LoneLady (Julie Campbell)

In this image posted to Julie's website, we can see the CD3000XL below the Doepfer sequencer. Although it's blurry, the unit is identifiable based on the CD drive on the left, and the single row of buttons on the right below the jog wheel (more visible in this picture).

On this page from her website, Julie recalls, "...I relearned simple things like how to programme a Roland TR 505 and a Yamaha RX17 drum machine, and how to make, load and assign samples onto an MPC 500 Akai sampler, and its updated version, the Akai MP8."

On this page from her website, Julie recalls, "...I relearned simple things like how to programme a Roland TR 505 and a Yamaha RX17 drum machine, and how to make, load and assign samples onto an MPC 500 Akai sampler, and its updated version, the Akai MP8."

On this page from her website, Julie recalls, "...I relearned simple things like how to programme a Roland TR 505 and a Yamaha RX17 drum machine, and how to make, load and assign samples onto an MPC 500 Akai sampler, and its updated version, the Akai MP8."

On this page from her website, Julie recalls, "...I relearned simple things like how to programme a Roland TR 505 and a Yamaha RX17 drum machine, and how to make, load and assign samples onto an MPC 500 Akai sampler, and its updated version, the Akai MP8 [sic]."

In this image posted to her website, we can see Julie's Tascam 38.

Writing on her blog, Julie says, "Having made two albums with ‘sellotape and lego’, that is, a minimal handful of lo-fi equipment, it was time to acquire some new gear, and I could finally invest a bit of £ into this. NS10 monitors instead of £30 Sony hi fi speakers. A mixing console instead of a Tascam 8 track. An Arp Odyssey Mk II from 1976. (The cheap gear is still here and important.)"

In this live in-studio performance, Julie can clearly be seen singing into a Shure SM-57 microphone.

In this image posted to her website, we can see Julie's MAQ 16/3.

In this live video from 2010, we get several great closeup shots of Julie's trusty Telecaster.

In this image from her website, we can see the pads of Julie's SPD20. However, it's more easily identifiable in its appearance in this live video where it makes an appearance at the very beginning of the performance. (You can tell which model it is based on the three rows of four buttons in the upper-right corner.)

In this image of Julie's studio, we can see an MS-20 in the foreground.

On this page from her website, Julie recalls, "At some point in 2016 after much research I purchased an Arp Odyssey MK ll (1976) – my first (and only) analogue synth, something I had wanted for a long time, and this model was vaguely affordable."

In this image posted to her Twitter account, Julie's pedalboard is visible and we can see a Rat in the first row, second in from the right.

In this image posted to her Twitter account, Julie's pedalboard is visible and we can see a Small in the first row, furthest to the right.

In this image posted to her Twitter account, Julie's pedalboard is visible and we can see a Dyna Comp in the top row, furthest to the right.

On this page of her website, Julie writes, "It felt like a big move to transfer from my Tascam 8-track to an 8-channel Soundcraft 200-B mixing desk; a compact but solid desk, with attractive bright red, blue and yellow pots and faders."