Pricing and availability
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Price
Average Price: $462
Standard/Professional
$300
$801+
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Budget
Standard
High-end
Price History
Based on price data from 7 merchants for "Avantone Active MixCube". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the Avantone Active MixCube Powered Full-Range Mini Reference Monitors, the perfect companion for your recording and mixdown sessions. Inspired by the legacy of the 5C Sound Cubes, these monitors bring you high-resolution, full-range sound in a compact and stylish package.
Designed to deliver an accurate representation of your mix as it will sound on real-world systems such as televisions, car stereos, and computers, these monitors give you a unique insight into the mid-range vocal/guitar/keyboard areas of your mix. The MixCubes feature a full-range monitor without a crossover, revealing the true character of your music.
With their robust 60-watt amplifier built in, these monitors provide a powerful and clear sound. They are shielded, allowing you to place them next to computer monitors without interference. The custom-designed paper cone crafted from high-quality New Zealand pulp with mica fibers added ensures lightweight and rigidity for optimum sound reproduction.
The MixCubes are housed in a 6.5" cube cabinet with radiused edges for better imaging, and an elegant high-gloss retro-cream finish that makes them a stylish addition to any studio setup.
Key Features:
- System Type: Active (Self-powered) shielded full-range stereo pair
- Power: 60 watts RMS@ .005% THD (1KHz)
- 5.25" shielded full-range 8 ohm drivers
- Frequency Response: 90Hz-17kHz (Accessible Musical Range)
- High-Rigidity die cast Aluminum frame with polished mounting bezel
- Custom paper cone made from New Zealand pulp with mica fibers added for light weight and rigidity
- Inputs: XLR & TRS (combo jack) +4 balanced and -10 unbalanced
- Standard size (5/8"- 27 threading) female microphone stand mount built into the cabinet base
- Max SPL: 104dB 1 meter @ 1%THD (PINK NOISE)
- Cabinet dimensions: 165 x 165 x 165 mm (6.5" x 6.5" x 6.5")
Product specs
| Powered | Yes |
| Power Configuration | Single Amp |
| Quantity | Pair |
| LF Driver Size | 5.25" |
| LF Driver Type | Cone |
| Total Power | 60W |
| Frequency Range | 90Hz-17kHz |
| Maximum Peak SPL | 104 dB |
| Input Types | 1 x XLR/TRS Combo |
| Enclosure Type | Sealed |
| Enclosure Material | 18mm medium-density fiberboard (MDF) |
| Height | 6.5" |
| Width | 6.5" |
| Depth | 6.5" |
| Weight | 7.13 lbs. |
FAQs
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What is the main purpose of the Avantone Active MixCube monitors?
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The Avantone Active MixCube monitors are designed to mimic real-world listening environments, allowing you to hear how your mixes will sound on systems with limited bass response, such as TVs, laptops, and car stereos.
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How do I connect the Avantone MixCube to my audio interface?
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You can connect the Avantone MixCube to your audio interface using an XLR/TRS combo input. For a mono setup, use a monitor controller with a mono button to ensure proper signal routing.
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Are the Avantone MixCubes suitable for mixing and mastering?
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The Avantone MixCubes are ideal for checking mixes on smaller, bass-limited systems, but they are not intended to replace full-range monitors for detailed mixing and mastering tasks.
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What is the frequency response of the Avantone Active MixCube?
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The frequency response of the Avantone Active MixCube is 90Hz to 17kHz, which covers the essential midrange frequencies crucial for mix translation on consumer audio systems.
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What type of enclosure do the Avantone MixCubes have?
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The Avantone MixCubes feature a sealed enclosure made from 18mm medium-density fiberboard (MDF), providing a focused and accurate midrange response.
Equipboard's Expert Review
Equipboard tested this
Mix Translation Tool
The Avantone MixCubes monitors have a solid build. These little cubes are sturdy and beautifully constructed, with a weight that makes them feel like bricks – both durable and high-quality.
The controls are straightforward but come with a few quirks. The power supplies are undeniably large and cumbersome, and the volume knob demands high levels for critical listening. Plus, the power button is tucked away in a spot that’s tough to reach. However, these minor inconveniences fade into the background once you start using them.
