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Description

Meet the Avid VENUE S6L System with S6L-32D Control Surface and E6L-192 Engine, a powerhouse for live sound management that sets a new standard in the industry. Designed for professional sound engineers, this system offers a seamless blend of cutting-edge technology and user-centric design, making it an indispensable tool for live performances. The S6L-32D control surface provides intuitive, tactile control over your mix, ensuring you can respond quickly to any situation on stage. Paired with the E6L-192 engine, this system delivers unparalleled processing power and flexibility to handle even the most demanding live environments.

Engineered for optimal performance, the VENUE S6L System allows you to effortlessly manage complex setups with ease. Its advanced features include a high-resolution touch screen and intelligent software integration, which make it easier than ever to create and manage mixes on the fly. Whether you're working in a concert hall, theater, or festival, this system ensures you have the reliability and versatility needed to produce top-quality sound.

Key Features:

  • High-resolution touch screen for intuitive control
  • 32-channel S6L-32D control surface for precise mixing
  • E6L-192 engine with powerful processing capabilities
  • Seamless integration with Avid’s Pro Tools for recording and playback
  • Modular design for customizable configurations
  • Advanced software features for dynamic sound shaping
  • Robust connectivity options for diverse setup needs
  • Designed for reliability in demanding live sound environments
Avid

Avid

#AVID #INFOCOMM19 LIVE ⏩ VENUE | S6L-16C, 24C, 24D, 32D, and 48D

Video thumbnail for #AVID #INFOCOMM19 LIVE ⏩  VENUE | S6L-16C, 24C, 24D, 32D, and 48D by Avid

#AVID #INFOCOMM19 LIVE ⏩ VENUE | S6L-16C, 24C, 24D, 32D, and 48D

Avid

Avid

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Avid VENUE S6L System with S6L-32D Control Surface and E6L-192 Engine.

Value and pricing

  • The S6L-32D with E6L-192 engine sold at auction for $16,100, significantly lower than the retail price of around $100,000 with Stage 64 rack.

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Use cases and applications

  • The unit integrates seamlessly with Pro Tools for live situations and mixing demos, offering a streamlined workflow for those utilizing Avid's ecosystem.

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Features and functionality

  • Without an Avid warranty, potential buyers should verify if the system has been updated, as updates often resolve known issues with the S6L series.

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  • The S6L console records and plays back 128x128 channels at 96kHz over AVB ports using a single cable, requiring configuration in macOS's Audio MIDI setup.

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  • The console appears as a standard audio device when enabled in the network device manager, allowing multitrack recording with any DAW, not just Pro Tools.

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  • Avid’s recommended adapter supports 802.1Qav and 802.1Qat standards for AVB, with reports of Thunderbolt 3 10 gigabit adapters failing to work correctly.

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  • The S6L series includes an undefeatable 1:1 AVB to stage inputs patch for virtual soundchecks, unlike DiGiCo's flexible Copy Audio routing.

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  • The S6L has a powerful automation system that surpasses DiGiCo's capabilities, allowing for complex event-based workflows.

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  • The S6L supports native Waves plug-ins onboard, while DiGiCo requires an external control platform for Waves integration.

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User experience

  • Ex-hire units may feature more robust hardware if they were installed in a venue rather than used for touring, potentially increasing their durability and longevity.

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  • Without Pro Tools, users recommend verifying configuration in the Audio MIDI setup to ensure functionality, noting the importance of correct adapter choice.

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  • Some users find the S6L's assignable controls hinder muscle memory, requiring constant attention to console labels during operation.

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Software and compatibility

  • A Thunderbolt 2 to Ethernet adapter is necessary for AVB connections on Mac systems, with additional Thunderbolt 2 to Thunderbolt 3 adapters needed for newer MacBooks.

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  • AVB Direct Digital Splits allow direct routing of preamps to a DAW, though configuration on the console for pre/post fader might be necessary.

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  • S6L lacks a built-in Dante card, necessitating stagebox input cards or a MADI card with a converter for Dante connectivity.

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Comparisons

  • Unlike DiGiCo, S6L surfaces come with SMPTE/LTC input across all models, enhancing compatibility with timecode-dependent applications.

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Critic Reviews

Review: Avid VENUE S6L - Audio Media International

audiomediainternational.com

Based on 0 Reviews and 0 Ratings

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Artist usage

Add artist
See how Deadmau5 uses Avid VENUE S6L System with S6L-32D Control Surface and E6L-192 Engine

Deadmau5

Music Producer

BSOD

...
Verified via YouTube

0:05

deadmau5 FOH using this mixer for cube v3 show

See how Khalid uses Avid VENUE S6L System with S6L-32D Control Surface and E6L-192 Engine

Khalid

Singer

...
Verified via Lightingandsoundamerica

In the attached infographic / article on the sound production for Khalid's live performances, his sound tech states, “I had to use an S6L at a festival in China, and I was blown away by how much better it sounded,” he says. “If I can take care of the sound on the front end, why wouldn’t I be using this?” The switch to the S6L produced dramatic results. “It’s almost a night-and-day difference. The midrange is more usable; on my previous consoles, I equalized a lot of things out, but I don’t have to do that with the S6L. From the get-go, you can turn up the preamps and they sound the way they should. Anything anybody can do to get a better sound coming from the source is good; I think the preamps sound more interesting and livelier.”

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Avid VENUE S6L System with S6L-32D Control Surface and E6L-192 Engine, it is most commonly used with the following gear.

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