Jack White can be seen playing a Fender Rhodes Piano Bass at 1:17 in this video.

"This Fender Rhodes Piano Bass is from the private collection of Billy Corgan.

This is one the earlier models with the centered knobs and funky colored fiberglass top. It is in mostly pristine condition, exceptionally clean for its age. The only signs of wear are two areas of slight surface stress on the fiberglass top (see photos). It is otherwise in min condition.

This Piano Bass plays comfortably and cleanly across all 32 notes, without any issues. The volume and tone knobs work as they should."

In this video at 3:57, we can see Mike uses a Fender Rhodes Piano Bass

introduces at 1:40 in the video

In this photo, Manzarek can be seen playing a Fender Rhodes Piano Bass on top of his Gibson G-101. Because the Doors did not have a bass player, Manzarek would play the bass lines on the Piano Bass with his left hand. He usually opted for the gold sparkle top model, which he'd place on top of either his Gibson G-101 or Vox Continental organ.

Part of Q-Tip's 2008 inventory, as listed in his January 2008 Remix interview. Transcripts can be found at the Future Producers forums (linked) and this Prince.org forum.

Fender Rhodes Bass, Rhodes suitcase Mark I

Francis usó este Fender Rhodes Bass en el estadio nacional 2024

Seen in this 1967 concert in Winnipeg, Canada (according to MonkeesLiveAlmanac), on the far top right next to Peter, resides a Fender Rhodes Bass Piano, complete with the full keys. It may be that Peter used this keyboard occasionally when he did not have his Vox Continental organ with him.

"I wrote a whole load of stuff on that — the clavinet sound makes you use rhythms differently. I also used my Fender bass piano, like the one The Doors had. That changes bass lines — you use a lot more thirds and fifths.

In this SoundCloud collaboration with Broken Art Club, Flavien Berger mentions using a Fender Rhodes Piano Bass.

In this photo, Davy Jones can be seen playing a Fender Rhodes Piano Bass during soundcheck before a Monkees concert in 1967.

In an August 1967 edition of Monkees Monthly, a song-by-song recap of the Monkees’ concerts at Wembley detailed Davy Jones’s use of the Fender Rhodes Piano Bass on certain songs.

Then a personal favourite of mine—“Auntie Grizelda.” Peter singing most of the way, having ditched his guitar. Davy moves over to a piano-bass, playing booming notes with his right hand, left hand supporting him.

On to “Mary, Mary,” Davy retreating to the piano-bass again, with Peter on organ. Mike handling the main vocal line with his rather stern facial expression accenting his sheer concentration—and an ear-breaker of a scream when Davy flew to the centre for a few quick dance steps.

Yet there is still even more. They always close with “Stepping Stone,” accompanied by another burst of colour slides—each one earning a separate cheer and scream. And this is where the stage really bursts into colour and visual excitement. Multi-coloured lights flicker and change. Davy on piano-bass, Mike crouched by the amplifiers, producing wailing guitar sounds. Davy ends with his maraccas [sic]. And the show ends with incredible excitement.

In the YouTube video "TIPS & TRICKS: Simon Casier (bas) - pt. 2" by V I . B E, Simon Casier discusses his use of the Fender Rhodes Piano Bass.