Used for Gilmour's vocals on On An Island, as mentioned by sound engineer Andy Jackson in this July 2006 Sound on Sound article.

"Actually, it's very straightforward — voice — nice microphone, nice mic amp, nice compressor. There you go. For reverbs I tend to be old-school and use an EMT plate. I had a couple of plates and a Lexicon Hall — that was our palette. The vocal chain starts with that Sony tube mic with the heatsink on the side, the C800G, and it is the most fantastic microphone. We have a couple of those, one in the studio and one for David to use at home, which is another reason his demos sounded so good. That feeds an old Neumann V72 mic preamp and then EAR EQs and compressors like the ones I use here in my mastering system. I would compress his voice but only fairly gently with a tickle of 2:1, then maybe do that again on the mix. That's with the exception of the rock songs of course, which were completely mashed in a Fairchild! The thing is, David makes my life easy — stick him on the phone and he sounds great! He is not a difficult person to record — great technique and a great voice."

Used on Engines of Creation, as mentioned in this December 11, 2007 Premier Guitar interview.

I would plug my Ibanez JS1000 guitar into various pedals and into a variety of amp heads, then into a Palmer speaker simulator. Then I used a few different mic pres – Neves, V72s, etc. Sometimes we would aim for traditional sounds, other times not. Sometimes a plug-in would do the trick and other times it’s just all the pedals we found on the floor plugged in and turned up!

In this video, at 2:20, Richie Kotzen shows and mentions the Telefunken V72 mic preamps

Well, sort of. I got a PC laptop. A Quantex, 10 gig, black monster that had a PCMCIA slot and Samplitude 3. I found a Korean company called Ego-Sys, that at the time was creating this thing called a WaMi Box — this breakout box that had S/PDIF in on it, which enabled me to hook it into my HHB Portadat, which had really good preamps. The chain was crazy: [AKG] C 414s into my Telefunken V72s, into the HHB DAT, engage the record head and then run the S/PDIF into the WaMi Box and into the laptop. And this was a portable setup. I took it with me on tour with Mr. Bungle and recorded a lot.

Jonathan Wilson talks through the racks in his studio

Per Sound On Sound, May 2005:

I also have various Pultecs, a couple of LA2A compressors, a couple of 1176s, LA4A, RCA BA6A, Neve 1073, 1076, Neve stereo compressor, Neve mastering EQ, Manley massive/passive, Manley DI, Manley mic pres, Telefunken V72, V76, Mastering Labs mic pres, Distressor, the SSL compressor and all the great microphones.