Kevin Parker

In this screenshoot of Tame Impala's July 29, 2021 Instagram story, we can see the AKAI MPX8 sample player on the top shelf.

In this photo of Kevin Parker's studio in 2016, 2 Lynx Aurora 16 Converters can be seen on his rack modules towards the top.

Although Cam Avery uses it on the live shows, the bass is Kevin´s.

clearly seen on 6:24

Kevin Parker is seen using a Höfner 500/1 Bass in a user-uploaded photo on Vice. The bass appears to be a model from between 1965 and early 1967, as it features pickup mounts distinct from 1964 models and lacks the blade pickups introduced later in 1967.

In this photo, taken from Tame Impala’s recent performance on Tinydesk at Kevin’s home studio in Fremantle. An Alesis Compressor 3632 can be seen at the top of the rack.

In this video Kevin is playing an old Eko 12 strings acoustic Italian guitar.

In this photo on the left rack you can see a teletronix La-2a leveling amplifier.

Kevin posted this picture on instagram. You can see a Teac a-3340S on top of the rack behind him.

Roland SBF-325 Voltage-Controlled Rack Stereo Flanger seen below what looks like a Roland DEP-5

Seen on the ground at 1:10

In an interview, Kevin Parker discusses his use of the Oberheim Matrix 1000, highlighting its role in his music production. A user-uploaded photo further supports this connection.

In a user-uploaded photo on Vice, Kevin Parker is seen with a gray Dallas-Arbiter England Fuzz Face on a black box, indicating his use of this fuzz effects pedal.

In the picture provided, or in studio live performance of "On Track" at 0:04 seconds, and in Lonerism studio photos, a Kawaii E90 can be seen. Mostly used in "Elephant" and "Feels Like We Only Go Backwards", in conjunction with organ patches on a Juno 106 Patches 21-24 "Group A"

Kevin has a Dog Days Houndstooth Strap paired with his vintage RIC 335. Proof is on secondary product image in source link included.

In this photo of Kevin's makeshift studio from the InnerSpeaker recording sessions, a Roland RE-501 Chorus Echo can be seen on the desk.

At 1:28 you can see the way the pickups are mounted its an hct but he actually owns a vintage one too

kevin posted this picture on Instagram. You can see a Teac A-2340 on top of the rack behind him.

Item: JACKSON 8 Outlet Powerboard with Heavy Duty Metal Housing, Surge Protection, RFI Filtration. Wall Mountable

It can be clearly seen on Kevin's pedalboard. It's from Australia/NZ and uses 240V.

EDIT: It's 4 outlets not 8. My mistake.

Seen on the THE SLOW RUSH video at around the 1:30 mark beside the API Lunchbox.

The Ampex reel to reel can be seen throughout the teaser video for "The Slow Rush", most noticeably at 0:54.

Kevin Parker uses the Yamaha NS-10M studio monitors, a popular choice among audio professionals. The source photo shows the NS-10M with its logo oriented horizontally, a common preference among users.

In this photo of Kevin's effects board, a Boss LS-2 can be seen next to the Diamond Vibrato which is in the top-right corner.

"The third board employs a Boss GT-100 multi-effector, Electro-Harmonix Holy Grail Reverb, Diamond Vibrato, Empress ParaEQ, and a Bogner Wessex Bubinga Overdrive. This board is also routed to a Radial J48 DI."

PolyTune can be seen at the right of the photo, just before the boss chromatic tuner.

In this screenshot of Kevin's rack from the 'Lonerism' episodes, a Bellari RP503 Tube Channel Preamp can be seen second from the bottom.

In this photo of Kevin in his home studio, a RMS216 Folcrom can be seen ontop of his rack module.

In this photo of Kevin in his home studio, a Manely Vari-mu Comressor/Limiter can be seen underneath the DBX 165a Compressor.

In the Deezer Session video by Deezer France, Kevin Parker's bandmate, Domonic Simper, can be seen using a blue Roland A-500PRO MIDI Keyboard Controller, marking a shift from their more frequently used Roland PCR-500.

Kevin Parker is associated with the RSP Technologies Tube Saturator, as suggested by a post on the official Tame Impala Instagram. The caption "Studioing" implies its use in the studio, potentially contributing to the distinctive distorted bass sound on "The Less I Know the Better."