Justice

You can see Justice jusing the CDJ-1000

At 5:27, you can see the Marshalls 1960a Straight and Angled with the golden logo in bottom right. According to this article they are just for aesthetics "Are Justice’s Marshall amps really plugged in? They both use rock aesthetics and as a result possess an appeal beyond the confines of the electronic dance geek." At 4:43 "In the Marshalls, we have led video screens" At 2:13 you can see the Marshalls coming from truck and they are empty inside. At 7:50, you can see led lights systems from the Marshall amps.

At 2:16 of the "Audio, Video, Disco" music video.

The Guitar appears at 3:18, playing the melody.

At 0:12 you can see it being taken out of its case and at 3:04 you can see it being played.

At 5:27, you can see the Marshalls 1960B Straight and 1960A Angled with the golden logo in bottom right. According to this article they are just for aesthetics - "Are Justice’s Marshall amps really plugged in? They both use rock aesthetics and as a result possess an appeal beyond the confines of the electronic dance geek." At 4:43 "In the Marshalls, we have led video screens" At 2:13 you can see the Marshalls coming from truck and they are empty inside. At 7:50, you can see led lights systems from the Marshall amps.

At 1:39 That's a Yamaha CP-70

It can be seen at 0:51 laying in the chair, being played at 2:28 and further through the video. Their model has two pickups and a vibrola tremolo on it though.

At 1:31 you can see the natural finished neck and pelham blue body of the jeff tweedy leaning face first on an amplifier.

at 0:34 of the "Audio, Video, Disco" music video.

Justice Use This DigiTech X-Series Bass Synth Wah To make Canon song proof with a cover video

can be seen in this post from May 19, 2022

can be seen in this post from May 19, 2022

can be seen in this post from May 19, 2022

can be seen in this post from May 19, 2022

can be seen in this post from May 19, 2022

can be seen in this post from May 19, 2022

Justice can be seen using the MPC 500 in their documentary at 2:25.

Justice can be seen using the Clavia Nord Modular G2X in their documentary at 2:25.

21 DECEMBRE 2017

Instagram etjusticepourtous "...Doing some research for the live rig, one year ago in our home studio..."

21 DECEMBRE 2017

Instagram etjusticepourtous "...Doing some research for the live rig, one year ago in our home studio..."

this is the gear that Justice DJs on

In this video at 1:12:55, Xavier of the band Justice mentions the big impact of Reaktor Razor (and Monarch) Synth on their music. It's also mentioned multiple times in this webinar. It was streamed live on April 8, 2020.

In the IRIS: A Space Opera concert at Accorhotels Arena, Paris, starting at 44:44, you can see Justice using the Native Instruments Komplete Kontrol S49 Keyboard Controller. The Pitch and Mod Touchstrips, instead of Wheels, confirm that it is the MK1 version. This is evidenced by the video titled "Justice - IRIS: A Space Opera - Live At Accorhotels Arena, Paris" by superinjoke on YouTube, published in 2017. Video source: https://youtu.be/6MucREx-e4Q?si=KvJ281FmefXJcyaX&t=2684

In a YouTube video by Mix with the Masters, titled "Behind the Track｜« Neverender » by Justice & Tame Impala," Xavier de Rosnay of Justice mentions at approximately 6:57 that they frequently use the Celemony Melodyne Editor, particularly the Resynthesize feature, as it "gives things digital and future textures."

In the YouTube video "Behind the Track｜« Neverender » by Justice & Tame Impala" by Mix with the Masters, Gaspard Augé mentions that he used a PPG Wave 2.2 synthesizer for his solo project. Justice appreciated the synthesizer so much that they acquired it and incorporated it into their fourth studio album, Hyperdrama. At the 1:51 mark, Xavier de Rosnay notes that many of the sounds on Hyperdrama originate from this synthesizer. Although the synthesizer is not named verbally, the label "PPG Wave 2.2" is visibly identifiable on the front right side of the instrument at 1:59.

justice used the plugin for their song generator from their album hyperdrama