Dan Deacon

At 3:24 in the video, the PM7 can be seen amongst Deacon's effects pedals.

A Boss DD-3 Digital Delay can be seen in the top left corner of this April 5, 2008 photograph by Milo Winningham.

At 3:21 in the video, the TimeFactor can be seen amongst Deacon's pedals.

At 3:24 in the video, the AP7 can be seen amongst Deacon's effects pedals.

At 3:25 in the video, the TR-2 can be briefly seen, out of focus and partially obscured by the DigiTech Whammy pedal.

"Sometimes there's a ProCo RAT distortion on there too, but it depends if it decides to work or not." This quote can be found near the end of the third paragraph under the 'Signal Processing' section.

In this article by Sound on Sound, Dan talks about his pedals, including his Digitech Whammy, saying, "A Digitech Whammy Pedal pitch-shifter starts the chain, and that goes into an Ibanez PM7 phase modulator." In one of the sidebar pictures, it can be seen that the Whammy Pedal is a Digitech Whammy 4.

At 3:48 in the video, two MF-105Ms can be seen amongst Deacon's racks of Moogerfoogers.

At 3:48 in the video, two MF-103s can be seen amongst Deacon's racks of Moogerfoogers.

At 3:51 in the video, a MF-102 can be seen amongst Deacon's racks of Moogerfoogers.

At 3:51 in the video, two MF-104Zs can be seen amongst Deacon's racks of Moogerfoogers.

"I use the Moogerfooger FreqBox as my oscillator and frequency tracker. I really like to send the drums through it: using the drums as a gate on the oscillator sounds awesome."

Visible in this April 5, 2008 photograph of Deacon's equipment by Milo Winningham (taken at the Picador in Iowa City, Iowa) and in the Pitchfork In the Studio documentary on Bromst at 2:10.