Where the MixCubes truly shine is in their sound quality. Designed for midrange and vocal level checking, they excel at revealing mix issues that other monitors might gloss over. The mids and high-end clarity are remarkable, making them excellent for achieving balanced mixes. We found them particularly useful for mono reference monitoring and checking how mixes translate across various listening environments.
That said, the sound can be a bit jarring at first. Ground noise issues and an initial strange or unpleasant sound might put some off. However, give them time, and you'll find they improve, becoming invaluable for catching those elusive mix flaws. The midrange presence is particularly useful, even if it isn’t always pleasant to listen to initially.
The bottom line? If you’re a musician or producer looking to refine your mixes and ensure they translate well across all playback systems, these monitors are worth the investment despite their steep price. However, if you're easily frustrated by usability issues or initial sound quality quirks, they might not be the right fit for you.
Videos
Antoine Michaud
Avantone Mixcubes Review
Reviews
PROS
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Enhances mix accuracy by revealing problem areas not evident on high-end monitors
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Provides excellent clarity in the mids and highs, essential for mixing
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Heavy and durable construction, suggesting longevity
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Works well at both low and high volumes for flexible mixing
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Low noise amps enhance sound purity
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Can be used for mono reference monitoring, simulating average listening conditions
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Mounting hole adds to placement versatility
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Complements full-range main monitors by focusing on midrange presence
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Reveals mistakes in mixes not noticed on other systems
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Helps achieve balanced vocals and instruments in mixes
CONS
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Extremely heavy, potentially hazardous when moving
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Power supplies are bulky with no mounting options
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Sound may initially seem unpleasant or "blurry" to some users
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Limited bass extension due to design focus on mid-range frequencies
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Price may be considered high for a secondary monitoring option
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Avantone Active MixCube.
Features and functionality
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Avantone MixCubes excel in transient response, allowing more precise detection of sharp transients, especially beneficial when dealing with overlapping sounds.
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The Avantone MixCubes' lack of crossover and sealed cabinet design enhances time domain response and reduces distortion, making them detailed in transient and midrange clarity.
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The MixCubes' single driver design eliminates crossover distortion, highlighting midrange nuances effectively for detailed mixing.
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Despite being termed "grot boxes," Avantone MixCubes are recognized for their high performance and detailed midrange inspection when paired with quality amplification.
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Comparisons
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Unlike NS-10s, Avantone MixCubes avoid crossover issues due to their single driver, resulting in a clearer midrange without phase problems.
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User experience
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Some owners find the MixCubes' stereo imaging vivid, despite their limited bass and treble, making them particularly favorable for acoustic and pop music.
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Owners report the Avantone MixCubes provide a unique perspective on mixes, revealing reverb tails and room decay that might be missed on larger monitors.
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Use cases and applications
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The MixCubes are notably used for balancing vocals and midrange elements, ensuring mixes translate well to consumer speakers like phones and laptops.
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Avantone MixCubes are praised for their efficiency in isolating the midrange, making them suitable for critical mixing tasks focused on vocals and midrange clarity.
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Build quality
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The MixCubes' non-ported design contributes to a faster reflex, aiding in the accurate reproduction of transients.
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Value and pricing
Critic Reviews
4.5 out of 5
Based on 16 Reviews and 47 Ratings
281
fabby
This was soooo an object of desire . I knew what to expect ... Undaunted ... I got one and set up in mono ...When I first set up and listened to after my existing speaker set up I was very surprised ... In a good way ... Dipping toe into Dolby Atmos I was well aware that I was not sticking to the rules ha ha ... I don't like rules ... I listened to anything and everything. Underground and overground and found it very very sweet and pleasant to listen to .. I use to evaluate every thing I do ... My ears not the greatest I admit .. After bouncing down a stereo mix from my Yamaha + subwoofer set up I alway wait ten or so then listen on the Cube ... Any resonance or problems show up here ... Take out offending freeque's and Voila !!! I like it ...R :)
181
I've taken bigger shits.
Terrible. I got them and returned them. Yes, I burned them in. Yes, I tried it in only mono. Yes, with only one speaker.
They just sounded..... blurry all the time. Good tracks sounded blurry, shit tracks sounded blurry.
Keep in mind, these were the active versions. It's possible the little teeny amps they stuff into these fuckers simply can't be good enough quality.
Oh well.
Compared to Auratone 5c (revision) with a cheap amp, they don't even come close.
