San Holo

The bird guitar, a Fender duo sonic guitar. Fender gave this guitar to San Holo.

San Holo brought his goldtop ES-335 with dotted frets to this interview with 5 Essential Tracks.

Visible in the artwork for "RAW".

In San Holo's Secret Sky 2020 set, towards the end (43:45 and on) he picks up his electric guitar, a Fender Musicmaster. It has a white pickguard and the finish looks to be "Desert Sand."

In the beginning of the video, you can see this keyboard.

At 2:02 of this video.

In this video at 1:49

He uses it in a video, Don't know if he has it anymore.

San Holo can be seen using massive at 2:18

At 3:35 he says he used Kontakt for some sitar-like sounds in his song 'One Thing' "I used Kontakt for this stuff." "I bounced the MIDI track so my computer doesn't glitch"

He uses Serum at 6:12 as a swell pad and at 17:29 he clearly shows some instances of the synth frozen in Ableton.

He uses SoundToys' EchoBoy for delays, clearly stated at 10:08 You can also see an instance of the plugin at 11:42 in another track, so I think he uses this plugin quite often.

He uses this plugin for bitcrush/distortion effect, clearly seen at 12:37

He uses this plugin for volume automation on the lead sound in 'One thing' (13:40). He does however sidechain with Ableton's compressor and added the VolumeShaper for extra movement.

He uses this effect on his guitar to give it a warpy wobbly effect (18:53)

At 17:16 (and many other times in the video) you can see on his Tracklist M1, and in his AU folders you can see one of the developers ois Korg, which I assume means he used the M1 VST.

7:32 you can see the channel strip he used to make the main sound in “Light”

7:32, channel strip for the main sound in “light”

7:32, channel strip for the main sound in “light”

7:32, channel strip for the main sound in “Light”

7:32, channel strip for main sound in “Light”

See at 33:38, he is using it to add some distortion on a sample in “Light”

35:30, he is using it for the bass sound in Light

He is using T racks soft clipper as a plug-in on his master channel in “Light”

Ozone 8 is the final plugin on his master channel strip in “light." he says he pushes the limiter as far as he can. Since everything is sidechained to his kick and snare, he can push it pretty far. Then he adds some stereo spread in the mids and highs.

CORRECTION: It is Ozone 6.

States that he loves this reverb and used it on the main vocal in “light” at 12:06

In the video @ 4:50