Mathew Jonson

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

In a Tech Talk interview on Telekom Electronic Beats TV, Mathew Jonson discusses his use of the Roland MC-202 MicroComposer in his studio setup.

In a Tech Talk with Telekom Electronic Beats TV, Mathew Jonson discusses his studio setup, highlighting his use of the Elektron Monomachine SFX-60+.

At 0:27 Mathew Jonson's Sequential Circuits Pro One Synthesizer is visible in his 2014 studio tour with Fact Magazine.

The MS-20 is visible in Mathew Jonson's studio tour feature for Fact Magazine at 0:37.

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70…"

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

"The JX-3P im using for kind of hanging ambient string sounds in the backround"

At 0:11, on the left, and throughout this video, Mathew Jonson's Elektron Analog Keys is visible.

Throughout this video, in which Mathew Jonson highlights his live performance setup, The Voyager can be seen, to the left of his laptop.

The Jupiter-80 is visible throughout this video in which Mathew Jonson highlights his live performance setup.

There is a shot of model number, on the back of the Roland, at 6:01.

The TB-303 is visible in Mathew Jonson's studio tour feature for Fact Magazine at 0:36.

At 7:56 the Roland SH-101 synthesizer is visible in this Mathew Jonson presentation done with Red Bull Music Academy.

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70…"

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70…"

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "This is my Fender Rhodes Stage Mark II. That and my Yamaha CS-60 and D85 are my three favourite instruments. None have MIDI or CV so you just have to play them. I find more enjoyment sitting down at any of these than using the entire rest of my studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "This is my Fender Rhodes Stage Mark II. That and my Yamaha CS-60 and D85 are my three favourite instruments. None have MIDI or CV so you just have to play them. I find more enjoyment sitting down at any of these than using the entire rest of my studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "This is my Fender Rhodes Stage Mark II. That and my Yamaha CS-60 and D85 are my three favourite instruments. None have MIDI or CV so you just have to play them. I find more enjoyment sitting down at any of these than using the entire rest of my studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "The Yamaha CS-30 is from outer space. I don’t know how anyone could use this for making normal sounds really because the tuning is so bad… or maybe I just have to open it up and recalibrate it. I got it for nothing on eBay and when I opened up the case it was filled with dirt. Maybe it was a leftover from a flood or something. Anyways, it actually works – I’m just not sure what it’s been doing the last 20 years."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "The Prophet-5 probably speaks for itself. It’s the most used synth in the studio these days.

In his My Studio feature for Attack Magazine, Mathew Jonson writes:

"This is my Trident and OB-12. Both amazing for pads and ambient sounds. The OB-12 is totally buggy and can explode the speakers with just small changes in parameters so I don’t really let my friends use it. It is super powerful though, aside from all the glitches. The Trident is probably best described as majestic. Literally it sounds like the angels flying down from the sky."

In his My Studio feature for Attack Magazine, Mathew Jonson writes:

"This is my Trident and OB-12. Both amazing for pads and ambient sounds. The OB-12 is totally buggy and can explode the speakers with just small changes in parameters so I don’t really let my friends use it. It is super powerful though, aside from all the glitches. The Trident is probably best described as majestic. Literally it sounds like the angels flying down from the sky."

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his System 100 at 1:30.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's Waldorf Microwave can be seen at at 2:48.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's JD-990 can be seen at at 2:48.

"The JD-990 is a really beautiful pad machine. It sounds a lot better than the JD-800 in my opinion."

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his CS-15 at 4:51.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his Jupiter 6 at 4:51.

"Most of it was done with the [...] Fender Rhodes"

In a Tech Talk interview on Telekom Electronic Beats TV, Mathew Jonson discusses his studio setup, including his use of the Clavia Nord Rack 2 synthesizer.