Robin Guthrie

In this 1996 Guitar Player magazine interview, Robin Guthrie says: "I'm also using two of my old trusty favorites: a '59 Stratocaster and '59 Jazzmaster"

In this 1996 Guitar Player magazine interview, Robin Guthrie says: "I'm also using two of my old trusty favorites: a '59 Stratocaster and '59 Jazzmaster".

In this photo, Guthrie can be seen playing a white Fender Electric XII.

"Garlands, the album, was essentially recorded live in the studio with myself and Will playing together and Elizabeth over-dubbing a few vocals later, very much the way most bands record. My guitar setup was this: a Kawai KS-11-XL electric guitar..."

In this 1996 Guitar Player interview, Robin Guthrie says: "For clean sounds I use a Rockman Sustainer [sic]."

In this 1996 Guitar Player Magazine interview, Robin Guthrie says: "for the more distorted sounds I use a Marshall JMP-1 preamp."

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Garlands: "this went into my amp, a Maine combo (60w 2x10 never seen one since)".

Note: there is no 60w 2x10 Maine combo, only a 50w 2x8 one (Club) and an 80w 2x10 (Stage): http://schems.com/bmampscom/maine/Maine_50C_&_80S_Combo_Power_Amp.zip

In this interview with Guitar Player magazine from Robin Guthrie's official website, he mentions that one of his "favorites is the blue Boss Vibrato pedal."

In this 1996 Guitar Player interview, Robin Guthrie says: "on 1983's Head Over Heels, some of the guitar sounds were played through an Electro-Harmonix Poly Chorus, which has a feedback control. If you turn up the feedback control as you're playing, the unit starts to take off by itself. I could stop playing after a while and the sound would just carry on."

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''The sweep sound which crops up now and again is my broken (and I will never get it fixed) Boss BF-2 Flanger..

"This rack over here, at the end, is what we call the guitar rack. You've got a valve preamp and a Roland FC100, which I can use in conjunction with this GP8. All of these get put through the Yamaha DMP7, a digital mixer, where all my patches are stored. One recent thing is this Quadraverb unit that just came out. It does reverbs, delays, choruses and EQs all at the same time, instead of having to have four separate units. A lot of the sounds on our records are made up not by just, say, getting a piano, but by taking a piano and sort of messing about with it through all this type of stuff."

"This rack over here, at the end, is what we call the guitar rack. You've got a valve preamp and a Roland FC100, which I can use in conjunction with this GP8. All of these get put through the Yamaha DMP7, a digital mixer, where all my patches are stored. One recent thing is this Quadraverb unit that just came out. It does reverbs, delays, choruses and EQs all at the same time, instead of having to have four separate units. A lot of the sounds on our records are made up not by just, say, getting a piano, but by taking a piano and sort of messing about with it through all this type of stuff."

On the equipment notes page of Robin Guthrie's official website, he mentions that he uses "an Electrix Repeater. It works..."

In this 1996 Guitar Player magazine interview, Robin Guthrie says: "my favorite digital delay is the Yamaha D-1500."

In this 1996 Guitar Player magazine interview, Robin Guthrie says: "on the last tour I was also using a Zoom 9050 multi-effector, but purely for delay."

Used in the Cocteau Twins album Garlands.

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Used in the Cocteau Twins EPs Aikea Guinea, Tiny Dynamine and Echoes In A Shallow Bay.