Blush Response

"Nowadays my setup consists of a giant eurorack modular (8 rows @104 hp, ever growing and changing), Waldorf Micro Q Keyboard, Kawai K5000s, Elektron Octatrack, Analog RYTM, and Digitakt, and a revolving door of other little things that come in and out."

"Nowadays my setup consists of a giant eurorack modular (8 rows @104 hp, ever growing and changing), Waldorf Micro Q Keyboard, Kawai K5000s, Elektron Octatrack, Analog RYTM, and Digitakt, and a revolving door of other little things that come in and out."

In an article on the Arturia website, Blush Response mentions using Arturia Pigments 3.5.

(youtube link description) Earlier this month, industrial techno artist Blush Response dropped by the KOMA Elektronik studio combining his live eurorack rig with our prototype Komplex sequencer and other gear.

"...an interesting conversation with Joey about how he works with the Elektron Octatrack and Analog Rytm drum machines..."

"...an interesting conversation with Joey about how he works with the Elektron Octatrack and Analog Rytm drum machines..."

in this video at "0:32"

"My first proper setup was out of my college dorm room. I had an Access Virus TI, Waldorf Microwave XTk, Waldorf Pulse, Korg MS20, and Dave Smith Evolver. I did my first releases with this setup - a lot of synths had come into my life before then - juno 106, microkorg, nord lead 2x, to name a few, but those 5 were the constant ones. At the time I wanted the most and varied synth power. I always try to make sure there is no overlap in functionality between my various pieces. Nowadays my setup consists of a giant eurorack modular (8 rows @104 hp, ever growing and changing), Waldorf Micro Q Keyboard, Kawai K5000s, Elektron Octatrack, Analog RYTM, and Digitakt, and a revolving door of other little things that come in and out. All of this recorded into Ableton Live, though lately I’ve been experimenting with Bitwig Studio as well. I really like Bitwig’s built in modulation capabilities."

"All of this recorded into Ableton Live, though lately I’ve been experimenting with Bitwig Studio as well. I really like Bitwig’s built in modulation capabilities."

"Nowadays my setup consists of a giant eurorack modular (8 rows @104 hp, ever growing and changing), Waldorf Micro Q Keyboard, Kawai K5000s, Elektron Octatrack, Analog RYTM, and Digitakt, and a revolving door of other little things that come in and out."

"My first proper setup was out of my college dorm room. I had an Access Virus TI, Waldorf Microwave XTk, Waldorf Pulse, Korg MS20, and Dave Smith Evolver."

"The oscillator is an Intellijel Shapeshifter into a WMD synchrodyne into a KOMA SVF-201 A Manhattan Analog VCA on the end being modulated by MATHS. [uh, the module, though everything I do is modulated by maths!] Everything is sequenced by the Komplex sequencer Drums are the [Roland AIRA] TR8 through the [KOMA] FT201."

In the CDM Create Digital Music article by Peter Kirn, a photo reveals Blush Response using the Mutable Instruments Yarns, visible at the lower left side of the setup.

This Youtube video from Blush Response include first impressions with the Korg RADIAS Rack

"The oscillator is an Intellijel Shapeshifter into a WMD synchrodyne into a KOMA SVF-201 A Manhattan Analog VCA on the end being modulated by MATHS. [uh, the module, though everything I do is modulated by maths!] Everything is sequenced by the Komplex sequencer Drums are the [Roland AIRA] TR8 through the [KOMA] FT201"

"All of this recorded into Ableton Live..."

The oscillator is an Intellijel Shapeshifter into a WMD synchrodyne into a KOMA SVF-201 A Manhattan Analog VCA on the end being modulated by MATHS. [uh, the module, though everything I do is modulated by maths!] Everything is sequenced by the Komplex sequencer Drums are the [Roland AIRA] TR8 through the [KOMA] FT201.

In the article by Peter Kirn on CDM Create Digital Music, Blush Response details their live setup, which includes the Manhattan Analog MA35 VCF/A as part of their modular synthesizer configuration. This module is used alongside an Intellijel Shapeshifter, WMD Synchrodyne, KOMA SVF-201, and is modulated by MATHS, with sequencing handled by the Komplex sequencer. Drums are processed through the Roland AIRA TR8 and KOMA FT201.

The oscillator is an Intellijel Shapeshifter into a WMD synchrodyne into a KOMA SVF-201 A Manhattan Analog VCA on the end being modulated by MATHS. [uh, the module, though everything I do is modulated by maths!] Everything is sequenced by the Komplex sequencer Drums are the [Roland AIRA] TR8 through the [KOMA] FT201.

"I can sequence CC changes using the midi to cv converter (currently a Vermona QMI) so I can have these evolving sequences that sound like cut up parts you would have done in a computer."

"Nowadays my setup consists of a giant eurorack modular (8 rows @104 hp, ever growing and changing), Waldorf Micro Q Keyboard, Kawai K5000s, Elektron Octatrack, Analog RYTM, and Digitakt, and a revolving door of other little things that come in and out."

"My first proper setup was out of my college dorm room. I had an Access Virus TI, Waldorf Microwave XTk, Waldorf Pulse, Korg MS20, and Dave Smith Evolver."

"My first proper setup was out of my college dorm room. I had an Access Virus TI, Waldorf Microwave XTk, Waldorf Pulse, Korg MS20, and Dave Smith Evolver."

"My first proper setup was out of my college dorm room. I had an Access Virus TI, Waldorf Microwave XTk, Waldorf Pulse, Korg MS20, and Dave Smith Evolver."

In the YouTube interview conducted by Mode Phaser, Joey Blush of Blush Response can be seen using the Arturia MiniBrute Analog Synthesizer, positioned to the right side of his monitor.

You can notice the DPO ath the left of the modular rig on the lower side of the photo...

You can see BR plays it at 0:39 of this video.

"...on the end being modulated by MATHS. [uh, the module, though everything I do is modulated by maths!]"

You can notice it the first time at 0:33 of this video clip.

The Cwejman AI-2 Audio Interface is on the left-bottom side of the frontal rack...