iZotope Trash 2

When asked about his favorite gear, Skrillex talks about the iZotope Trash plugin: "...these days I really like iZotope's Trash, actually. It's pretty cool. I've been using it on random things. It's like, here's a sound and I don't really know what to do with it, and I throw it on and start fucking with it, and it becomes something else. It's one of those plug-ins that I'm not totally familiar with yet, but I like messing around with it because it can change an interesting sound into something more random... Trash is something I'd like to explore some more."

Nicky says: "I would really recommend the iZotope trash plugin." at 11:49 in the Nicky Romero - Studio Masterclass #02 - Novell Pt. 2 Youtube video.

At 4:21 in this video tutorial of Feed Me making a Drum N Bass patch in [Serum](https://equipboard.com/items/xfer-serum-advanced-wavetable-synthesizer), he says, "I'm a big fan of iZotope Trash. I don't think there are many tracks I *haven't* used this on over the years."

At the 5:08 mark in their "In The Studio" video, Firebeatz opens a window with iZotope Trash 2.

Just because you use Trash, FabFilter Pro-C and Pro-Q, it doesn't automatically mean you'll get the sound of Noisia.

In this email from Mat Zo from February 2017 detailing the studio gear and plugins he uses, he lists the iZotope Trash2 distortion plugin.

I would be willing to go as far as saying a lot of the “Glitch Mob sound” relies heavily on iZotope Trash 2

They also mention this as their other favorite distortion VST

We also used a lot of the mad distortions from Trash 2 on the drums in “Ballad of Me and My Brain” to make the drums feel super frantic and mad!

Trash is on this list

the plugin in this video all the way to the left is called iZotope Trash2

"We found the way Trash is laid out, it's some of the best programming in the realm of plug-in distortions." (Testimonial)

at 1:10 you can see his list of izotope plugins.

In this video at 9:15 they are using Trash2.

My favourite plugins would be the FM8, Surge, Synth1, Trash2, Kjaerhus classic, the waves API 2500 compressor, superior drummer, Drumatic 4, everything Fabfilter offers and of course Camelphat.

According to the official gear list on Darude's Website (Click on the studio tab), it says he owns a license for iZotope Trash.

At 4:07 Eelke says "but it was a little bit too dark to work in the track, so what I did was edit it with iZotope Trash which is one my favorite distortion plugin."

In this Drip Q&A he answers the question what plugins do you use "Plugins: Mostly... - UAD (all their stuff) - Kontakt - Razor - Omnisphere - impOSCar2 - Trash 2 - Fab Filter Limiter"

ou see tom staar usinh it in the video at 1:26

At 6:28, Stonebank searches his plugins for iZotope Trash 2. He opens the plugin at 6:29.

I’ve been messing around with Trash 2 of late as one of my mates that I work with a lot uses it all the time, very impressive distortion. It’s quite out there but it really works.

they add a little distortion plugin called 'iZotope Trash2'

