Matt Weed

"For most of Rosetta's existence i was using a Les Paul Studio with Late 70's or early 80's Gibson Dirty Fingers pick-ups."

"During that period i was also using a Gibson Sonex. It was a bolt-on neck Gibson... but it has a bright clangy sound."

He has named it Europa, and it is one of his main recording amps for the clean channel, which he modded himself.

Sunn Model T reissue (channel 2) w/KT66s & a 12AV7 in V3

The Twin was used for their clean guitar in the studio.

"All amps except the Twin were cranked right to the edge of power tube saturation."

Uses both live and in studio.

His newest main pedalboard.

Uses it for an octave down, and runs his rig through a bass subwoofer.

His secondary delay.

Uses it to program tempered tunings and different tunings.

Just uses it for 'texture'.

Uses it to separate his pedalboard into 2 distinct loops.

Uses it in a reverb+delay mode, set with "really huge amounts of feedback".

"It's all powered by a BBE Supa-Charger. I'm not a big believe in power supplies, but this was a daily inexpensive option with different power supply settings."

" At points there’s also the Deist Requiem chorus that I made and a Strymon Blue Sky reverb."