Natalia Lafourcade's Gear
In this YouTube video of her 2016 performance at Austin City Limits, Natalia Lafourcade can be seen playing a Yamaha AEX 500N acoustic-electric nylon-string guitar with natural finish.
During her 2017 NPR Music Tiny Desk concert, Natalia Lafourcade can be seen playing a Guild acoustic guitar with all-mahogany finish around the 3:30 mark to perform her song “Mi Tierra Veracruzana.” This guitar appears to be a Guild M-20 late 1950s vintage model based on the script logo and open book headstock shape.
Natalia Lafourcade can be seen playing a Venezuelan cuatro during the music video for “El Coconito” from her 2025 album Cancionera. The cuatro can be seen around the timestamps 0:53 and 2:00.
In a screengrab from an Instagram reel dated March 5, 2025, Natalia Lafourcade shares a B&W photo from the construction of her custom guitar. The reel tags Spanish luthier David Jimenez Rodriguez Guitars, based in Sanlúcar de Barrameda, near Cadiz, Spain. According to the luthier's website, David Jimenez Rodriguez crafts approximately 10 custom flamenco guitars by hand each year, using woods such as palo santo (lignum vitae) and cypress.
English
Moments from the quest to construct my travel guitar that I’ll call C A N C I O N E R A 🌼 So we walked the beautiful streets of Cadiz while I met with wonderful people. Now we are leaving to prepare for whatever comes next. Between wood, delicious bites, sweet conversation and new friendships. Thank you, life! @pituquete.music @encarna.anillo y @guitarrasdavidjimenezrodriguez
Spanish
Momentos de búsqueda para construir mi guitarra de viaje a la cual llamaré C A N C I O N E R A 🌼 Así caminamos las calles hermosas de Cádiz, al tiempo en que me encontré con gente maravillosa. Así nos vamos preparando para lo que viene. Entre maderas, comiditas deliciosas, dulces charlas y nuevas amistades. ¡Gracias vida! @pituquete.music @encarna.anillo y @guitarrasdavidjimenezrodriguez
https://www.instagram.com/reel/DG08QD9t7Sf/
David Jimenez Rodriguez Guitars: https://guitarrasjimenezrodriguez.com/
Natalia Lafourcade is seen playing a Gretsch G6128T-GH George Harrison Signature Duo Jet with Bigsby around the 11:40 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio. The model can be identified by the artist signature seen on the truss rod cover of the headstock, two single-coil DynaSonic pickups, as well as the black tremolo arm pivot bolt.
Sonic Ranch lists a Gretsch George Harrison Duo Jet as part of the studio’s guitar collection, which may be the same model that Natalia Lafourcade can be seen playing during the album’s recording: https://www.sonicranch.com/guitars
Natalia Lafourcade is seen playing a Fender Custom Shop TPDCE-1 Traditional Pro Dreadnought around the 21:53 and 23:30 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
Sonic Ranch lists a Fender Traditional Pro acoustic as part of the studio’s guitar collection, which may be the same model that Natalia Lafourcade can be seen playing during the album’s recording: https://www.sonicranch.com/guitars
Natalia Lafourcade is seen singing into a Shure SM7 mic around the 6:03 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio. A label on the mic identifies the model # as well as the location in Sonic Ranch Studio A.
Natalia Lafourcade is seen singing into a Telefunken ELA M 251 condenser mic around the 12:49 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
Sonic Ranch lists a Telefunken ELA M 251 as part of the studio’s microphone collection, including Studio A: https://www.sonicranch.com/microphones
In this screengrab from an Instagram post dated April 19, 2013, Natalia Lafourcade shares an image of herself and bandmate Gustavo Guerrero where she can be seen playing her Nord Electro 3 73 stage keyboard.
English
Rehearsing for Europe. It’s already at a point that makes us laugh out loud. I hope the people who see us in Europe will be pleased.
Spanish
Ensayando para Europa. Ya a tal grado que nos dio ataque de risa. Espero le gusté a la gente que nos vea por España.
Natalia Lafourcade is seen playing a Hammond B-3 organ around the 7:21 and 36:56 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
The album credits for Hasta La Raíz list a Hammond organ played by Natalia on the track “Para Que Sufrir.”
