At 12:22 in the video titled "Atom Willard - Alkaline Trio - Tour Kit Rundown," released by Modern Drummer Official on YouTube, Atom Willard is seen discussing and using the Remo Pinstripe Clear Drumhead on his drums.

Mentioned in this 1993 Modern Drummer interview, archived on Colaiuta's official website.

Heads: Remo coated Ambassadors on top of snare and all toms, clear Ambassadors on the bottoms of toms, Pinstripe on bass drum

This picture from the interview shows it be clear.

Josh uses Remo Pinstripe clear heads on all toms, 8"- 16".

In the photo, Miguel Tapia can be seen using Remo Pinstripe Clear Drumheads on his drum set.

In a post on Instagram, Max Portnoy is shown using the Remo Pinstripe Clear Drumhead, as evidenced by a photo he shared on February 09, 2020, with the caption "It's been fun."

Blake explains his use of Pinstripes on his toms

Mentioned by Lynch in this February 1984 Modern Drummer Magazine interview. He opposes his Pinstripes to his other, white coated Remo drum heads, evincing their status as clear versions.

RF: Would you detail your setups, both live and recording?

SL: They might not always be different. They’re different now because of Jimmy and Tommy. They really like that Damn the Torpedos-esque sound.

RF: What comprises that sound?

SL: That is an older Tama drumset, the Imperial Star, which is a thin composite shell. They’re all stock sizes, a set you can buy off the rack, with a 14 x 24 kick drum, 8 x 12, 9 x 13, and 10 x 14 rack toms, and 16x 16 and 18x 18 floor toms. I never use all those drums at one time. They’re there in case they want to hear specific sizes. The most toms that I use is in a drum fill in the middle of “Don’t Do Me Like That.” I used four tom-toms. Usually Jimmy and Shelly like to hear two rack tom-toms, the 9×13 and the 10 x 14 on top of the kick drum along with the 16 x 16 floor tom. The snare drum I use is an old Ludwig Superphonic. [sic]

RF: You mentioned the “Refugee” snare. Is that the same one?

SL: That’s the one. I have a whole slew of snare drums, but that one snare cuts the majority of records. Occasionally I‘ll get an old brass snare on there. We’ll always use a white coated Diplomat bottom head, and depending on the song, we’ll use Pinstripes or white coated Ambassadors on the top. If we want a more live sound, I go with the white coated heads. I’ve taken all the mufflers out of the drums and I have any new ones made without mufflers. I never put any tape on any of the surfaces. That makes me very honest. I either tune my drum correctly or it sounds terrible.

My cymbal setup is Zildjian. Depending on the song, if you want a little less noise, go to bigger cymbals because they don’t ring as much. If you want things to sound real bright, go to smaller cymbals. Live, last tour I used a smaller set than I record with. I used a 22" bass drum, a 9 x 13 rack tom, a 16 x 16 floor tom and a duplicate of the studio snare.

RF: Why the smaller set live?

SL: I think the smaller set is more fun to play. It’s all part of the growth process too. I was trying to do something different. I just wanted to play a different setup because I thought maybe it would make me play differently. I t did too. Live, I use a 21" ride, a 22" swish, an 18" crash and 13" New Beat hi-hats, which are kind of unusual but they feel great. They’re a lot more fun. The 13" are a little more responsive for live stuff.

In a live show you vary your tempos from song to song like crazy. One song is really fast and the next song is a funeral dirge, so you have to have a kit that will respond to all of that and will work in extremes. Then it will work everything else in the middle. In the studio, you might spend two days working on one song, so you can tailor your setup to make that one song really work. Live you have to go for instant satisfaction.

RF: What about your heads for live playing?

SL: I’m using white coated Ambassadors on top and Diplomats on the bottom, and the same with the snare. The kick drum has the white coated Emperor on the live kit and in the studio I use an Ambassador, white coated. On the live kit I needed a little thicker head just for the security of it.

Andy Harrison is seen using Remo Pinstripe Clear Drumheads on his rack and floor toms, as evidenced by a user-uploaded photo.

John Blackwell is confirmed to use Remo Pinstripe Clear Drumheads, as listed in the July 2012 issue of Modern Drummer Magazine.

At 5:01 in the video, Nic Collins mentions using Remo Pinstripe Clear drumheads on the roto toms.

Aaron Solowoniuk uses Remo Pinstripe Clear Drumheads, as seen in various photos shared on his Twitter account.

Matz Ekström used the Remo Pinstripe Clear Drumhead while recording Candlemass's debut album, Epicus Doomicus Metallicus. This is evidenced by a user-uploaded photo on Fbcdn.