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Average Price: $125
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$150
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Description
The Roland TR-505 is a classic piece of gear that has earned its stripes in the world of electronic music production. This iconic drum machine is celebrated for its simplicity and reliability, making it a favorite among both budding DJs and seasoned producers. With a straightforward interface, the TR-505 offers easy access to a variety of drum sounds that are ideal for crafting beats across various genres.
The TR-505 is equipped with a set of 16 distinct sounds, including essential drum and percussion samples that have become staples in countless tracks. Its intuitive design allows for seamless programming, making beat creation a breeze. The machine features a step sequencer that provides ample room for creativity, allowing you to build complex patterns and loops effortlessly.
Beyond its sound and usability, the TR-505 offers robust connectivity options, including MIDI in/out ports, which ensure it can easily integrate into your existing setup or expand with other gear. Whether you're performing live or producing in the studio, the TR-505 stands out with its dependable performance and vintage appeal.
Key Features:
- 16 drum and percussion sounds
- User-friendly interface for quick programming
- Step sequencer for creating intricate patterns
- MIDI in and out for seamless integration
- Classic design with a vintage touch
Product specs
| Brand | Roland |
| Model | TR-505 Rhythm Composer |
| Finish | White |
| Year | 1980s |
| Made In | Japan |
| Categories | Drum Machines |
| Analog / Digital | Analog |
| MIDI I/O | MIDI Input, MIDI Output |
| Polyphony | 8 Voices |
FAQs
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What are the key features of the Roland TR-505 drum machine?
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The Roland TR-505 features 16 digitally recorded PCM drum sounds, MIDI input and output, and 8-voice polyphony. It also includes five Latin percussion voices, making it versatile for various music styles.
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Is the Roland TR-505 compatible with modern MIDI setups?
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Yes, the Roland TR-505 is equipped with MIDI input and output, allowing it to integrate with modern MIDI setups for sequencing and synchronization.
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How does the sound of the Roland TR-505 compare to other Roland drum machines?
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The Roland TR-505 offers a unique set of PCM drum sounds distinct from the analog-generated sounds of the TR-808 and TR-909, providing a different character suitable for 1980s digital drum machine tones.
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Can the Roland TR-505 be used for live performances?
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Yes, the Roland TR-505 is suitable for live performances, thanks to its compact size, MIDI capabilities, and variety of drum sounds that can be easily integrated into a live setup.
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What type of power supply does the Roland TR-505 require?
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The Roland TR-505 typically requires a 9V DC power supply, which is standard for many drum machines and can be easily sourced for replacement if needed.
Videos
SynthMania
Roland TR-505 demo
Reviews
PROS
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Perfect for house, funk, VGM, synthwave, or Latin genres
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Tasty 8-bit samples simulate 12-bit resolution for punchy 80s sounds
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Supports creative modifications like circuit bending and PCM mods
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Two volume levels for programmed drum hits enhance beat dynamics
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Small, lightweight, and portable with AA battery operation
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Intuitive interface with easy pattern copying and MIDI settings adjustment
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Durable, with a long lifespan even under rough conditions
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MIDI IN/OUT ports for easy integration with other gear
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Unique sequencer can be used live with start/stop pedal control
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Compatible as a sequencer in live band settings, sending MIDI to other equipment
CONS
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Limited appeal for genres requiring fine drum dynamics
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No pitch controls for sound customization
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Lacks swing, limiting usefulness in jazz or hip-hop
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Sequencer considered basic, not suited for non-repetitive music styles
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Sound saving and loading process seen as quaint or outdated
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Some find the buttons stiff and the device's aesthetic unappealing
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Tempo can drift slightly, potentially disrupting MIDI sync
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No individual outs, limiting professional studio integration
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Criticized for having some of Roland's worst sounds compared to other models
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Roland TR-505.
Comparisons
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The TR-505 is often compared to the TR-707, noted for having smoother hats and cymbals, and better cowbells, though the 707 is superior for kicks and claps.
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Mods and upgrades
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Some owners mod the TR-505 with separate outputs for sounds or install modded EPROMs with DMX and LinnDrum kits, enhancing versatility and creativity.
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Circuit bending is popular with the TR-505, with some owners adding up to 14 bends for new sound possibilities.
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Circuit bending enhancements include adding 10 patch points to glitch the sequencer and sounds, providing unique percussion capabilities.
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A popular modification involves swapping chips to emulate the LinnDrum sound, significantly enhancing the machine's versatility.
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Features and functionality
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The TR-505 offers a unique battery power option, though some users report inconsistent tempo when running on batteries.
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The sequencer is generally considered cumbersome, leading many to prefer using external sequencers like Ableton or Korg EM1 for better flexibility.
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The remote start-stop function is praised for live performances, allowing musicians to control the drum machine while playing other instruments.
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Use cases and applications
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The TR-505 is praised for its Latin percussion sounds and is often used in synthwave, vaporwave, and Balearic jams, making it a versatile tool for electronic music genres.
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Owners find the TR-505 pairs well with guitar, bass, piano, and harmonica, adding a retro beat to diverse musical setups.
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The TR-505 is favored for its ability to be used as a live step sequencer to trigger external synths and samplers.