Sonic Ranch lists a 1962 Hammond B3 Organ with 147 Leslie as part of the studio’s collection of pianos and keyboards, which may be the same model that Natalia Lafourcade can be seen playing during the album’s recording: https://www.sonicranch.com/pianos-keys
Natalia Lafourcade is seen playing a Yamaha YV-2700 vibraphone around the 2:57 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
The album credits for Hasta La Raíz list a vibraphone played by Natalia on the track “No Más Llorar.”
Natalia Lafourcade is seen playing a black Wurlitzer 200A electric piano around the 14:24 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
Natalia Lafourcade is seen playing a Martin dreadnaught acoustic guitar around the 19:46 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
Sonic Ranch lists a 1954 Martin D18 as part of the studio’s guitar collection, which may be the same model that Natalia Lafourcade can be seen playing during the album’s recording: https://www.sonicranch.com/guitars
Natalia Lafourcade is seen playing a Telecaster-style baritone electric guitar around the 14:21 mark in a behind-the-scenes documentary about the recording of her 2015 album Hasta la Raíz at Sonic Ranch studio.
The model seen here features two “lipstick” style pickups similar to a Danelectro guitar, an extended baritone scale length for the neck, as well as a 3x3 tuner arrangement on the headstock. The shape of the headstock is similar to Danelectro’s “Coke bottle” headstocks except for the flattened top and Fender logo, which appears inconsistent with Fender’s more common 6 in-line tuners and trademark headstock shape. The bold all-capital stylizing of the Telecaster logo appears consistent with 1968-80s CBS era branding.
The album credits for Hasta La Raíz list a baritone guitar played by Natalia on the track “Para Que Sufrir.”
A Boss RE-20 Space Echo pedal can be seen on the pedalboard that was used by Natalia Lafourcade at Sonic Ranch studio for her 2015 album Hasta la Raíz, as seen around the 9:42 time stamp in a behind-the-scenes documentary about the album available on YouTube.
A Boss FRV-1 ‘63 Fender Reverb pedal can be seen on the pedalboard that was used by Natalia Lafourcade at Sonic Ranch studio for her 2015 album Hasta la Raíz, as seen around the 9:42 time stamp in a behind-the-scenes documentary about the album available on YouTube.
A Line 6 DL4 Delay Modeler pedal can be seen on the pedalboard that was used by Natalia Lafourcade at Sonic Ranch studio for her 2015 album Hasta la Raíz, as seen around the 9:42 time stamp in a behind-the-scenes documentary about the album available on YouTube.
A Dr. Scientist: The Tremolessence pedal can be seen on the pedalboard that was used by Natalia Lafourcade at Sonic Ranch studio for her 2015 album Hasta la Raíz, as seen around the 11:46 time stamp in a behind-the-scenes documentary about the album available on YouTube.
A MXR MX-134 Stereo Chorus pedal can be seen on the pedalboard that was used by Natalia Lafourcade at Sonic Ranch studio for her 2015 album Hasta la Raíz, as seen around the 11:46 time stamp in a behind-the-scenes documentary about the album available on YouTube.
A Boss Chromatic Tuner TU-3 pedal can be seen on the pedalboard that was used by Natalia Lafourcade at Sonic Ranch studio for her 2015 album Hasta la Raíz, as seen around the 11:46 time stamp in a behind-the-scenes documentary about the album available on YouTube.
In this screengrab from an Instagram post dated April 5, 2012, Natalia Lafourcade shares an image of her Gibson ES-335 electric guitar in its case with two humbucker pickups and sunburst finish.
English
My new Gibson guitar.
Spanish
Mi nueva guitarra Gibson.
In this screengrab from an Instagram post dated November 3, 2018, Natalia Lafourcade is seen playing live with her Duesenberg Starplayer TV - DTV-2T electric semi-hollow guitar with two-tone sunburst finish.
English
Thank you @imagesbypablo for such beautiful photos. 🇺🇸❤️🙏🏼❤️🌹 amazing Pomona. Today we are already en route to @tropicaliafest for two concerts. How wonderful to be able to share this with all of you.
Spanish
Gracias @imagesbypablo por tan hermosas fotos. 🇺🇸❤️🙏🏼❤️🌹 que maravilla Pomona. Hoy ya vamos camino a @tropicaliafest y así nos quedan dos concertos. Que maravilla poder compartir con todos ustedes.
