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Average Price: $35
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$700+
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Description
The Akai S2000 is a classic staple in the world of audio samplers, offering DJs and producers a versatile tool that has stood the test of time. Known for its robust sound processing capabilities, the S2000 lets you explore a vast range of audio possibilities with high-quality sampling and playback. This sampler is equipped with an intuitive interface that makes it accessible for both beginners and seasoned professionals looking to expand their sonic horizons.
One of the most remarkable features of the Akai S2000 is its powerful 16-bit stereo sampling engine, delivering crystal-clear audio quality that brings your creative ideas to life. With its flexible memory options, you can store numerous samples and manipulate them with precision, thanks to the comprehensive set of onboard editing tools. Whether you're crafting intricate soundscapes or laying down beats, the S2000 provides the control and reliability you need.
Perfect for live performances and studio use, the Akai S2000 integrates seamlessly with other gear, thanks to its extensive connectivity options. Its durable construction ensures it can withstand the rigors of travel and frequent use, making it an ideal choice for musicians on the go.
Key Features:
- 16-bit stereo sampling for high-quality audio
- Intuitive interface with comprehensive editing tools
- Flexible memory options for extensive sample storage
- Extensive connectivity for seamless integration with other gear
- Durable design suitable for both studio and live environments
Product specs
| Brand | Akai |
| Model | S2000 MIDI Stereo Digital Sampler |
| Finish | White |
| Year | 1995 |
| Made In | Japan |
| Categories | Digital Synthesizers, Samplers |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 32 Voices |
FAQs
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How much sample memory does the Akai S2000 have?
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The Akai S2000 can be expanded to a maximum of 32MB of sample memory, allowing for almost six minutes of mono sampling time at 44.1kHz or three minutes of stereo.
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What are the MIDI connectivity options available on the Akai S2000?
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The Akai S2000 offers MIDI Input, MIDI Output, and MIDI Through, providing comprehensive connectivity for integration with other MIDI-compatible devices.
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Is the Akai S2000 suitable for live performance sampling?
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Yes, the Akai S2000 is equipped with features suitable for live performance, including real-time MIDI control and the ability to trigger samples quickly.
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Can the Akai S2000 be used with modern DAWs?
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While the Akai S2000 is a vintage sampler, it can still be integrated with modern DAWs using MIDI connections, though additional adapters may be required for full compatibility.
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Does the Akai S2000 support stereo sampling?
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Yes, the Akai S2000 supports stereo sampling, allowing for richer and more dynamic soundscapes in your productions.
Videos
AudioPilz
Bad Gear - Akai S2000
Reviews
PROS
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Delivers punchy, bit-crushed sound unachievable with plugins
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Characterful hardware sampling enhances audio quality
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Expandable with effects board, extra outputs, and memory upgrades
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Affordable, offering good value for vintage gear enthusiasts
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Compatible with Akai S900, S1000 samples for versatility
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Fast, snappy envelopes ideal for drum hits
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Unique cyclic and intelligent timestretch features
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Can achieve the iconic "Akai MPC sound"
CONS
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Operating system can be unstable, with occasional hangs and freezes
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Small screen size hampers usability
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Interface feels dodgy and outdated, steep learning curve
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MESA software no longer supported and was buggy
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Requires specific, often outdated accessories like SCSI card, iomega zip drive
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Debate over hardware sampling's relevance in modern production setups
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Akai S2000.
Features and functionality
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The Akai S2000 is praised for its flexibility despite its 2-line display, with users highlighting its ability to function like a synthesizer by using samples as oscillators.
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The Akai S2000 lacks a built-in sequencer, necessitating external sequencing from a computer or MIDI controller.
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Mods and upgrades
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Owners recommend upgrading to a Gotek or BlueSCSI DB25 for faster loading and saving, with BlueSCSI noted for its speed and capacity compared to Gotek.
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Comparisons
Use cases and applications
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The S2000 can be used creatively to generate unique sounds by sampling small snippets, such as a 909 cymbal, and manipulating them with the sampler's filter.
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Software and compatibility
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Original software editors for the S2000 require a Mac Classic or Windows 95, complicating modern usage but potentially enhancing workflow for those with access.
