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Average Price: $249
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$300
$701+
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Description
Unleash the full potential of your guitar with the Peavey Stereo Chorus 400, a combo amplifier that promises to deliver unparalleled sound and versatility. Perfect for both stage performances and studio sessions, this amplifier is equipped with dual 12-inch Blue Marvel speakers that ensure a rich, dynamic sound. The inclusion of a stereo chorus effect adds depth and dimension to your music, providing a lush, full-bodied tone that is truly captivating.
With its robust 400 watts of power, the Stereo Chorus 400 is designed to handle any musical challenge, from soft, intricate melodies to powerful, driving riffs. Its versatile equalizer section allows for precise tonal shaping, so you can tailor your sound to perfection. Connectivity is a breeze with multiple input and output options, making it easy to integrate into any setup. Whether you are a seasoned performer or a passionate hobbyist, this amplifier is a reliable companion for all musical endeavors.
Key Features:
- 400 Watts of power for strong, clear sound
- Dual 12-inch Blue Marvel speakers for rich audio output
- Built-in stereo chorus effect for enhanced sound depth
- Versatile equalizer for precise tonal control
- Multiple input and output options for seamless connectivity
- Durable construction suitable for both live and studio use
Product specs
| Brand | Peavey |
| Model | Stereo Chorus 400 130-Watt 2x12" Guitar Combo |
| Finish | Black |
| Year | 1980s |
| Categories | Guitar Combo Amps |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Electronics | Solid State |
| Number of Channels | 2 Channels |
| Number of Inputs | 3 Inputs |
| Output Power (Watts) | 130 |
| Power Tube Type | None |
| Reverb | Spring Reverb |
| Speaker Configuration | 2x12" |
FAQs
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What type of effects are built into the Peavey Stereo Chorus 400?
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The Peavey Stereo Chorus 400 features built-in effects, including a stereo chorus and spring reverb, which enhance the amp's tonal versatility and depth.
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How powerful is the Peavey Stereo Chorus 400 amplifier?
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The Peavey Stereo Chorus 400 is a 130-watt solid-state combo amplifier, providing ample power for both practice and live performance settings.
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How many channels does the Peavey Stereo Chorus 400 have?
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The Peavey Stereo Chorus 400 offers two channels, allowing for versatile sound options and easy switching between clean and overdriven tones.
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What is the speaker configuration of the Peavey Stereo Chorus 400?
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The Peavey Stereo Chorus 400 features a 2x12" speaker configuration, delivering a full and rich sound suitable for a wide range of musical styles.
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Is the Peavey Stereo Chorus 400 suitable for gigging with a drummer?
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Yes, with its 130 watts of power, the Peavey Stereo Chorus 400 is capable of producing sufficient volume to be heard alongside a drummer in live performance settings.
Videos
Mark's G.A.S. Station
Peavey Stereo Chorus 400 Amp
Peavey Stereo Chorus 400 Amp
Mark's G.A.S. Station
Peavey Chorus Stereo 400
JJ Music
Reviews
PROS
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Clean tones are exceptional, best in class for SS amps
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Built-in chorus, vibrato, and reverb effects reduce need for external pedals
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Highly durable and road-worthy with excellent build quality
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Versatile EQ settings with unique "pullout" knobs for tonal customization
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Functions well as a pedal platform, especially with the right dirt pedal
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Comparable to Roland JC-120 in sound quality, but more affordable
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Stereo function adds significant depth to sound
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Can be used as a speaker cab for another amp
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Suitable for a variety of genres, including jazz and worship music
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Good value for money, offering high headroom and power
CONS
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Footswitch is essential for full functionality but not included
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Pots can become scratchy over time, requiring maintenance
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Chorus and vibrato cannot be run independently
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Effects loop compatibility limited to professional-grade rack effects
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Distortion sound is not the primary strength
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Heavy, possibly cumbersome for some users to transport
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Peavey Stereo Chorus 400.
Features and functionality
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The Peavey Stereo Chorus 400 functions as two independent amps in one, requiring a footswitch for toggling between Mono/Stereo modes to use both speakers from a single input.
Source -
The amp's reverb plays the wet signal through the opposite speaker, a behavior that might be model-specific and not widely documented.
Source -
The amp allows both chorus and vibrato to be engaged simultaneously for a unique, albeit unconventional, sound effect.
Source
Use cases and applications
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Users can achieve stereo effects by running both outputs from a stereo pedal into each channel of the amp, exploiting its dual-amp design.
Source -
Owners have successfully used the SC400 for intense genres like black/death metal, recommending maxing out the Saturation and using the "Pull Thick" feature for unique tones.
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Country and steel guitar players favor this model for its ability to deliver loud, clean tones suitable for their genres.
Source
Setup and maintenance
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Using TRS-to-TS Y-cables in the effects loops can be cumbersome but is necessary for integrating certain stereo setups with the SC400.
Source -
Reverb noise issues are common; cleaning contacts with electronics cleaner helps, but a reverb tank replacement may be necessary for persistent hum problems.
Source
Build quality
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Owners describe the Peavey Stereo Chorus 400 as durable, withstanding years of use, likening its resilience to "twinkles and cockroaches."
Source
Comparisons
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The amp is frequently compared to the Roland JC120 for its stereo capabilities, serving as a "Poor Man's Roland Jazz Chorus."
Source
4.5 out of 5
Based on 3 Reviews and 7 Ratings
68
Great amp and not just for the price.
