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Average Price: $354
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$100
$251+
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Description
Immerse yourself in the iconic soundscapes of the 70s with the Boss RE-202 Space Echo. This premium effects pedal meticulously recreates the legendary Roland RE-201 Space Echo's analog delay effect, opening up a universe of creative possibilities for musicians.
The RE-202 boasts twelve unique delay modes, providing an ample palette of sonic textures to suit any musical style. From the classic slapback echo to long, hazy repeats, this pedal is brimming with lush, retro-sounding delays that breathe life into your guitar, bass, keys, and beyond.
Despite its expansive sonic range, the RE-202 is intuitively designed for quick and easy operation. Familiar knobs control the "repeat rate," "intensity," and "echo volume," while four toggle switches allow you to select different delay modes, feedback levels, and other parameters.
At the heart of the RE-202 Space Echo is an all-analog audio path that stays true to the original RE-201's circuitry. The analog BBD (bucket-brigade device) delay line generates lush and uncompressed repeats, imbuing your sound with a distinctive warmth and depth.
Like all Boss pedals, the RE-202 is built to perform and last. Its durable metal chassis protects the sensitive analog components inside. Powered by nine volts and always ready to inspire, the RE-202 Space Echo is the ultimate analog delay for gigging musicians.
Key Features:
- Authentic recreation of the legendary Roland RE-201 Space Echo's analog delay effect
- Twelve unique delay modes for a variety of sonic textures
- Intuitive controls for quick and easy operation
- All-analog audio path for distinctive warmth and depth
- Durable metal chassis for lasting protection
- Powered by nine volts
- Comprehensive knobs and toggle switches for detailed sound sculpting
- Designed for both live performance and studio recording
Owner's manual
Boss RE-202 Space Echo User ManualProduct specs
| Pedal Type | Space Echo |
| Analog/Digital | Digital |
| Presets | 4 x User Memories (127 total with external MIDI device) |
| Effects | 12 x Echo Combinations, 5 x Reverb |
| Max Delay Time | 2 seconds |
| Tap Tempo | Yes |
| Inputs | 2 x 1/4" (A/mono, B) |
| Outputs | 2 x 1/4" (A/mono, B) |
| MIDI I/O | 2 x 1/8" TRS (in/out) |
| Other I/O | 1 x 1/4" (control/expression) |
| USB | 1 x Micro-B (program update only) |
| Bypass Switching | Buffered |
| Power Source | AC adapter (included) |
| Power Usage | 140mA |
| Height | 2.04" |
| Width | 7.55" |
| Depth | 5.23" |
| Weight | 1.89 lbs. |
FAQs
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What is the maximum delay time available on the Boss RE-202 Space Echo?
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The Boss RE-202 Space Echo offers a maximum delay time of 2 seconds, allowing for a wide range of echo effects suitable for various musical styles.
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Does the Boss RE-202 Space Echo support MIDI control?
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Yes, the Boss RE-202 Space Echo features MIDI I/O through 1/8" TRS connections, enabling integration with external MIDI devices for expanded control and preset management.
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Can the Boss RE-202 Space Echo be used in stereo setups?
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Absolutely, the Boss RE-202 Space Echo has stereo inputs and outputs, allowing it to be seamlessly integrated into stereo rigs for enhanced spatial effects.
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How many user presets can be stored on the Boss RE-202 Space Echo?
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The Boss RE-202 Space Echo allows you to store up to 4 user presets directly on the pedal, with the capability to expand to 127 presets using an external MIDI device.
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What type of power supply is required for the Boss RE-202 Space Echo?
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The Boss RE-202 Space Echo requires an AC adapter, which is included with the pedal, and it has a power usage of 140mA.
Videos
Reverb
BOSS' New RE-202 Space Echo vs. a Vintage RE-201 | Analog vs. Digital
BOSS' New RE-202 Space Echo vs. a Vintage RE-201 | Analog vs. Digital
Reverb
![Video thumbnail for BOSS RE-202 & RE-2 Space Echo [Upgrade From RE-20? And Why Use A Space Echo Anyway?] by That Pedal Show](https://img.youtube.com/vi/QcNEdUoexqo/mqdefault.jpg)
BOSS RE-202 & RE-2 Space Echo [Upgrade From RE-20? And Why Use A Space Echo Anyway?]
That Pedal Show
NEW Boss RE-202 & RE-2 Space Echo Delay Pedals - The Sound of a Generation in a Guitar Pedal!
Andertons Music Co
BOSS RE-202 Space Echo | The Next Generation of Space Echo
BOSSchannel
WOW! (& Flutter) // Boss Space Echo RE202 review, demo and walkthrough
Starsky Carr
BOSS RE-202 Space Echo
Leon Todd
Video Manual: Boss RE-202 Space Echo (firmware update V1.10)
Pedal Experiments
BOSS RE-202 Space Echo - 5 Settings You NEED To Know
Dave Webb Music
Boss RE-202 Space Echo w/ Synths & Drum Machines - Stazma
Stazma
Reviews
PROS
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Authentic vintage Space Echo sound with modern reliability
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Multiple controls (saturation, wow & flutter, tape age) for shaping sound
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Presets and memory slots enhance live performance flexibility
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Versatile use for studio, live, or as a pedalboard effect
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Durable, high-quality build and design
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Features like self-oscillation add to creative sound manipulation
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Mimics mechanical tape engine noises well for added realism
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Separate treble and bass controls for repeats allow deep sound customization
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No maintenance required, unlike original tape units
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Firmware updates promise continued improvement
CONS
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Preamp presence may not suit all tastes or uses
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Some users may find digital emulation lacks the charm of original tape units
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More expensive than some simpler delay pedals
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Learning curve due to many features and controls
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Expression mode setup can be cumbersome and less user-friendly compared to alternatives
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss RE-202 Space Echo.