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A free editor for the Akai S2000 is available for both MacOS and Windows, offering standalone or VST versions to enhance usability.
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User experience
4.0 out of 5
Based on 5 Reviews and 40 Ratings
204
more affordable than an MPC 2000 with the same internals
In conjunction with my Akai MPK-49 this becomes my MPC-2000. Mine has maxed RAM, the 8 output board with S/PDIF, SCSI and an external hard drive. The MESA software is no longer available and was buggy when it used to be supported. The LED is tiny, but fails less often than it's big brother the S3000XL. You can get one for $100 and upgrade it from any of the MPC parts dealers. It's debatable whether or not hardware sampling is still worthwhile in a world where it is honestly much easier and more powerful to do it with software. You sort of need a super special edge case to want to do things this way, but it will load Akai S900, S1000 earlier sampler samples which abound, and the envelopes are very fast and snappy, so unlike many other sluggish samplers, it is well suited to drum hits. It functioned as a breakbeat and sample triggering box for me for many years and these days is mostly not used. I often debate whether I should upgrade it to a SD drive, with chopped and screwed mods, or just sell it, but the once in a blue moon use is still worth the $100 of value it would provide if I sold it, so it sits there awaiting it's next lark.
punchy, crunchy, 16-bit goodness
You always wanted that punchy, bit crushed sound, but never quite got it out of plugins or whatnot. This bitch will do it for you and even better. Although hardware sampling is a thing of the past and using your daw or audio interface to sample is so, so, so, so much more efficient, you just cant get that hardware character. On the upside, they are expandable (fx board, or extra outs, sd floppy emulator, memory) and nowadays they are cheap (got mine for 90$). Only downside i'd say is that the os is wonky at times (os can hang and freeze sometimes) and the screen is ssSmall. That said, love mine.
132
Brilliant sampler, does everything I need it to do and more.
I love this thing, I've never understood why it got so much hate. It does everything I need it to do and more, I can just sample something into it, crunch it down, and it just sounds amazing, no matter what it is. The interface is a bit dodgy but in the end you just get used to it, it's a matter of adapting to it, I'd say in the end it doesn't take any longer than it would on any other sampler. Anyway, point is this thing is a brilliant sampler for the price, you get cyclic timestretch (along with the fancy shmancy intelligent timestretch), resampling, expandable memory, 44.1k max samperate and more. Personally I'd say these things are pretty much the 950s of today.
58
Very good sound and time stretch
I bought it 24 years ago with an iomega zip drive effect board and 8 outputs. Full équiped...
Artist usage
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John Linnell, a member of They Might Be Giants, uses an Akai S2000 audio sampler. This information is corroborated by a quote from a 1996 interview in the "Giant Step-Time—Computers in the Life of They Might Be Giants" article on TMBW: The They Might Be Giants Knowledge Base, where it is stated: "We have an endless pile of MIDI gear... I just got an Akai S2000, which is the same thing but with more memory. They sound great, just fantastic."
Seen on his Topaz mix desk photo, he clearly marks a channel dedicted to his Akai S2000 sampler
An aged S2000 can be seen on his studio desk during his "Against the Clock" video for FACTmagazine
"I've got a simple set up: an Akai 2000, Cubase, synths and a few effects and processing bits, plus a Juno 60" - Short Circuits: Calibre in XLR8R Issue 77 May 2004, pg. 95
"This album was produced using 92 studio techniques using the Akais2000 and Atari ST with Cubase." - Where Were U in 92? liner notes.
Orgue Electronique is associated with the Akai S2000, as detailed on the Sternstudio website.
“There’s a big trend of people using vinyl crackle in electronic production when they don’t even own a piece of vinyl. When you hear a vinyl crackle in my tune, it’s usually because it’s come from vinyl. It goes back to the Jungle era; people like LTJ Bukem, Photek and Source Direct, all those records come from other records, through an Akai S1000, 2000 or 950 sampler. I like paying homage to the original production techniques that got me into this game in the first place.”
Album Usage
The Akai S2000 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Akai S2000, it is most commonly used with the following gear.
Community setups
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