41026
yeah, the active ones are worthless, the amps compress... however they're supposed to sound bad
181
O i know. But the thing is, when something is good, it should give signs.
With the auratone with a cheap ass amp (alesis ra100) it sounds alot better while being revealing wither I'm working towards the good or the bad.
With the avantones.... I couldn't hear small eq changes. And if I did, there is ALOT more resonance when sweeping ranges than with auratone, which is dry as hell.
Could be the amps though like you said.
This monitor is a mixing game changer
I just purchased these and upon first listen I immediately heard obvious mistakes in some of my mixes. The mid range is so present, vocals are slammed in front of your face (and its a good thing). But it really shines in whether I have enough mid-range presence in my lowend to punch on smaller systems.
In interested in how these will sound after burn in, but I'm excited because they sound fantastic. I'd like to quickly define what I mean by fantastic because I've just mentioned they lack frequency extension on both ends of the spectrum. These guys have a very strong midrange. It's the same range as a phone or laptop but I wouldn't mix on my laptop speakers because they lack clarity and depth. These are like a reliable set of laptop speakers that have all the clarity and depth of small system speakers. In this regard they sound fantastic and can be coupled perfectly with a full range main monitor system.
Side note, these monitors are a high end set of SECONDARY monitors. I wouldn't want to mix exclusively on these guys but like emlynwakg said, they are a fantastic set of A B monitors. Make sure your main set is solid before you purchase these, specifically something that can produce the low end that these lack.
3582
Sound just as awful as they should
I have one for mono reference monitoring and it's sounds just as awful as it should! It has full (limited) bandwidth, no crossover filters, no bass-port extension, so no unwanted artifacts or distractions. They will not flatter your mixes or make them sound any better as they are but they will give you a very good idea how (unfortunately) the average person will perceive you music through iphone, laptops, TV, shopping malls or in elevators. Do not expect them to serve as your main nearfield monitors but use them as a reference monitor. For this purpose, one should even be enough, but everyone who takes his mixes serious should have one.
68
Excellent Reference
I read so many positive reviews about these before buying them (I have a pair). When I got to the store and listened to them, it was truly horror. They sounded really bad, actually awful. I knew the purpose of these speakers and the sales-guy insisted that I would love them but I still kicked around for about 30 minutes before convincing myself to get them, keeping focus on the reason for buying them.
Since having them, they have become one of the most important elements in my studio and while I don't always mix a track on them, every mix gets referenced on the them. The cubes really help create balance in a mix and they help to get the volume of vocals in a track just right.
118
Crispy!
For speakers that are supposed to sound bad enough so you can make your music sound good on anything. These things are some of the most beautiful sounding speakers I have listened to music through. They are very revealing, letting you hear your music differently. To check your mix you really only need one of these in mono!
261
Love this mono monitor
Absolute must for getting clean mixes. Have the audio routed through our mixer so its super easy to check the mix with the Aux send. This monitor will make sure your songs sound great on any mono device like iPhones, iPads and more.
148
Small investment well worth it.
Every time when track is done I ran a track to check it out on those little ones and i can pick up frequencies that I was unable to hear on any other system. If you want to check how your music will sound on a laptop, phone or tablet, that's the way to go.
394
legends
The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.
Artist usage
Add artist
in this livestream https://www.youtube.com/watch?v=weW3LDQogh0 i found this equipment.
The photo in this article shows us a global view of Steve's recording studio (The Neon Future Cave) in his house in Las Vegas, NV.
In the third episode of ''Being Like Mike'', the items he use can be seen at (2:34), (7:51) and (8:20).
Here´s the link to the Twitch stream where he shows his studio gear: https://www.twitch.tv/videos/688482579
The Avantone mixcube (based on the Auratone 5C sound cube) was used when recording Bon Iver's last album 22, A Million.
In the MusicRadar Tech YouTube video "The Chainsmokers on making Roses – The Track," The Chainsmokers discuss using the Avantone Active MixCube Powered Full-Range Mini Reference Monitors. They highlight its ability to accurately replicate the sound of car stereos, boom boxes, and some phones, making it essential for their production process.
The Avantone MixCube monitors Owl City uses can be spotted in this Instagram pic of his studio gear setup.
Album Usage
The Avantone Active MixCube has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Avantone Active MixCube, it is most commonly used with the following gear.
Community setups
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