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Value and pricing
User experience
Critic Reviews
4.0 out of 5
Based on 10 Reviews and 58 Ratings
343
A blast from the past
My friend and I bought one of these from Musical Exchanges in Birmingham in the mid-eighties, and I think we kept it pretty much 'on' in our garage studio until around 1991. Unbelievably hardy machine that could be programmed even by 2 thrash-metal fanatics after an evenings worth of beer, and survived endless drops, incorrect power adaptors, numerous liquid spillages and was the go- to drum track provider for everything we ever wrote. I remember when MIDI became a thing- and I found the compatibility with my Roland D10 a real revelation, because of the drum sounds on that fabulous keyboard. I still own this- and although it's now 'retired', it earned its stripes and holds many great memories.
2822
Good rhythm composer for solo playing
This old 1986 rhythm composer can still be used today, thanks to its MIDI IN/OUT ports (and also bunch of jacks). This gear is FOR YOU if you want to, for example play an instrument such as a guitar, and have an accompaniment (that replace a metronome). You can easily get it in hand, even though some menu are confusing. The buttons also have a weird feeling, kinda stiff. Even though nowadays, these TR-505 are all yellow, you will find a lot on second-hand. Unfortunately, I would have think that you can find some in second-hand for super cheap, but it's not the case. You will find them around 100€.
Preferred Settings + Usage:
The default sequences are quite bad, you should reallllllly learn how to make your own sequences using your TR-505 manual, that you can also find online.
41029
cute display but not so hot
apart from the utter lack of professional features like indicidual outs (flaws shared by many of its post 909 siblings) the 505 also suffers from what I would describe as roland's worst sounds... really, its not as nice as the sample based rolands that proceeded it and definitely not a knock on the mediocre but funkily analog 606 and its nothing compared to like a drumulator or even the lowly alesis hr16... if you like this look into the 626, also cheap but I think it sounds a bit better and it has some editing eg tunability.
26901
TR-626 is more my speed for this awkward pre-R8 phase of Roland's drum machine lineup
41029
we should do a track together man... we seem to understand eachother
589
The Mothership
I bought this just for fun initially, but years later I use it as a sequencer in a live band setting, and it sends MIDI to our other equipment. I have a start and stop pedal mounted on my pedal board so I can stop it while I'm playing guitar. This works via a standard Roland damper pedal connected to a dedicated start/stop input jack (a feature which was removed from most subsequent Roland models) The tempo can sometimes drift slightly by itself which is apparently an issue with this model in general, but it's almost unnoticeable unless you're MIDI syncing to an audio device that doesn't time stretch. An external clock could solve this.
This is the most underrated drumachine for some unknown reason¿
This thing's auh beast when hooked up tooo some sort of overdrive pedal like a BigMuff or even a cheapo Joyo Sweetbaby OD, hardfloor tooo the max kid's¡!
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Artist usage
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John Frusciante, in a post by his label "Acid Test," mentions using the Roland TR-505 drum machine among other instruments throughout his career.
On the right portion of this picture, near the Casio PT-50, it is possible to spot a Roland TR-505. It is recognizable due to the display position (black spot) and the positions of the pads.
"what a day. there's 'optimistic', there's another which started off as a thom doodle on the 505........there's also the paris version of 'lost at sea'.........the batsford 'morning bell'." -Ed O'Brien, bandmate
BT still adores his heavily modified Roland TR-707, the Roland TR-505, the Roland 505 and the Boss DR-550 MkII. "Anything with that many switches has to sound good," he says with a laugh.
Vince Clarke is listed as an artist associated with the Roland TR-505 Drum Machine on Vintage Synth Explorer.
List of equipment used by Klaus Schulze, from the February 1993 issue of Sound on Sound:
4x Akai S1000PB (32MB) 2x Akai S1000KB (32MB) Akai S900 Akai S612 Akai S7000 Moog Modular CIII 2x Moog MiniMoog Studio Electronics MIDIMini Mellotron Yamaha CS80 Yamaha CP70 Yamaha TX81Z Yamaha SY99 Korg M1 Korg M1 EX Korg T1 Korg T3 Korg DVP1 Roland U110 Roland U220 Roland D50 Roland S50 sampler & monitor Roland Planet S & editor Roland Super Jupiter & editor 2 Roland TR505 Roland Octopad Roland JD800 Roland Super JX10 4x Hohner HS2/E sampler 5x Hohner HS1/E sampler Hohner HS1KB sampler Waldorf Microwave GDS computer synth Misc. Crumar keyboards Fairlight CMI Series II SCI Prophet 2000 SCI Prophet 2002 Emu Proteus/2 Emu Proteus/3 World Emu Emulator II Kurzweil K1000 Kawai K4 EMS Synthi A PPG Wave 2.2 Linn 9000 4x Oberheim DPX1 Yamaha RY30 drum machine Sonor timpanies and octo toms Paiste gongs and cymbals Martin 12-string guitar
Mentioned in this May 14, 2012 The Fader interview.
Eventually I scraped up some money and bought a used four track. Then a little bit later, around 14 I bought a TR-505 drum machine, which was the first real piece of equipment I ever bought in my life.
This is one of many pieces of gear listed in a 2007 Computer Music feature on Venetian Snares.
Album Usage
The Roland TR-505 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Roland TR-505, it is most commonly used with the following gear.
Community setups
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Add recommendation2 alternative and related items for Roland TR-505, curated by the Equipboard community.
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A more useful piece, newer with more options. dsnt have the iconic name Roland but this is good.
$399.00
same sound, but different interface, no mixer and different sequencer