In this photo, Sean Tyas can be seen wearing Sennheiser HD 25-1 II Headphones while doing a DJ set, as evidenced by the double headband design. Photo is captioned, "Awesome weekend in Leeds for #ds8 and Stockholm for Audiology. Now time for some studio work this week. #norestforthedegenerates"more
Steve Angello's Sennheiser HD 25 headphones can be seen next to him in this photo. In a [deleted Tweet](https://twitter.com/SteveAngello/status/123521907927691264), when asked about his favorite pair of headphones, Steve Angello said, "for producing HD-25's. I don't really use headphones for dj-ing but if I would choose the same. Light , loud and clear."more
In EquipBoard's own profile photo for Alex Metric, he is seen performing a live set using the HD 25-1 II headphones. More recently, he has been seen DJing using them at a show at Comerica Theater in Phoenix, Arizona in September, 2015: http://photo.rukes.com/comerica/slides/comerica_037.htmlmore
" I love listening in different systems: my old trusty Genelec’s, my home stereo JBL’s, a shitty BOSE boombox, three different pairs of headphones (from high-end AKG 701’s to Sennheiser classic HD280 & HD-25). I also listen on my wife’s car sometimes. Mostly, when I’m listening I’m trying to get a similar-sounding mix across that multitude of systems. It obviously varies depending on the music, but overall, is a good thing to listen and compare on different systems and circumstances. Elements that for example are very present on headphones may not be so much in the living room, and even less on a car stereo. My goal is to find a good balance, even before I get to the mastering stage. Just the same way you cannot really fix a bad sound at the mix stage, mastering cannot fix a bad mix. "more
Very easy to pick out individual instruments, excellent for cuing, excellent for multi-channel mixing. Sometimes it sounds better than it comes out of the speakers!
When I first got these, they sounded like rubbish, now two weeks later, every other pair of headphones sounds like rubbish. Not a single person who has heard my headphones has said anything bad about them. There is a phenomenon called “Headphone Burn-in”; you’ll hear this A LOT about this headset, but it’s true, the first song you throw through these (in my case Simple Plan - Jet Lag) will sound HORRIBLE! Murkier than if you were listening underwater, but give it 5-6 minutes of music (on my pair, results may vary) and they suddenly became the best headphones I’d ever worn, my phone hit Alesso - Years and the sweep at about 7 seconds in, it put the gasm in ear-gasm. The accuracy of sound reproduction makes these the idea headphones for live audio mixing as: Theres no interface that causes delay, what you hear out of the headphones is what comes out of the speakers - sometimes before. The velour earpads (expectantly) leak out more than the pleather ones; the drivers themselves leak out the back somewhere near the mounting hinges though.
The headphones are constructed entirely out of plastic, save for hinge pegs, side screws and connector. That in mind, don’t take these “Made in Ireland” headphones for fragile or cheap. I’ve had them crushed in my laptop bag under a G750JX laptop (4.5KG + whatever else was in the bag) because my mom put it in the car the wrong way. In fact the first day of use they were outside in a damp field for an outdoor concert experience. Not one of the 3 people on the soundboard other than me complained about them at all. In fact, their “Cheap-looking” nature allowed me to just leave them out in the middle of an open desk and no-one taking them. In the future I might add a AntLion ModMic 4.0 to make up for the lack of a microphone.
The HD25-1 comes from a huge audio equipment manufacturing company known as Sennheiser. These on-ear DJ headphones are fairly standard in both price range and quality. However, Sennheiser is known for bringing customers very high quality products compared to their competitors, so it’s always worth checking out their stuff. These headphones are clearly designed for DJs in dance clubs, but do not perform as well in a more casual environment.
Like many headphones being released these days, the structure of the HD25 is very simple and straightforward. Unfortunately, they are neither flat-folding nor collapsible, but instead have very simple rotating joints and removable metal hardware. The rough black plastic is resistant to cracks and scratches and the headphones are also very light and not likely to get damaged from falls. One of the best features of the HD25s is that every single part of the headphones is user-replaceable. Sennheiser prides itself on producing quality gear and allowing users to replace literally every single piece of the headphones insures better longevity and overall user satisfaction.
For the most part, the HD25s have fairly good comfort. Since they are meant to be DJ headphones, it seems like they were designed with the notion that the user wouldn’t need to be keeping them in one place for a long period of time. However, if you try to use them outside of a live environment, the clamping strength of the top section ends up being pretty strong and causes some discomfort. The ear cups do have good motion, as they should, and make listening to cued tracks a breeze.
As is typical of on-ear headphones, the HD25s have a bit of trouble when it comes to isolation of sound. However, I think this is a trade-off for the fact that they are meant to be mobile, in a sense, so that you can quickly transition between a cued track and the currently playing live track. Sennheiser, as always, delivers a high sound quality in each HD25. Although sound quality may not be as important in a live setting, the HD25s do a great job in the mid and low spectrums. The high end, unfortunately, seems to have been boosted a little bit too much and cause sounds to seem brighter than they normally would.
Personally, I prefer over-ear headphones, so the HD25s aren’t so much my cup of tea. I’ve been a big fan of Sennheiser over the years, but for a pair of $250 headphones I think they could’ve done a little bit better. Granted, these aren’t made for the studio so I think they decided to skimp in some areas of the product that would take them to the next level overall.
Just picked these up today. I was surprised at how toyish they look but the sound is great. I read a lot of reviews saying they were uncomfortable but they are much more comfortable than most headphones I've had. I've been using them for DJing and producing. It brought out a lot of mistakes in my mix!
I use these to DJ with but also when producing away from the studio. Easy to pack due to their size. I also use these to check mixes on along side the Beyers and the Sennheisers. Had these for years and can't see myself trading them up anytime soon.
Amazing performance capabilities, and you can actually hear your DJ mix perfectly with these noise-canceling cans. These are the token DJ headphones for a reason. Completely replaceable and they travel easy. Super comfortable for those epic 12 hour sessions.
This headphone has been unchanged since its release 20-25 years ago, and there is a reason why. the sound quality is spectacular, they isolate outside sound great and is almost impossible to brake. If you do manage to break them you can buy absolutely every part.
These are great only have the best of the best and I'm an all Genre DJ so these are great for House music if you ask me. I have no problems with them every time I spin. Please USE this instead of stupid beat made of the cheapest stuff out there.
This headphones are one of THE best out there! Most DJs/Producers would agree with this. They are everything a DJ needs! They are durable, light, look good and the sound is amazing for its price! The only downside is that they are a little bit tight. They are great for the studio too!!