In an AP News interview dated August 25, 2025, the producer Adán Jodorowsky confirms the use of an EMT 140 reverb plate on Natalia Lafourcade’s vocals for the recording of “Cariñito de Acapulco” from her 2025 album Cancionera.
English:
In the hypnotic “Cariñito de Acapulco,” Jodorowsky brought a less hurried tempo and an antique EMT 140 reverb to Lafourcade for the sensation of a 1950s Acapulco hotel. “It gave an incredible atmosphere to that song. And Natalia, she didn’t have so much reverberation [on previous records]. She always had a sound that was more dry,” Jodorowsky pointed out. “I believe that her soul wasn’t connecting with the digital reverb but it connected with this, which was totally organic.”
Spanish:
En la hipnótica “Cariñito de Acapulco” Jodorowsky llevó a Lafourcade un tempo más pausado y a un reverberador antiguo EMT 140 para una sensación de un hotel de Acapulco de la década de 1950. “Le dio una atmósfera increíble a esa canción. Y Natalia, ella no era tanto de reverberación. Ella tenía siempre un sonido más seco”, señaló Jodorowsky. “Yo creo que su alma no se conectaba con el reverb digital y se conectó con esto, que era totalmente orgánico”.
A Boss Octave OC-2 pedal can be seen on Natalia Lafourcade’s pedalboard in this screengrab of a post from her Instagram dated March 21, 2014.
English
Rehearsing now for next week. It will be a beautiful journey.
Spanish
Ensayando ya para la siguiente semana. Será un viaje hermoso.
A Boss Digital Delay DD-3 pedal can be seen on Natalia Lafourcade’s pedalboard in this screengrab of a post from her Instagram dated March 21, 2014.
English
Rehearsing now for next week. It will be a beautiful journey.
Spanish
Ensayando ya para la siguiente semana. Será un viaje hermoso.
A Digitech JamMan Stereo pedal can be seen on Natalia Lafourcade’s pedalboard in this screengrab of a post from her Instagram dated March 21, 2014.
English
Rehearsing now for next week. It will be a beautiful journey.
Spanish
Ensayando ya para la siguiente semana. Será un viaje hermoso.
In this screengrab from an Instagram post dated January 16, 2014, Natalia Lafourcade can be seen holding her Martin Backpacker steel-string acoustic guitar. In the photo she is accompanied by guitarist Gustavo Guerrero and bass player Mariana Ruiz, both of whom are credited on her 2015 album Hasta la Raíz.
English
We came to play music for the Arch of Cabo San Lucas with @marianruzzi and Gustavo
Spanish
Venimos a tocar música para El arco de San Lucas con @marianruzzi y Gustavo
During a televised performance on Once TV México (Canal Once), Natalia Lafourcade can be seen playing a black Gibson Les Paul with HH pickups while promoting her 2009 album Hu Hu Hu. Natalia plays this instrument in the song “No Viniste” starting at time stamp 8:54 from the video clip, following an interview by the journalist Cristina Pacheco.
During a televised performance on Once TV México (Canal Once), Natalia Lafourcade can be seen playing a Taylor T5 thinline electric guitar with sunburst finish while promoting her 2009 album Hu Hu Hu. Natalia plays this instrument in the song “Tiempo al Viento” starting at time stamp 8:54 from the video clip, following an interview by the journalist Cristina Pacheco.
During a televised performance on Once TV México (Canal Once), Natalia Lafourcade can be seen playing a Yamaha CP 88-key stage piano while promoting her 2009 album Hu Hu Hu. Natalia plays this instrument in the song “Ella es Bonita” starting at time stamp 1:54 from the video clip, following an interview by the journalist Cristina Pacheco.
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Discography
Natalia Lafourcade
2002
HU HU HU
2009
Mujer Divina - Homenaje a Agustín Lara
2012
Mujer Divina - Homenaje a Agustín Lara [En Vivo]
2014
Hasta la Raíz (Track by Track Commentary)
2015
Natalia Lafourcade (Spotify Session)
2015
Hasta la Raíz (Edición Especial)
2015
Un Canto por México - El Musical
2021
De Todas las Flores
2022
Natalia Lafourcade Live at Carnegie Hall
2024