A very versatile amp with lots of power and volume. This thing is built like a tank and is probably in the same weight class as the aforementioned vehicle. Built in reverb and chorus/vibrato has managed to allow me to cut down the size of my effects chain as has the amount of control that this amp gives you over the EQ. An arrangement of three knobs controlling five aspects of EQ allow for a control of sound rarely seen in an amp. "Pullout" knobs also toggles "thickness" ,which is a sixth aspect of EQ, and "brightness" off or on. The first channel offers a "saturation" setting which mimics the texture of sound and the dynamics you would get from a tube driven amp and does a good job of it. It's not perfect, but will often leave you questioning if you are using a solid state amp. Finally, there is the build quality. I mentioned that it was heavy earlier, but I've had mine since 1986 and it was my Dad's a year or so prior to that. I'm writing this in 2018 and the only thing that I can tell is wrong with it is a few pots have gotten scratchy and I did have to switch the speakers out in 2000. If a few extra pounds is the price to pay for that type of longevity then I'll take it. The only bad thing I can think of is that the footswitch is a vital piece for this amp. Without it you cannot change channels or turn the effects (reverb, chorus/vibrato) off or on. Also, I do wish that the chorus and vibrato could be run independently, but with so much else going on with this amp the point is easily forgiven. There is an effects loop (2 of them actually, one for each channel) but they require TRS cables to use them and I believe that both require effects to be capable of sending and receiving 1 volt. Meaning that mostly only professional grade rack effects will work . The loop can also bypass the preamp stage by just pushing the jack into the first click so you can use your own preamp that way. Which I haven't tried, yet but plan on doing as soon as I find a proper preamp pedal. All in all? This 130 watt, stereo cabinet is a beast. With low and high gain inputs and so much range in EQ shaping it will fit to any guitar you can put in front of it. It'll be in my arsenal for the rest of my days.
41029
I actually wish they had left some of the features off this amp, I think it can out jazz chorus a roland jazz chorus but all the options make it a drag to dial in quickly because there's more bad settings than good for any given guitar and room
218
The sound of Johnny Marr for $200
These amps are hidden jems, they sound nearly identical to the Roland JC-120 for half the price, and have even more headroom. A true stereo crystal clean solid state amp with a beautiful lush chorus, and a spring reverb tank, who doesn't think that's worth $200? It functions very well as a pedal platform, it's all about finding the right dirt pedal that isn't dependent on pushing tubes to sound good. I could upgrade to a Roland JC-120, but why would I? I could buy a Fender Twin one day, but honestly this is probably a more reliable and road worthy amp that I can toss around and crank up. It does what I want.
Great vintage amp, that has so much control that you can tune it to your sound.
You can make any sound/tone you want with this amp. Its super clean and shapeable. I love jazz and this amp has amazing sound detail and range, base mid and high. If you get a chance to get one, grab it. The chorus is cool and works well but I don't play with effects or pedals. If I suck I want to hear it so that I can improve. Distortion not great, but again I don't care. Some people say these amps have an 80's tone, but I don't. It is so shapeable you can get any tone you want from it. Sounds great at low volume for practice and it has more than enough power to play out. I had a red knob twin that had no low volume capabilties. Its a real spring tank reverb and its superb. Build quality is great and its made in the usa.
41029
I always liked these better than the JC120 for that 80s new wave kinda tone. The new ones suck though. They ruined them somehow. The one you pictured is THE ONE.
Artist usage
Add artist
In the video "Mr. Bungle Live In Oakland, CA 3-31-1991-11. Dead Goon" by MrBungleChannel on YouTube, Trey Spruance is seen with a Peavey Stereo Chorus 400 amplifier on stage.
As I mentioned, I think gear tends to choose us. I was doing a NAMM show back in the mid 80s with Steve Smith’s Vital Information. Tim Landers was the bassist at that time and a Peavey endorser, so Peavey supplied the back line for the performances. They brought in a Peavey Stereo Chorus 400 2×12 combo for me to play through and it was love at first sound! Peavey was nice enough to supply me with two of them and up until last year I have used those amps on most of my gigs and recording sessions. There are always times when you are going for a particular thing in the studio where you need to use an special amp to get it, but for the most part, I used the Peavey in the studio as well. After many years, my battle worn Peaveys spend as much time in the shop as they do on the road. Don’t get me wrong, they are very durable, but also very old. The amp is also very heavy, so I cut one up to use as a head for the road, but it’s still 70 lbs in the case. Fast forward to NAMM 2010. I was there to do a performance for TC Electronic with Minh Doky and I ran into Hadrien Feraud, who is a Mark Bass endorser. He asked me to come and play with him at Mark’s booth. So, I plugged into their new DV Mark 2×12 40 watt combo. Again, love at first sound! This is a tube amp that weighs 35 lbs., but I don’t want you to think the weight is the big thing for me, it’s all about the sound. I have been using this amp on tour and in the studio ever since. It has a very warm, smooth sound for a tube amp and some really cool features, such as a tube driven spring reverb, and continuous power control which allows you to actually reduce the wattage of the amp. I’m not a big fan of overly distorting the preamp, so this is a great feature to help you control your overall levels. So, you see, it’s all about the relationship between the amp, guitar, and me. The Peavey is old technology solid state (which I far prefer to newer solid state amps, many of which are designed to be cost effective) and the DV Mark is a tube amp. The problem I have found with “high end” tube amps is that it’s hard to control the high end. Pun intended. Most guitarists I know get great sounds from them. They just don’t work as well for me. One last thing about one of my Peaveys. I was touring europe with Marcus Miller back in 2005. I used to keep one of my amps at a studio in Bonn, Germany, so when I went to Europe I would have my sound. A year later, I called the studio and told them that I would be needing it and they told me that it never made it back. These things happen to gear on the road. Things sometimes get lost , misplaced , or stolen. It’s in a silver case with my name on it, so if you are in Europe and you happen to see it, give me a shout!
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Peavey Stereo Chorus 400, it is most commonly used with the following gear.
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