Colin Hay

Colin uses an yearly black Yamaha sc-1500.

EDIT: The website originally linked to appears to be down or non-existent at this point, so a better piece of evidence is this live video of Men at Work performing in 1983. Around the 2:12 mark, we can see Colin's SG when the camera zooms in and pans down for his solo.

According to Maton's website, Hay also uses the Maton C.S. Grand acoustic guitar.

In the back of the source photo of men at works snl performance a JC-120 can be seen.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the Klon Centaur overdrive.

In the photo in this source Colin can be seen playing a sunburst SC-1200.

According to Maton's website, Hay also uses the Maton W.A. May model, which is actually a tribute model to Maton's founder.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the Line 6 DL4 delay pedal.

During 2009 concert in Denver, Hay used this guitar. This guitar also has the Bigsby system added to it.

In this video tutorial, Colin shows off his beautiful Custom Shop Pre-War J-200 Reissue

During Hay's 2007 performance at The Independent, he briefly used the orange Duesenberg Starplayer TV.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the CAE Boost/Line Driver.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the Mad Professor Little Green Wonder.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the Menatone King of the Britains.

The second is an acoustic board designed for Colin Hay of Men at Work. Colin wanted a very versatile system that was state of the art. It allows him to blend his dry acoustic sound with stereo effects.

A custom box was built by Martin to allow a DI feed and stereo XLR through the pedals to the house as well as a mono amp send. The box also allows a master mute of all outs to the tuner and a mute of the XLR's and amp send individually. The XLR's are ISO'd with two Jensen Transformers.

The signal chain is as follows: Custom switching box---Demeter Tube DI---EBS Comp----Durham Sexdrive----Fulldrive II----Boss Loop Station---TC Modulator----TC Nova Delay---Swith box.

The Demeter tube DI is an incredibly natural sounding piece. The TC pedals blended in stereo are amazingly spacious.

The second is an acoustic board designed for Colin Hay of Men at Work. Colin wanted a very versatile system that was state of the art. It allows him to blend his dry acoustic sound with stereo effects.

A custom box was built by Martin to allow a DI feed and stereo XLR through the pedals to the house as well as a mono amp send. The box also allows a master mute of all outs to the tuner and a mute of the XLR's and amp send individually. The XLR's are ISO'd with two Jensen Transformers.

The signal chain is as follows: Custom switching box---Demeter Tube DI---EBS Comp----Durham Sexdrive----Fulldrive II----Boss Loop Station---TC Modulator----TC Nova Delay---Swith box.

The Demeter tube DI is an incredibly natural sounding piece. The TC pedals blended in stereo are amazingly spacious.

The second is an acoustic board designed for Colin Hay of Men at Work. Colin wanted a very versatile system that was state of the art. It allows him to blend his dry acoustic sound with stereo effects.

A custom box was built by Martin to allow a DI feed and stereo XLR through the pedals to the house as well as a mono amp send. The box also allows a master mute of all outs to the tuner and a mute of the XLR's and amp send individually. The XLR's are ISO'd with two Jensen Transformers.

The signal chain is as follows: Custom switching box---Demeter Tube DI---EBS Comp----Durham Sexdrive----Fulldrive II----Boss Loop Station---TC Modulator----TC Nova Delay---Swith box.

The Demeter tube DI is an incredibly natural sounding piece. The TC pedals blended in stereo are amazingly spacious.

The second is an acoustic board designed for Colin Hay of Men at Work. Colin wanted a very versatile system that was state of the art. It allows him to blend his dry acoustic sound with stereo effects.

A custom box was built by Martin to allow a DI feed and stereo XLR through the pedals to the house as well as a mono amp send. The box also allows a master mute of all outs to the tuner and a mute of the XLR's and amp send individually. The XLR's are ISO'd with two Jensen Transformers.

The signal chain is as follows: Custom switching box---Demeter Tube DI---EBS Comp----Durham Sexdrive----Fulldrive II----Boss Loop Station---TC Modulator----TC Nova Delay---Swith box.

The Demeter tube DI is an incredibly natural sounding piece. The TC pedals blended in stereo are amazingly spacious.

In a Facebook post, Colin Hay's pedalboard is shown featuring the TC Electronic Stereo Chorus Flanger.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the Ernie Ball VP JR volume pedal.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the TC Electronic Vintage Delay.

According to Hay's 2011 pedalboard photo, one of the pedals he was using back then is the Peterson StroboStomp.

The second is an acoustic board designed for Colin Hay of Men at Work. Colin wanted a very versatile system that was state of the art. It allows him to blend his dry acoustic sound with stereo effects.

A custom box was built by Martin to allow a DI feed and stereo XLR through the pedals to the house as well as a mono amp send. The box also allows a master mute of all outs to the tuner and a mute of the XLR's and amp send individually. The XLR's are ISO'd with two Jensen Transformers.

The signal chain is as follows: Custom switching box---Demeter Tube DI---EBS Comp----Durham Sexdrive----Fulldrive II----Boss Loop Station---TC Modulator----TC Nova Delay---Swith box.

The Demeter tube DI is an incredibly natural sounding piece. The TC pedals blended in stereo are amazingly spacious.

The second is an acoustic board designed for Colin Hay of Men at Work. Colin wanted a very versatile system that was state of the art. It allows him to blend his dry acoustic sound with stereo effects.

A custom box was built by Martin to allow a DI feed and stereo XLR through the pedals to the house as well as a mono amp send. The box also allows a master mute of all outs to the tuner and a mute of the XLR's and amp send individually. The XLR's are ISO'd with two Jensen Transformers.

The signal chain is as follows: Custom switching box---Demeter Tube DI---EBS Comp----Durham Sexdrive----Fulldrive II----Boss Loop Station---TC Modulator----TC Nova Delay---Swith box.

The Demeter tube DI is an incredibly natural sounding piece. The TC pedals blended in stereo are amazingly spacious.

Hay can be seen using a Roland SDE-2000 Digital Delay mounted on a stand in front of him during this performance in Hamburg, Germany in 1982.

Dynaverb is part of his rig for tour with Man At Work

EP booster is part of his rig for tour with Man At Work

Shin Dumbloid is part of his pedalboard for Man At Work .

In an article by Paul de Benedictis on Mixonline, Colin Hay discusses how he utilized the Lauten Audio Atlantis FC-387 microphone for his solo album "Next Year People."