Morgan Page

Morgan Page says: Sausage Fattener is great. I don't use it for mastering-- more for basslines.

Morgan mentions using Sylenth to generate a sine wave.

Morgan Page mentions using Ozone for mastering several times in this AMA.

Additionally, Morgan Page sent an email to Equipboard in February 2017 specifying that he uses Ozone 7.

Morgan mentions Massive as one of his preferred plugins.

Morgan cites Omnisphere as a plugin he uses.

Morgan mentions Razor in a list of preferred plugins.

Trillian makes the list of preferred plugins for Morgan Page.

At 5:09 in this video, Morgan Page says'that this kick drum synthesizer ''is really good with good presets and this item can be seen at 5:25.

The mixed in key artist page shows Morgan's review indicating him using the product

In this email from Morgan Page from February 2017 detailing his studio gear, he reveals that he uses Serum as the first item listed in the software category.

Morgan Page sent Equipboard an email in February 2017 stating he uses Xfer's LFO Tool.

Morgan Page explained to Equipboard in February of 2017 in an email that he uses Nicky Romero's Kickstart plugin.

Morgan Page disclosed to Equipboard via email in February of 2017 that he uses the Waves Mercury Bundle for production.

Morgan Page uses the Avid HD I/O Audio Interface according to an email he sent to Equipboard in February of 2017.

According to Morgan Page's email to Equipboard in February of 2017, he uses the Prism Sound Orpheus converter.

Morgan Page uses the BAE 1073 in the lunchbox configuration, as expressed in his email to Equipboard from February 2017.

Morgan Page noted his use of MixCubes in an email to Equipboard.

Morgan Page names the DJM-900 NXS 2 as part of his DJ Setup in an email to Equipboard.

Morgan Page uses 2 CDJ-2000NXS2 as part of his DJ setup according to an email he sent Equipboard in February 2017.

Morgan Page mentions he uses the TC Electronic Polyphonic tuner in an email to Equipboard in February 2017.

Morgan Page uses the Fender American Standard Jazz Bass guitar according to an email he sent Equipboard in early 2017.

Morgan Page uses the Earthworks PM40 PianoMic based on his email to Equipboard from 2017.

Morgan Page is included in the "In Use By" artist section of the official Cableguys HalfTime video.

Morgan Page praises the Waves Element 2.0 synth for its versatility and straightforward workflow, highlighting its lack of sub-menus and abundance of knobs. His insights are featured on the Waves website under the Virtual Analog Synth – Element 2.0 section.

Shown at 7:08 in this mixing tutorial.

In this Instagram story posted by Morgan Page, he says:

Thank you V-Moda! Just got the new m100 masters in w/ the new logo

Quoted on the Arturia official product page. He did not appear on the page during previous editions.

Excerpt from interview:

What do you like about having them on your master fader?

So with the Limiter, I finally have a master solution that I love. It’s loud, but it doesn’t sound like it’s getting choked. I can really push the sound, and use fast attack and release settings without it sounding like anything in the mix is getting held back or the kick is being over compressed. There’s something about the low end that is almost indescribable, it’s totally unique. Having that tool with programs like Ableton really helps make it sound round and even analog-like with a big thump.

The biggest game changer for me is the Limiter. It’s a permanent part of my template on the road since I’ve been doing more touring, and I just know it’s going to give me the results that I want. You have to be able to get work done in the airport, on the plane and in the hotel. You need a good limiter to hear everything because I tend to be in noisy environments, so I think having a tool that I trust and know is invaluable.

Recently, I did an experiment where I created a remix in one day. I was able to do one from start to finish on the plane and in the hotel and then play it live that night. It was cool, as I’d never tried that before, but it was great. The Limiter was an important part of that. It’s really a game changer for me.

Excerpt from interview:

What other Sonnox plug-ins do you use?

I use TransMod to add extra edge to effects. It’s perfect for adding a little more attack and/or changing the contour or timbre of certain sounds. I’m also using the Oxford EQ, and I think it’s amazing for doing cuts and such without hurting the overall sound. You can really get surgical with it. I’ll also use the Inflator - especially on mix busses.

Excerpt from interview:

What other Sonnox plug-ins do you use?

I use TransMod to add extra edge to effects. It’s perfect for adding a little more attack and/or changing the contour or timbre of certain sounds. I’m also using the Oxford EQ, and I think it’s amazing for doing cuts and such without hurting the overall sound. You can really get surgical with it. I’ll also use the Inflator - especially on mix busses.