Jonny Greenwood

"Warren miked all vocals with Shure Beta 87As, and used Shure MC50Bs for acoustic piano and Glockenspeil, Audio-Technica mics for guitar, Sennheiser 504s and a Shure Beta 98 on the drums, and an Audix OM3 for guitarist Jonny Greenwood's amp." - Mix Online.

Johnny in this version of "The Numbers" plays into a Vox AC30 Combo amplifier. Seated above the amplifier, a vintage CR78 is being used as the drum track for this performance. The machine is also reference in the title of the Youtube video.

In the article, you see Jonny's pedal setup, which includes the BOSS RE-202.

In this kingofgear tumblr post, there's a review of Jonny's gear from The Smile's January 2023 NPR Tiny Desk appearance. You can see a Boss Space Echo RE-202, Akai HeadRush Delay/Looper, Boss DD-200 Digital Delay, Boss SD-1 Super Overdrive, EHX nano Freeze, and Boss TU-2 tuner.

Jonny began using the Ondes Martenot during the recording of Radiohead's Kid A, and has used it in many of his subsequent projects. His advocacy of the instrument helped revived public interest in it after years of falling into obscurity.

Visible in this Twitter post by Radiohead's producer, Nigel Godrich.

A user-uploaded photo shows Jonny Greenwood's pedalboard with the Strymon TimeLine visible among his effects.

Nano pog seen on his pedalboard in this live stream

"On the recent live performances of Bending Hectic with The Smile, Jonny used an Earthquaker Devices Hizumitas fuzz pedal. The Hizumitas is based on the “Elk Big Muff Sustainar”, a vintage knockoff of the EHX Big Muff with a modified tone control circuit. That said, any Big Muff version will get very close to that sound (except perhaps the OpAmp version).

Jonny’s solo on that song sounds very Malkmus-inspired, and perhaps the pedal was too, given how many Earthquaker pedals Malkmus used on his recent solo tours, and Malkmus’s 2019 interview with Earthquaker. Jonny added the Hizumitas pedal to his board part-way through the May-July tour, along with an Electro-Harmonix Pitch Fork." -The King of Gear, https://thekingofgear.com/post/701105264119742464/jonny-greenwoods-pedalboards-for-the-smiles

The Hizumitas is seen on the top, three from the right in this link.

according to the king of gear (https://thekingofgear.com/jonny/effects), Jonny used the boss od-2 live in 2015 and 2017.

the interstellar overdriver can be seen at bottom right

source: instagram of the smile

Jonny Greenwood uses the DigiTech WH-4 Whammy (4th Gen) on his left pedalboard, as detailed in Michael's Gear Blog on Austin City Limits.

Visible behind Jonny at the 2:22 mark of this performance of The Smile at Primavera Sound 2022 in Barcelona.

According to this rig diagram Jonny Greenwood used this strings in 1997.

Thom and Jonny shared a pair of small combo amps, using a Fender ‘68 Custom Reissue Deluxe Reverb for guitars and an Ampeg RB-110 combo for bass. Both amps belong to Tiny Desk

This twitter post from the smile shows Johnny Greenwood playing a Gibson Es-125.

Jonny Greenwood can be seen playing Gibson ES-125T in this post. (May 2023)

In this YouTube video at 9:27, Jonny Greenwood can be seen using the Roland FC-200 at the end of the song "15 Step" during Radiohead's "In Rainbows From the Basement" set from 2008.

Jonny used the Korg Prophecy in the studio version of "Lift", he also used it in the live concerts, as shown in the source, you can see Jonny playing the Korg Prophecy at minute 2:23.

Jonny's Korg Prophecy was the band's "secret weapon" during the "Ok Computer" sessions between 1995-1998. Besides using the Prophecy on "Lift", it was also used on the studio version of "Airbag" and "Climbing Up The Walls", on these tracks he used it as an attempt to emulate an Ondes Martenot (that's why when he got a real Ondes Martenot he got rid of the Prophecy before the Kid A/Amnesiac sessions). You can also see the Prophecy in action in live performances of the tracks "Talk Show Host", "Planet Telex", and "Paranoid Android" (the latter he only used it once live) between 1996 and 1998.

the photo shows the Electro Harmonix Stereo Electric Mistress

source: instagram of the smile

Jonny Greenwood has been observed utilizing the Hofner 182 Solid Bass during a performance at the BBC 6 Music Festival, as evidenced by a photo shared by the Radiohead community account on Instagram under the caption "@thesmiletheband - at the BBC 6 Music Festival - photos by @alexcropperdslr." This documentation confirms Greenwood's use of this specific electric bass in a live setting.

The MXR Dyna Comp is visible in a photo of Jonny’s guitar board at Philadelphia’s Franklin Music Hall on 8 July 2023, as indicated on this King of Gear post.

The Earthquaker Devices Pyramids flanger is visible in this photo of Jonny's pedalboard with The Smile, as indicated on this King of Gear post.

As indicated on this King of Gear post and visible in this photo, Jonny uses the Iridium it as a backup for his Super Reverb with The Smile.

The EHX Pitch Fork is visible in this photo of Jonny's pedalboard for The Smile, which is analyzed in detail in this King of Gear post.

In a photo featured on the King of Gear blog, Jonny Greenwood's pedalboard from a performance by The Smile at the Philadelphia Franklin Music Hall on July 8, 2023, clearly shows the Telenordia TA-24 Treble Booster, positioned third from the left. This visual evidence confirms that Greenwood utilizes this specific piece of gear.

https://thekingofgear.com/post/725025913286410241/jonnys-summer-2023-pedalboard

A photo of Jonny’s guitar board at Philadelphia’s Franklin Music Hall on July 8, 2023 (photo by Gio H.). He used this setup for the band’s North American tour spanning 14 shows in June and July.

https://thekingofgear.com/post/725025913286410241/jonnys-summer-2023-pedalboard

a humbucker pickup found on jonny greewood's telecaster.

the single neck pickup found on jonny greenwood's telecaster.

Since we finished the Kickstarter run of the Feral Glitch last year, we’ve been tweaking the design both to improve its features and to simplify its design. The original Feral Glitch was great for a small Kickstarter run, but it was much too complicated and expensive to produce at scale. With this new design, we’ve created a version of the pedal that provides even better performance while cutting down on cost and production time. It loses some of the Feral Glitch’s bonus features (such as the high-pass filter), but retains all of the pedal’s essential abilities, and the result is an extremely intuitive glitch device.