Used for Jimin's lead vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 *Sound on Sound* interview. An image of the settings can be found [here](https://dt7v1i9vyp3mf.cloudfront.net/styles/news_large/s3/imagelibrary/I/IT_08_18_09-7V8.83Y9.hWTN4mL9hkJBWmnT3QJwb9k.jpg). > **Jimin chorus lead vocal: iZotope Neutron, FabFilter Pro-MB, Empirical Labs Arousor, iZotope Trash 2 & FabFilter Pro-DS, plus sends to Slate VerbSuite Classics, FabFilter Pro-R, Soundtoys EchoBoy, Waves Factory Trackspacer & FabFilter Pro-DS.** > “Welcome to my vocal world! BTS like bright, punchy vocals. There is not a lot of room in the mix because there is a lot of stuff going on, so I am not boosting low end on the vocals, because you are not going to hear that. Instead I’m trying to give the vocals more presence. The first thing I have in the chain is Neutron, which is a great EQ, and I love its dynamic mode. I boost high end with the Neutron, and band three is set to 4-6000 Hz, with the dynamic mode pulling down any loud ‘ess’ sounds or anything else too sharp. The Neutron is also tidying up the bottom end. After that is the Pro-MB multiband compressor just reining in a couple of frequencies to control the vocal. > “Next is the Arousor, adding some distortion so the vocal is very spitty and present, with lots of attack. After that there’s another instance of Trash 2 set to multiband, which I am using to give the vocal drive and really making it sit solidly in the mix. You have to know how to use Trash 2, otherwise vocals can get too harsh, but in general it is a very good way of saturating and really thickening a vocal and giving it presence. It does depend on the song, I am not always so full on with a vocal! At the end I have the Pro-DS de-esser just controlling the sibilance. Sometimes I used two instances of it, one at the beginning and one at the end, but the Neutron is already kind of doing a de-essing job. > “There also are many sends on that lead vocal. The first send is going to one of my favourites, the Slate VerbSuite Classics. It’s set to a hall-type reverb with 1.75s decay, and because I set quite high pre-delays it is almost like a slap on the vocal, which puts the vocal in a nice space. The next send is to the Pro-R for a longer, bigger reverb, which works for a chorus. I have cut low end and high end as you don’t want that floating around. The Pro-R is really good for controlling those things. Next is an EchoBoy quarter-note delay, saturated by setting it to ‘Splattered’ under ‘Style’ and that send then goes into the Trackspacer. I have a send from the lead vocal going to Trackspacer, so that whenever the lead vocal is singing the Trackspacer ducks the quarter-note delay out of the way. The Trackspacer is frequency-dependent, so it will duck whatever frequencies are dominant in the vocal, which makes it great for moving stuff out of the way. Then there’s another half-time EchoBoy delay setting, which is being automated for delay shots, and finally another Pro-DS.”

This Plugin can be seen in this Future Music Magazine video at 17:32, inside Justin Prime's Cubase project. Quote: > I used iZotope Trash 2, it's a plugin from the makers from iZotope mastering [...]

The plugin can be seen used in this video around 48:08

Around 20 second mark, you can see Izotope Trash 2 being open.

In a tweet to Equipboard posted Sept 2014, TERRAVITA listed iZotope's Trash as one of their top 3 iZotope products: "@Equipboard @iZotopeInc Ozone, Alloy and Trash. Also for synths the @NI_News Komplete bundle."

In an AMA Dylan is asked what his favourite distortion plugins are in which he responds saying “ logic distortion or izo trash”

iZotope Trash is listed in the making of Here Comes The Sun.

Dancefair 2018 Tinlicker masterclass. In minute 34:02 you see them open Trash 2 for a brief second.

Using Trash2 in video

At 22:40 when talking about using saturation on a kick drum, Tom says "One of the plugins I really really like for this is from iZotope, Trash. It will bring up the tongue easily"

Taska Black uses iZotope Trash 2 at 12:40 in an instagram livestream going through an Ableton session of his record 'Forever'.

Sunny Lax uses iZopote Trash 2 in this live stream to spice up a bassline. https://youtu.be/lj8Y7AJbucU?t=54m57s

At 2:10, Bruce opens Trash 2.

This Plugin can be seen in this Instagram video, uploaded by the artist himself.

In this video of Tom Fall. Check 10'26s

F1y Syn shared his project files with Logic Pro X at Splice, In the list of plugins, we can see that F1y Syn uses iZotope Trash2.

He use iZOTOPE Trash for bass distortion.

This Plugin can be seen at 1:40 in this YouTube video, explaining how Cat Dealers work on their projects.

"Of course, the Fabfilter plugin’s are built into my template, as well as most of iZotope stuff like Ozone (I still use 4, sadly) and Trash 2 being my favorite distortion tool these days."

At 28:37 the left at the effect rack we can see Buku placed trash 2.

Key kit FabFilter Pro-R TAL-Dub Melda Production’s suite Soundtoys 5 Many UAD plug-ins iZotope Trash 2 and Mobius Filter u-he Zebra and Braille synths Numerous Spitfire libraries Numerous Soundiron libraries Omnisphere 2.5 Ohm Force Ohmicide Native Instruments Komplete