Masaru Teramae

You can see this preamp in this tweet.

You can see this pedal in this tweet.

Masaru Teramae uses the Line 6 Tonecore Echo Park delay pedal, as seen in his tweet discussing his acoustic setup.

You can see this pedal in this tweet.

In a tweet, Masaru Teramae mentions using the Lava Cable Tephra speaker cable for several years and expresses urgency in purchasing another due to its scarcity.

He talks about using this monitor in a tweet.

In a tweet, Masaru Teramae mentions using the Sennheiser MD 421-II, describing it as part of a microphone mix with the SM57 to enhance depth in his recordings.

You can see this amp in one of his tweets.

In a tweet, Masaru Teramae mentions using the Celestion Vintage 30 12'' 60-watt speaker, specifically highlighting its British-made variant's performance in his H&K 4x12 cabinet setup.

In a tweet, Masaru Teramae discusses using the Celestion G12M Greenback 12" 25-Watt Speaker, noting its British manufacturing and comparing it with other models.

In a tweet, Masaru Teramae mentions experimenting with the Eminence Swamp Thang Speaker, indicating it wasn't the right fit for his setup.

In a tweet, Masaru Teramae discusses trying out the Eminence Red Coat CV-75 speaker for his setup.

In a tweet by tera_Demetori, Masaru Teramae discusses his gear setup, which includes the Rocktron All Access MIDI foot controller.

Talks about these pickups in a tweet.

In a tweet, Masaru Teramae mentions using the IK Multimedia ARC 2 System, noting its effectiveness alongside his new monitor speakers.

You can see this EQ on his blog.

In a tweet, Masaru Teramae mentions using the Seymour Duncan Nazgûl pickup in the front position of his guitar setup.

Masaru Teramae uses the Tom Anderson H3+ as the bridge pickup in his main guitar, as mentioned in his Twitter post.

Masaru Teramae uses the Tom Anderson SA1 pickup in the middle position of his main guitar, as mentioned on his Twitter account.

Masaru Teramae uses the Tom Anderson H1 pickup in the neck position of his main guitar, as mentioned in his tweet.

In a tweet, Masaru Teramae is shown using the TC Electronic Ditto Looper.

This capo can be seen in this tweet.

In a tweet, Masaru Teramae mentions purchasing a Mullard RI EL34 tube for use in his Triamp guitar amplifier head, highlighting his first experience with the brand.

In a tweet, Masaru Teramae discusses his experience with the PreSonus FaderPort Classic, noting the automatic movement of its faders and expressing nostalgia for using similar equipment.

Masaru Teramae discusses using the Dunlop DVP3 Volume (X) Pedal in a tweet, mentioning its successful integration into his setup to resolve volume control issues.

His main guitar before the Tom Anderson.

He states that he used this microphone in combination with a 40w Marshall(a JCM 200 DSL401 is pictured) and a USA Fender on the song "Genesis Beyond The Beginning" from Ys Origin.

In this video (timestamped) https://youtu.be/Ohbbxppprzk?t=2279, Masaru Teramae can be seen playing an MFC-101 Mark III. It's used it as a midi controller for the Axe FX II XL+.

The MFC-101 commonly appears on Masaru Teramae's twitter. https://twitter.com/tera_Demetori/status/1346797120733396993/photo/1

used in this acoustic rendition of one of zero no kiseki's town bgm