Pricing and availability

We compare 600+ stores and found this item at 7 stores. Prices updated .

Sweetwater
$1,899.00 $1,799.00 $100.00 · All time low
Guitar Center
$1,799.00
Reverb
5.0 (3)
$1,799.00 New
$1,045.17 Used
zZounds
$1,899.00
B&H
$1,899.00
Thomann
4.9 (47)
$1,368.00 $1,355.00 $13.00 · All time low

Price History

Based on price data from 6 merchants for "RME OCTAMIC 2". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

Elevate your studio's sonic capabilities with the RME OCTAMIC 2, the quintessential eight-channel microphone preamp and converter. Engineered with precision, this device is not just about amplifying sound; it's about capturing every nuance with unparalleled clarity. SteadyClock technology ensures superior sound quality by virtually eliminating jitter, making it a reliable choice for any professional setting.

Each of the eight channels comes equipped with independent gain control, offering flexibility and precision for both live and studio environments. Phantom power, high-pass filters, and phase reverse features are easily accessible, ensuring seamless operation. The unit’s low distortion and linear frequency response guarantee that your recordings are as true to life as possible.

Designed for versatility, the RME OCTAMIC 2 offers dual ADAT outputs for S/MUX operation up to 96kHz, while also providing AES outputs up to 192kHz. Whether you’re in need of analog or digital outputs, this preamp has you covered with both operating simultaneously. Its clip hold feature provides peace of mind by clearly indicating overloads, ensuring you maintain optimal signal integrity.

This robust unit not only stands out for its performance but also for its meticulous construction. With short-circuit protection and servo-balanced line outputs, the RME OCTAMIC 2 is built to withstand the rigors of continuous use, making it an essential tool for any serious audio professional.

Key Features:

  • 8-channel microphone/line preamp with analog-to-digital conversion
  • Up to 192kHz / 24-bit conversion for pristine audio quality
  • SteadyClock technology for reduced jitter
  • Independent gain control with phantom power, high-pass filter, and phase reverse on each channel
  • Dual ADAT outputs and DB-25 connector for AES/EBU outputs
  • Clip hold feature with LED indicators for signal integrity
  • Short-circuit protected, servo-balanced line outputs

Product specs

Available since September 2007
Channels 8
Number of microphone inputs 8
Instrument input Yes
Tubes No
Compressor/Limiter No
Equalizer No
De-Esser No
Phantom power Yes
Phase Reverse Yes
External effect loops No
Analogue Outputs Jack
Digitale Outputs ADAT, S/PDIF
Headphone connection No
Level Meter Yes
Design 19" / 1U

FAQs

How many microphone inputs does the RME OctaMic II have?

The RME OctaMic II features 8 microphone inputs, allowing you to connect multiple mics simultaneously for versatile recording setups.

Does the RME OctaMic II provide phantom power for condenser microphones?

Yes, the RME OctaMic II provides phantom power, making it suitable for use with condenser microphones that require this feature.

What are the digital output options available on the RME OctaMic II?

The RME OctaMic II offers digital outputs via ADAT and S/PDIF, allowing for flexible connectivity with various digital audio systems.

Is the RME OctaMic II capable of handling high sample rates?

Yes, the RME OctaMic II supports sample rates from 28 kHz to 200 kHz, accommodating a wide range of professional audio applications.

Does the RME OctaMic II include any built-in compressors or limiters?

No, the RME OctaMic II does not include built-in compressors or limiters, focusing instead on providing high-quality preamp and conversion capabilities.

Can the RME OctaMic II be used with instruments as well as microphones?

Yes, the RME OctaMic II features instrument inputs, allowing you to connect and record both microphones and instruments.

RME Audio

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Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about RME OCTAMIC 2.

Features and functionality

  • The Octamic II's TRS inputs have a 7dB pad, raising input impedance to 5kOhms, suitable for line inputs but without phantom power.

    Source
  • The RME OctaMic has been mentioned as a high-price solution to pair with the UFX II for achieving 8 XLR inputs, ideal for extensive post and music work.

    Source

Setup and maintenance

  • Using XLR connections for line inputs on the Octamic II results in a lower input impedance of 2kOhms, still manageable for most synths and drum machines.

    Source

Use cases and applications

  • The Octamic II's combi-jack inputs allow flexibility, but setup in a rack without rear access can limit on-the-fly switching between mic and line inputs.

    Source
  • Users have reported using the RME UFX with jazz recordings, achieving clear, detailed sound without additional preamps, demonstrating its capability in professional settings.

    Source

User experience

  • Owners find organizing gear with a patchbay beneficial, reducing the hassle of accessing rear panel connections for frequent cable changes.

    Source
  • Owners praise RME interfaces for exceptional reliability and stability, citing zero crashes and consistent performance over many years.

    Source

Software and compatibility

  • The TotalMix software by RME is noted for its advanced routing capabilities, though some users find it has a steep learning curve.

    Source

Comparisons

  • RME's transparency in monitoring is highlighted as superior compared to Apollo, with specific praise for its driver stability and sound quality.

    Source

5.0 out of 5

Based on 1 Review and 6 Ratings

5 star
4 star
3 star
2 star
1 star
rettervondunkel

8 mic / unbalanced line with pad. excellent preamps. exceptional stability

Rackmount Version 8 separate tracks mic / line with on / off buttons 48v/coupe High Low cut for each track. Input on the back and on the front setting with very specific knobs, solid and a gauge on each track to control the level with green LED / orange / red

UTILIZATION

Easy to use, very powerful converter, sober, faithful and natural. Synchronization with the ufx Fireface is the simplest way. Manual clear in all languages. Not even need to use it. The synchronization is done alone.

SOUND QUALITY

The preamps are really good and it is at this level that RME is very strong. RME is more expensive but the quality is. I've had it for 10 years before: Tascam 1641 (value for money), various soundcards maudio, Alesis, Korg D3200 Converter ... preamp and RME are really a higher level. Its transparent

OVERALL OPINION

It's expensive but it's worth it. It's true, it's solid, it's accurate. So we must know what we want. Value combined with the rest of the equipment needed to get 16 or 24 tracks of all budget prices are high.

Artist usage

Add artist
See how Paul Frick uses RME OCTAMIC 2

Paul Frick

Keyboardist, Music Producer

Tangerine Dream

...
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Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use RME OCTAMIC 2, it is most commonly used with the following gear.

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