Trey Spruance

Concert pic - date unknown

During the perfomance of "Vajra" at Amoeba Records , Trey used Teiso May Queen guitar.

During the perfomance of "Barakiel" he used a Danelectro56-U2 Baritone.

At 1:58 "Squier" logo can be seen at guitar's head

Trey is playing Horsemen Of The Invisible song with Coral electric sitar .

He's playing this guitar in the image

he's playing a les paul live with Faith no More

He is playing this guitar in the image

seen playing this guitar in the live performance throughout the whole show such as 2:40

he used the damn thing

This is embarrassing: With the very first [Line 6] POD. We went to a studio with the drums and bass and I added the guitar parts later. The clean guitars were on the Fender Twin. That's not portable. It's not like you have more than 16 tracks to work with before it starts choking. This is all to the credit of Samplitude.

"I use a POD direct, going through a spring reverb for the clean sound - and a Marshall JMP1 direct for the dirty. That's it - totally bare-bones. I know the guitar is a pretty visual instrument and all, but literally %95 of what I do in the band has to do with production, programming and keyboard arranging - there's very little time to fuck around with the guitar.

the amps are on stage with Trey in this video

the amps are on stage with Trey in this video

the amps are on stage with Trey in this video

seen in the image in the video besides Trey

This is embarrassing: With the very first [Line 6] POD. We went to a studio with the drums and bass and I added the guitar parts later. The clean guitars were on the Fender Twin. That's not portable. It's not like you have more than 16 tracks to work with before it starts choking. This is all to the credit of Samplitude.

Well, sort of. I got a PC laptop. A Quantex, 10 gig, black monster that had a PCMCIA slot and Samplitude 3. I found a Korean company called Ego-Sys, that at the time was creating this thing called a WaMi Box — this breakout box that had S/PDIF in on it, which enabled me to hook it into my HHB Portadat, which had really good preamps. The chain was crazy: [AKG] C 414s into my Telefunken V72s, into the HHB DAT, engage the record head and then run the S/PDIF into the WaMi Box and into the laptop. And this was a portable setup. I took it with me on tour with Mr. Bungle and recorded a lot.

Well, sort of. I got a PC laptop. A Quantex, 10 gig, black monster that had a PCMCIA slot and Samplitude 3. I found a Korean company called Ego-Sys, that at the time was creating this thing called a WaMi Box — this breakout box that had S/PDIF in on it, which enabled me to hook it into my HHB Portadat, which had really good preamps. The chain was crazy: [AKG] C 414s into my Telefunken V72s, into the HHB DAT, engage the record head and then run the S/PDIF into the WaMi Box and into the laptop. And this was a portable setup. I took it with me on tour with Mr. Bungle and recorded a lot.

Concert picture- "Squier VI " can be seen on bass' head.

"All of those keyboards (Jeff/Roto's, and Bar's) are hooked up via MIDI to my K2500. There are three to five total keymaps per song (one for each keyboard, sometimes two on Roto's channel, and three in the case of Robots). Some of these keymaps are 32 layers deep with different up to 38 programmed sounds and samples on ONE KEYMAP. Each keymap is divided up into "zones" where these parts can be grouped strategically, and played once all the locations are memorized.