"The next button is for a master loop that switches any of the top devices in and out, except the tube reverb. The next one is for a real strange unit, a large very old Boss flanger in a blue cast metal box. He hits that only when he wants to get totally crazy. The next one controls an Alesis Microverb that's in a strange setting that's 100% reverb."

In this quote from Peter Katis, the producer of TOTBL and Antics, he says “The band have used Fender amps from the beginning, augmenting their sound on their debut with a handful of pedals and preferring pedals to amp reverb, with the humble Alesis MicroVerb featuring heavily on TOTBL: “Cheaper reverbs have a sound that is darker and messier and cooler…” said Katis. “Without that little $50 piece of gear, the record would’ve sounded totally different.”

In this quote from Peter Katis, the producer for TOTBL and Antics, he says, “The band have used Fender amps from the beginning, augmenting their sound on their debut with a handful of pedals and preferring pedals to amp reverb, with the humble Alesis MicroVerb featuring heavily on TOTBL: “Cheaper reverbs have a sound that is darker and messier and cooler…” said Katis. “Without that little $50 piece of gear, the record would’ve sounded totally different.”

In this article Bill Frisell’s gear is explained.

Anastasio has been using an Alesis Microverb since the mid-80's. "It's like a backwards delay," the guitarist said at (6:00). "It's a delay, but it's flipped around backwards, so it comes toward you," he said.

can be seen in this post from December 25, 2013

The equipment responsible for Torn's unique guitar treatments live revolves around a Steinberger guitar and a collection of delays and effects - a Lexicon PCM70, PCM42, with 20 seconds of delay time, ADA and Ibanez harmonisers, a BBE Sonic Enhancer and a Microverb. At home in the 'States he has an E-mu Emax sampler, Casio CZ101, TX81Z, Alesis HR16 drum machine, a Macintosh running Performer 2.3 and Intelligent Music software and "all kinds of weird home-made things."

Showed up in a list of Ryo Okumoto’s gear on the Spock’s Beard official website.

"My favourite piece of gear of all time is the Alesis Microverb." This could be seen as a strange admission for a man at the top of his profession, who can afford a corresponding level of equipment. But David is adamant: "It's just the best reverb in the world. Well, it's not actually the best reverb in the world, but I like it. In fact, it wasn't until I heard TC's M5000 that I was tempted by any other reverb. I'd been so impressed by the M5000's reverbs that the second the Wizard appeared I bought one. It does everything, and somehow it's got character. That's what it is with the Microverb. It's clearly technically not a very good reverb, but it has character."