At 33:51, Avicii opens up the Waves TrueVerb Reverb Plugin.

"We use TrueVerb..." at 30:28.

At 14:12 Alex begin speaking about how they use a lot of Wave´s plugins. Later on they say that the TrueVerb plugin is great and FL's reverb does not compare.

Waves' TrueVerb and Renaissance Reverb sound a little bit rubbish, by which I mean they're not really highly useable. They don't sound super glossy, they sound a bit older, like a Lexicon or something. Occasionally frequencies bounce out that you wouldn't get in an expensive new reverb, and sometimes I really want that. Renaissance Reverb in particular with a very long decay can sound amazing on a piano, very wooden and real.

Imogen says: "It's going through a massive long reverb in TrueVerb, and then volume-ridden and processed and reversed... and probably going through TrueVerb again! I love how you can have this little tiny sound that turns into a monster after a couple of hours of playing."

Can be seen under Inserts at 5:15

can also be seen in https://twitter.com/AJRBrothers/status/1092561865983606784 at 0:43

In this Instagram Video, You can see Slushii making a track and at 0:42 you can see Waves TrueVerb in the plugin list.

At 1:58 in this Matoma video, the Waves TrueVerb Reverb plugin can be spotted on his screen.

In this video at 1:12:14 we can see Waves TrueVerb Reverb Plugin

Used for the vocals on "Big Girls Don't Cry", as stated by mix engineer JJ Puig in this November 2007 Sound on Sound interview. An image of the settings for the first verse can be found here.

Vocals: Digidesign delays, Waves Trueverb, Focusrite D2, Neve 1073, Inward Connection TSL3

“The two channels on the far left are the actual vocal tracks [‘LEAD**], and more to the right you can see that there’s a dedicated vocal channel for each section of the song, so I can create the right feeling from section to section. So the first verse [‘1stversvrb’*], the bit with just the acoustic guitar backing, has its own reverb using a Waves Trueverb, which is great. I’ve rolled off above 1k and left all the low end to make it darker and fuller sounding. I’m a Waves guy, they make the best stuff! The D2 gets rid of any dirt below 111Hz and also adds a bit of high end around 12k.

“The breakdown section has a Digirack Mod Delay II slap delay. There are different ambient feels and different attitudes for different sections. Towards the end, where she’s ad libbing, I put a longer delay on. The delays change for each section of the song, but the main long delay that was essential to how the vocals feel is on the entire vocal, which is why I had it on the main channel. It’s again the Digirack Mod II delay, set to 265.49ms.

The rest of the vocal effects were all done outside [the DAW]. I had a Neve 1073 between Pro Tools and the console, because I really wanted the sound of that Neve. The closer you can get to the original source with your effect, the more you’ll get the effect you want. If I’d stuck the Neve on an insert in the Focusrite, the signal would already have been coloured by the console, and the Neve sound would have been less obvious. I probably added +3dB at 12kHz on the Neve and +2dB at 220Hz. After that the vocals went through an Inward Connection TSL3, which is a great vocal compressor that adds great attack. You can get very aggressive with it, and you won’t hear it. I had about 8dB of compression, which is quite a bit, but as I said, you don’t hear it. It made her vocals more expressive.”

In this video at 1:40 we can see Waves TrueVerb Reverb Plugin

In the video description of "Feezo's Studio Tour 2025" on YouTube, Feezo confirms using the Waves TrueVerb Reverb Plugin.