George Lynch

George Lynch’s guitar tech, Jerry Ganaden, talks about the Marshall ’68 Plexi in this video interview from Premier Guitar. At 3:30. he says, “That’s a ’68 Plexi. It’s bone stock. There’s a lot of people that speculate that it’s been modded at some point, but it hasn’t been. Some of the guys that have done work on this amp, to either do maintenance or even restore it, look at it and it’s like it doesn’t need anything. It’s just a straight up bone stock amp.”

In December 2013, George Lynch posted this on his website :

"Hey everyone. Happy holidays. George needs your help to recover a Soldano head that was stolen in 1993. The head missing is the gray one (not snakeskin) on the bottom in this photo. The manifest serial number is 88051. This is the amp used for the Wicked Sensation sessions and is the best sounding Soldano George has ever used in his own words. If anyone has any details on this amp, please email us at [email protected] thank you!"

ENGL Straight head can be seen in this video @ 3:25 This head was sold on reverb here: https://reverb.com/item/19214231-engl-straight-100-e504-head-george-lynch-owned

In the official video for KXM's "Scatterbrain," George Lynch is seen playing an ESP Telecaster with a Floyd Rose tremolo bar, using a Metz Amplifier Head.

As seen in this 1980's Randall ad found on Pinterest. Also referenced in this article:

https://www.woodytone.com/2009/09/23/george-lynchs-breaking-the-chains-gear/

Legendary guitarist George Lynch plugs his signature ESP guitar straight into the Supro 1695T Black Magick and lets it rip!

(on the album REvolution) for the solos, I used the Bogner and a Marshall JCM800 (vertical jack) that was modified by John Suhr.

George Lynch’s Lynch Box Amp Head is shown in detail at 4:45 in this video interview with Lynch’s guitar tech, Jerry Ganaden.

George Lynch’s Lynch Box Extension Cabinet can be seen at 0:38 in this video interview with Lynch’s guitar tech, Jerry Ganaden.

All of the guitars on that record (REvolution) were recorded pretty straight forward and without a lot of overdubs or effects. There are two rhythm tracks on all of the songs, one done with a Bogner Uberschall and the other with a Diesel VH4. Both are really nice amps and very similar in tone.

The Lynchback takes off where the legendary greenback left off. Adding more headroom and a tighter bass response, we look forward to hearing this new born rock monster in action. Tune in and catch the first moments of announcement live from NAMM 2011 with collaborator and tone afficianado, George Lynch.

From the 2016 Return to the east show, at 3:05 and 3:11 you can see it on George Lynch's side.

Used in this video and used on the Dirty Shirley album in 2020

Featured on page 43 of Amps!: The Other Half of Rock 'n' Roll by Ritchie Fliegler.

Park "JTM 45" #143.

All of the guitars on that record (REvolution) were recorded pretty straight forward and without a lot of overdubs or effects. There are two rhythm tracks on all of the songs, one done with a Bogner Uberschall and the other with a Diesel VH4. Both are really nice amps and very similar in tone.

George Lynch tweets, "Headhunter ! Finally arrived after a long four years of R&D. Worth the wait! #Randall #Lynchbox #lynchmob #dokkentone"

Link provided from Rivera webpage news feed: https://web.archive.org/web/20070407193158/http://www.rivera.com/

Quote: "George Lynch used a K-Tre and Celestion T-75 loaded Rivera 4x12B on a new album he's about to release. He used it on most of his leads!"

Also another link:

http://www.guitarplayer.com/artists/1013/george-lynch2/16992

Quote: Guitar Player Magazine: Did you stick with the same gear to maintain that continuity? George Lynch: No, there was a whole bunch of gear. At this point the basics of my rig are my Randall Lynch Boxes, my ’68 plexi Marshall, and my #6 Soldano built in 1987 that was on the very first Lynch Mob record. For the bulk of the rhythms on this record, I used Engl Powerballs through old Hiwatt cabinets. I used some Rivera amps occasionally. I used my plexi for solos, my ’65 Super Reverb for a lot of the cleaner stuff, and one of my secret weapons—my ’70s WEM Dominator with a 15" speaker. It’s a bass amp that’s great for real chimey AC30 sounds.

George Lynch's signature Randall head seen being demo'd at NAMM 2011.

shown in detail at 2:33 in this video.

shown in detail at 7:14 in this video.

shown in detail at 7:52 in this video.

shown in detail at 8:34 in this video.

shown in detail at 9:52 in this video.

shown in detail at 10:10 in this video.

shown in detail at 10:34 in this video.

shown in detail at 11:45 in this video.

shown in detail at 2:44 in this video.

According to an article on WoodyTone, George Lynch used a Randall RG80-112SC 2-Channel 80-Watt 1x12" Solid State Guitar Combo. The article mentions, "At one point George actually had 10 loaded Randall 4×12 cabs and 10 Randall RG-100 heads on stage, but what was miked was a Randall RG-80 combo amp on a chair behind his wall-o-amps."