"Some of my favorite synths must be Omnisphere, Sylenth, Razor, B4,..."

“I use a lot of Native Instruments stuff, like the Pro-53, the B4 organ. I also love the GForce M-Tron,”

This article states that Jerry's studio includes "Native Instruments B4, Propellerhead Reason, Sony Acid, and Tascam GigaStudio 96. Sound library of Acid and Giga files."

Gareth Jones' software: "Logic Audio, ReCycle!, Metasynth, MESA, Peak, ReBirth, Pluggo, Hyperprism, SonicWorx – for their amazing Time Designer plug-in, SoundDiver, Reaktor, Mercury, PPG wave 2.V, Pro-52, B4, VB1, M-Tron and Waves Renaissance bundle. Netscape, Eudora, QuickKeys, Retrospect and Action Files are also in daily use, of course."

Yes, I was there from the start! I got really into Reaktor when it was called Generator in, I don’t know, 1997? Massive was a long way in the distance then. Back then, Generator was tremendously exciting; to have that complexity and configurability in the box was pretty unprecedented, and I’m really happy that 25 years later, Reaktor is still thriving and sitting there solidly underneath all the other great Native Instruments stuff. The Reaktor community is still a treasure trove of odd, imaginative, envelope-pushing goodness. It didn’t take long to meet some of the people involved in those early Native years, and I’ve enjoyed a wonderful friendship with the team and the product ever since.

The next thing that properly sold me was Absynth, which I was a fan of since I had it as a beta v0.1. I got to know Brian Clevinger, who invented it, and just loved the synth from the start. When Native Instruments picked it up – and didn’t mess it up – it was a sign of very good taste. I also used the B4 Organ II and the old FM7 all the time.

In this article, Kim mentions that he uses a laptop running B4 as his main Hammond clone.

"I'll tell you what I'm in love with — that Emagic Clavinet. It sounds so cool. I just got the OS X version and it's inspiring. Their electric piano is also very nice and I think the Native Instruments B4 is great. My great concern at the moment is that when I start piling up all these virtual instrument and plug-ins as well as the video, the computer is going to reach its limits. Hopefully they will let you chain up a bunch of those XServe rackmount Macs to get around this. I'd like the whole system to be scalable. OK, you have to learn how to use the software, but beyond that, the technology should just disappear — the technology should be transparent. I don't want to have to think about anything other than my musical ideas."

"I used to love the Native Instruments B4, but I got frustrated with NI because their registration keys were messing up my laptop all the time. You can put in my public complaint here! So I've been switching to the Logic B3 whenever I can, and it sounds pretty great."