Bill Frisell

The Jazzguitar article "Bill Frisell Guitars, Amps & Effects" details Bill Frisell's use of the Boss DD-2 Digital Delay pedal as part of his gear setup.

In this interview Bill mentions his old CryBaby pedal.

You can see Bill Frisell playing his Gibson Hummingbird throughout this video.

In this video Bill Frisell demonstrates his pedalboard, that includes this pedal.

In this video Bill Frisell demonstrates his pedalboard. The WHE Ring Worm is not feaured, but it is waiting for its turn near the board.

In this video Bill Frisell demonstrates his pedalboard. The ZVEX Ringtone is not feaured, but it is waiting for its turn near the board.

A Sarno Music Solutions Flare Drive can be seen in this photo of Bill's pedalboard.

In an interview with Premier Guitar, Bill Frisell discusses his use of the Gibson ES-125.

In an interview with Premier Guitar, Bill Frisell discusses using the Lexicon MPX100 effects processor as part of his gear setup.

In this Premier Guitar article Bill Frisell talks about his gear.

In this Premier Guitar article Bill Frisell talks about his gear.

In this article Bill Frisell’s gear is explained.

In this article Bill Frisell’s gear is explained.

The Jazzguitar article "Bill Frisell Guitars, Amps & Effects" details Bill Frisell's use of the Mesa Boogie Blue Angel 4x10 amplifier.

This article mentions that Bill uses a Digitech 8 second delay.

In this video Bill Frisell demonstrates his pedalboard. The Micro POG is not feaured, but it is waiting for its turn near the board.

A T-Rex Room-mate Reverb can be seen sitting atop Bill's Gibson amp at 0:19 in this video.

Frisell talked about how he used the Roland GR-300 on his album, “Rambler”.

In the Premier Guitar article "Bill Frisell: To the Great Beyond," Bill Frisell discusses using the TC Electronic Polytune Mini as part of his gear setup.

In this article Bill Frisell’s gear is explained.

In this article Bill Frisell’s gear is explained.

In this article Bill Frisell’s gear is explained.

In this video,Bill Frisell played the classic Roy Rogers tune on a Waterloo WL-14 (x-braced) guitar.

Nels Cline & Jeff Tweedy of Wilco, Elvis Costello, Troy Van Leeuwen, Bill Frisell, Thurston Moore & Lee Ranaldo of Sonic Youth, as well as thousands of others are now using the Mastery Bridge

Bill Frisell speaks about his '66 Tele in this article.

This picture shows Bill Frisell and his '69 Thinline Fender.

"It’s basically an ES-175 but the headstock is bound, the F-holes are bound and the neck is a five-piece maple neck, more like an L-5 neck. And the fingerboard is ebony and the bridge is ebony. I think the back is maple instead of mahogany, too"

This guitar design arose from conversations I had with Bill Frisell concerning a guitar he could travel with. Since building the first “Little Archie” for Bill in 1996, I’ve found the appeal of a small, easily carried archtop to be wider than I had expected. The lower bout is 14?, and the body depth 2? or 2.5?. Yet the guitar is “full-sized” in the areas that really count: Scale length, neck size and shape, and bridge and soundboard design. Because I consider this a professional or performer’s guitar, a “floating” magnetic pickup is included. The “Little Archie” sounds incredible plugged in, and is surprisingly resistant to feedback.

Standard features:

Engelmann Spruce soundboard 2? or 2.5? body depth 14? body width 24.9? or 25.4? Scale length Waverly tuners Lollar Johnny Smith pickup Nickel plated Deco style tailpiece Includes a custom-made gig bag Price $8,500

“The Delay Llama+…great! So cool to actually have a “real” analog delay…where it does some more unexpected..out of control things….This is cool !”

“The Wahcko+ is fantastic! Now I finally have a great wah-wah pedal !”