Build quality
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Despite functional criticisms, the build quality and feel of the RE-202's knobs are highlighted as positive aspects of the pedal.
Source
Use cases and applications
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The RE-202 is praised for its tape saturation when used as an end-of-chain effect on synths like the Digitone.
Source -
The RE-202 is noted for its excellent performance with synths like the SE-02 and TD-3-MO, offering rich tape saturation effects.
Source -
For those seeking a dedicated spring reverb with surf music in mind, the Source Audio True Spring and Surfy Bear are recommended over the RE-202 for their authentic sound.
Source
Comparisons
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The Walrus Audio Mako D1 is suggested for synths needing MIDI CC control, noted for its affordability and softening effect on harsh synth tones.
Source -
Users compare the RE-202's sound closely to the original RE-201, with the RE-202 being favored for convenience over the El Capistan.
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A user suggests the DD500 as a superior alternative to the RE-202, offering more customizable feedback loop distortion and stereo output options.
Source -
The Boss RE-202 is praised for its tape delay but criticized for its spring reverb, which doesn't fit the drippy surf style as well as other options like the Catalinbread Topanga Burnside.
Source -
The UA Galaxy ‘74 is praised for its better sound quality and ease of use compared to the RE-202, with simpler controls and superior stereo and reverb performance.
Source
User experience
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Some users find the RE-202's numerous options overwhelming, preferring simpler alternatives like the RE-2 or RE-20.
Source -
The twist/warp function is considered gimmicky and not musically useful, with some users finding it reminiscent of outdated technology sounds.
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Owners note disappointment with the RE-20's lo-fi sound and lack of noticeable reverb, prompting consideration of other models for better spring reverb quality.
Source
Features and functionality
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The RE-202 offers a true stereo signal path, while the Strymon El Capistan processes in mono before outputting stereo.
Source -
The pedal lacks stereo delay algorithms, only offering stereo output for reverb, limiting its use for stereo delay effects like ping pong or panning.
Source -
The RE-202 requires unplugging and plugging back in for many settings changes, such as preamp adjustments and reverb selection, leading to user frustration.
Source -
The Strymon Flint offers additional value with its tremolo feature, appealing to those who enjoy surf music and classic amp effects.
Source
Critic Reviews
5.0 out of 5
Based on 2 Reviews and 5 Ratings
98
Pricey, yet offers a metric ton of versatility
The RE-201 Space Echo is a coveted piece of technology, thanks in no small part to the fact that it was used by Radiohead on classic albums such as OK Computer. Boss did a fantastic job of emulating this unit with the RE-20, yet truly have outdone themselves with the RE-202.
For what it’s worth, I’ve never owned a tape echo unit, however I have owned several tape echo pedals such as the Geckoplex, RE-20, Catalinbread Echorec, UA Starlight, Strymon El Capistan and the Strymon Volante. The RE-202 sounds extremely close to what I’ve heard in demoes of the RE-201.
The selectable playback heads, combined with the expanded EQ and saturation knob make for a hugely versatile tape echo pedal that allows you to dial in everything from slapback to massive ambient soundscapes with the twist of a knob. The ability to change styles of reverb is a major plus as well, as the spring mode, while accurate to the original unit, is not useable on its own and really doesn’t gel well with me at all, however the added plate and hall modes sound much better.
If you are anything like me and want a classic tape echo machine without having to pay over $1k for a functioning unit, as well as keeping up with maintenance throughout the years yet don’t want a pedal that is cumbersome to control, or does a poor job of emulating actual tape echo units, this is a great alternative that sits in between a pedal and the real unit.
612
Good preamp and Spacious
I love the saturation in the preamp from the 201 and the 4 heads is awesome, including the aged tape simulation. Basically i love this new features
Artist usage
Add artist
In the article, you see Jonny's pedal setup, which includes the BOSS RE-202.
In the video, Rabea Massaad is using and demonstrating Boss RE-202.
Tash Sultana uses the Boss RE-202 Space Echo, as evidenced by a video on their official Instagram account where they perform a remix of a Lana Del Rey track.
In this video Chris Buck Demos His Touring/Recording Rig. The pedal is clearly visible at 26:47.
In this video featuring Rhett, he can be seen using the Boss RE-202 for delay and spring reverb. It can be seen at 46:25.
In the whole video, Pete Thorn uses and demonstrates the Boss RE-202.
Photo of Thomas Erak's pedalboard on r/guitarpedals
In this tweet, Brian states he is using a Boss RE-202 on tour.
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Lori S. is shown using the Boss RE-202 Space Echo on her pedalboard in a post by the Instagram account, acidkingrocks.
In this Reddit post shots of Rajan Silva's pedal board are posted and the pedal are clearly identifiable. In this youtube video https://www.youtube.com/watch?v=C8ACE2rED2U you can see the same pedalboard at 0:23.
In an Instagram post, Satoshi Tomiie showcases the Boss RE-202 Space Echo on his desk, suggesting its use in his live dubbing session preparation.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss RE-202 Space Echo, it is most commonly used with the following gear.
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