Mathew Jonson

"[...] The Tama Techstar which triggers the 808 and 909 [...]"

"Most of it was done with the [...] Fender Rhodes"

"The electronic drums where done with [...] XV5080"

"The effects are mostly [...] Cwejman modular"

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

In a Tech Talk interview on Telekom Electronic Beats TV, Mathew Jonson discusses his studio setup, including his use of the Clavia Nord Rack 2 synthesizer.

In a Tech Talk interview on Electronic Beats TV, Mathew Jonson discusses his use of the Moog Moogerfooger MF-108M Cluster Flux in his studio setup.

This studio monitor can be seen at 0:51 into this video.

In the YouTube video "Mathew Jonson - In The Studio" by 180 Fact, Mathew Jonson is seen with a Roland PG-200 positioned next to his MS-20 synthesizer.

Here you can see my mixer and a better view of the racks. I have lots of processing: Neve, Manley, and some other compressors. Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70… Also effects: Eventide Orville, DP4, A10, D5000. The desk is a 40-channel APB-DynaSonics ProDesk 8. I love it!

Can be seen throughout this video

In the YouTube video titled "Mathew Jonson - Against The Clock" by 180 Fact, Mathew Jonson is shown using the Doepfer A-100 Analog Modular System.

At 5:30 in how EBTV "Tech Talk" video he says he has a DP/4. You can see it's a DP/4+ at the top of the rack.

Shown at 2:21 in his FACT studio tour.

"This is a Korg A1. This is the effect that I used to make a lot of the earlier It Is What It Is records with. It has that kind of multi tap delay, phaser, reverb combination that just kinda makes everything spacey and carries the mix."