Playing several keyboards in this video the fender rhodes is one of them.

Anthony Marinelli is confirmed to use the Fender Rhodes, as it is featured at 17:48 in his studio tour video titled "My Synth Studio Revealed | Studio Tour 2025," authored by Anthony Marinelli Music on YouTube.

"one of my favorite sounds ever... the Fender Rhodes"

His 73-key Mark I is featured at 2:13 in this video tour of DJ Spinna's studio, released August 5, 2009 on High Water Music's YouTube channel. It was previously listed in this June 1, 2001 Remix article.

• Akai MPC 3000
• Akai S950
• Alesis ADAT digital multitracks
• Arp Odyssey
• Arp String Ensemble
• E-mu SP-1200
• Fender Rhodes electric piano
• Realistic (Moog) Concertmate MG-1
• Roland Juno 60
• Roland Juno 106

The liner notes of Intergalacic Soul specify its use on "Where's Your Love?", "Back 2 U", "Peace and Quiet", "Butterfly Girl", "Could It Be Too Soon", "We Can Change This World", "Show Us How You Fly", "Living My Life" and "Bye Bye Bye".

Patrice Rushen is known to use both the Fender Rhodes 73 and 88, as noted on her official website.

"Working on Clavinet and Fender Rhodes tonight."

In the video titled "Reese Wynans: B3 and Leslie Speaker 101" from Inside Blackbird, a Fender Rhodes can be clearly seen to the right of Reese Wynans at the 0:45 second mark, situated against the wall.

My current set up has the Virus TI Polar 2; the Nord Stage 2 for all of those Rhodes, B3, Acoustic Piano, and wurly sounds; Apple Mainstage for all of the plug-ins, and sometimes two other generic keyboards for all the bread and butter stuff.

Jürgen Fritz is credited with playing a Fender Rhodes on the album "Pompeii" by New Triumvirat, as noted in the liner notes and documented on Discogs.

You can see a Rhodes in his Instagram

You can see his Rhodes along with other gear in this video.

Interview with Tommy Mars TM: Well it’s just amazing, when I did my audition and Frank said “You brought some gear with you?” I brought my Rhodes, and I brought my Electrocomp, and my Taurus bass pedals, and he said “what’s this?” and I undid it and I played something, and of course my signature sound was a French horn kind of brass sound that it did, it was my kind of signature, and his jaw dropped . I don’t think he’d had ever heard a synth kind of do that kind of sound in that kind of expression that it was able to have.

And I said “this E-mu you that you have?”, and he was just like so proud of his E-mu, this is so funny man!), and the only sound that he had on it , which is the easiest sound in the world to make, was a little pipe organ sound, an eight foot and a four foot, no envelope, no nothing, I said “you mean with all this that’s all you got?”(laughs), and he says “Yeah?” and I said “Well I don’t think you noticed that the Electrocomp is very similar, I could set this sound up exactly for you on the E-mu, and then you’d have five voices, you’d have complete polyphony”. And in those days that was like, you know, going to the emerald city, like follow the yellow brick road!”