I freaking love it, and I use it on almost everything. It has a wonderful tail off, and also a delay that works really well. ‘Crystal Cave’ is a favourite preset, which I use mainly on vocals. I don’t mind using the same reverb on everything, but in addition I sometimes use Logic’s Space Designer, which also has a great sound, and a wonderful tail that you can crank all the way up. The latest update, the Chronoverb, is amazing.”

Aiden Jude utilizes the D16 Group Toraverb in his studio and on his laptop, as evidenced by his Instagram post discussing a mix down.

Seen used in Hoodboi's Instagram story.