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Create your EquipboardGuitars 15
Maybe it's the luck of the draw, but this Squier strat plays and sounds better than my American strat ever did. Bought for Northern Terrace / Milk. Main axe to this day.
Love this, replaced my SG and works as an "everything" guitar considering the coil tap. Bought prior to Free Rock National Park and used on all subsequent albums.
Recorded it on "Monuments", then sold it to a pawn shop so I could go to Upstate New York for a hiking trip. When I returned, I went back to the pawn shop to see if it was still there (it was, and there was a New Threads business card in the gig bag to prove it), so I bought it back. For less than I sold it for.
Bought during a short break we took in between self-titled and FW album cycles. Used for all of my guitar tracks on FW (except ALM and Monuments). My main electric for the entire second half of 2018 and through the FW cycle. I upgraded a lot of the hardware, including the tuners (I took the garbage Min-E Tuners off and put Grover lockers on), the pickups (dropped a Super Distortion in the bridge), as well as the bridge and nut.
Bought this guitar and recorded it on "Body" and "KEEP'EMOUT!". Eventually, I sold it to Nick and he used it as his main guitar for that whole year really. About 6 months after he left the band, I bought it back from him and now I use it as my backup guitar. I dropped a couple PAF 36th's in there, too.
Used a heavy modded one of these for pretty much all of the second NT album as well as the second SB album. Didn't get recorded anywhere else, but I used it live for all of 2017 and the first half of 2018. Bought it right after we finished recording DITA.
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Until I got my hands on the Guild, I was using this guitar on pretty much everything. It was the acoustic guitar heard on Death in the Afternoon + self titled, as well as on every project I did pre-college and the 10-track mixtape from 2017.
In the final chorus of the song ["California Bound"], there are these distorted guitar bends at the beginning of each bar, walking up the scale. That was a Fender Mustang 90 with a Dimarzio Tone Zone in the bridge.
Used this guitar on the 10-track mixtape I made- including guitar tracks that would make it onto the album version of "Body". Sold soon after that was made, only used on the one track.
Used live a good amount in Summer 2018, as well as on the rhythm tracks for "Alone, Leave Me" and "Monuments".
Used it live once, at a house show. Never beyond that. Used on a couple of b-sides to the second album.
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Most of my electric tones from the first record came out of this... as well as Justin's PRS Custom 22.
This was my first electric guitar. Enjoyed it for a while, never made it onto a NT or SB album. Appears on a record i did in high school.
Never recorded ...except for in "Peach", there's 4 acoustic guitar tracks, and two of them are this guitar. It was also on "When I Get Paid" from SB1. It's biggest role was in the "Now & Then" music video.
Effects Pedals 28
Used since I built my first pedalboard, in 2016. Used on every record to date.
Bought this right before we came out with 'Buford.'
Used in the bridge of "California Bound" as well as the solo of "Alone, Leave Me".
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Used on "Body", "KEEP'EMOUT!", and the first guitar solo in "Long Ride". Sold it after we finished up NT, but I found myself missing it for that year, and so when we began touring FW, I bought it again.
This replaced my Dyna Comp. I used it throughout Bootleg and Free Rock.
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The clicking delay that starts "Alcohol" and finishes "Peach" is coming from this pedal.
Used on most of FW. Excellent pedal, and I plan to keep it until further notice.
Summer 2018 live delay. Appears at the end of "Monuments".
Used this pedal for all main rhythm tones on the second NT record, then bought it again after we finished recording FW.
Been on my board since Summer 2018 when we recorded FW. "America" and "Strawberry Shake" feature this pedal prominently.
My first "real" power supply, other than the Donner. I can't see a reason to replace it yet.
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"Alcohol" and "California Bound" are the only two tracks with this pedal in it on rhythm, but Nick used it for lead tones on the whole record.
Used on "Body" and "KEEP'EMOUT!" with the Jackson JS22.
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All of the rhythm tones on these two songs feature heavy use of the MXR Micro Chorus.
In the bridge, when the tapping solo happens, the rhythm tones both flange and phase. This is the phaser.
Amplifiers 8
Used this amp for all of the second record and for "Alone, Leave Me" and "Monuments". After we recorded FW and started playing out, I stopped using my Orange head and converted this into a head for my Egnater cab.
Paired with my Orange CR120, this thing is amazing. Used for touring during FW and the tail end of ST. In March 2019, I sold the orange and continued to use this cab with my Fender Hot Rod Deluxe that I converted into a head.
Was primarily used for touring and promo during the ST/FW era. When I re-recorded most of the guitar tracks for FW, I used this head and the Egnater cab. Sold in March 2019.
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Used this amp for the house circuit we played in 2017 promoting Death in the Afternoon. Never recorded.
Even better than V1- that tuner and xlr output are very useful.
Packs a serious punch, especially when considering the size. Bought right before Gone Wild, and haven't looked back.
Other Gear 1
Best pick around. Used on every guitar track I've ever recorded.
Wishlist 0
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