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Description
Unleash your creative chaos with iZotope Trash 2, an essential tool for musicians and producers who thrive on the edge. Known for its inclusion in the distortion arsenals of icons like Nine Inch Nails and Korn, Trash 2 is your go-to plugin for redefining audio boundaries. Dive into a world of sonic destruction with its 20 new distortion algorithms and a customizable multiband waveshaper that lets you sculpt your own unique sound signatures, from subtle warmth to all-out sonic mayhem.
Trash 2 doesn't just stop at distortion. Its new Convolve module, complete with 100 impulse responses, allows you to place your audio in any acoustical environment imaginable—whether it's a cavernous tunnel or the confines of a metal box. Further refine your sound with redesigned dual filters, featuring everything from vowel formant filters to node modulation, and explore an extensive library of presets for instant inspiration.
Whether you're crafting industrial soundscapes or pushing the limits of EDM, Trash 2's Classic Textures and Edge expansions offer endless possibilities. Transform your tracks into auditory masterpieces with a single plugin that promises to trash your audio in the best way possible.
Key Features:
- 20 new distortion algorithms
- Customizable multiband waveshaper
- Convolve module with 100 impulse responses
- Redesigned dual filters with new formant and modulation options
- Includes Classic Textures and Edge expansion packs
- Extensive preset library for instant inspiration
Product specs
| Plugin Format | AU, VST, AAX |
| Operating Systems | Mac, Windows |
Videos
iZotope, Inc.
Overview of iZotope Trash 2 | Distort. Mangle. Transform.
Reviews
PROS
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Extremely versatile for both subtle saturation and aggressive distortion
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Multi-band distortion capability allows for precise frequency targeting
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Offers a wide range of presets for diverse soundscapes
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Powerful convolution settings enhance spatial sound design
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Suitable for various instruments beyond guitars, including vocals and synths
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Unique sound shaping capabilities can transform basic tracks
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Encourages creative experimentation and unique sound creation
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High-quality distortion with a broad palette of effects
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Provides both subtle enhancements and drastic sound reshaping
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Crisp and clear sound quality in the distortion effects
CONS
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Steep learning curve can be overwhelming for beginners
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Excessive options may slow down workflow for some users
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Can be a heavy CPU load during processing
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Some presets may not appeal or seem "god awful" to certain users
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about iZotope Trash 2.
Use cases and applications
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Trash 2's utility as a subtle addition on bus tracks is appreciated, with some users preferring it for nuanced sound enhancement rather than aggressive distortion.
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Trash 2 is celebrated for its ability to create hardcore and hardstyle kicks, praised for its distortion capabilities.
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Some users employ Trash 2's multiband mode for gentle saturation on the master bus, functioning as an exciter.
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Using multiband mode on high frequencies of an acoustic guitar loop adds bite and air, effectively enhancing the sound's presence.
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Automating the wet of the convolver can create dynamic bassy fills, especially effective when followed by additional distortion.
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User experience
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Multiple users highlight the CPU intensity of Trash 2, advising caution in projects with many instances.
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Owners report using over 50 instances of Trash 2 per song, taking advantage of its versatility in chaining effects.
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Trash 2 is often used as a precise tool, evolving from a broad-impact "sledgehammer" to a detailed "scalpel" for sound design.
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Owners note that the distortion presets often require adjustment to avoid overpowering; starting from scratch gives more control.
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Features and functionality
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Trash 2's RMS/peak meter allows precise input and output monitoring, aiding in effective sound manipulation.
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Trash 2 includes a Korg MS20 filter and both time-based and tempo-based delay modes, offering versatile sound shaping tools.
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The convolver in Trash 2 shapes tone by combining the signal with reflection characteristics, not just adding reverb like typical convolvers.
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The envelope follower is the only modulation option in Trash 2, lacking the broader modulation capabilities found in other plugins like Roar.
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Trash 2 allows crossfading between four distortion types and convolution types per band, providing unique tonal shaping options.
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The pre-gain slider in Trash 2 affects the signal before distortion, allowing for nuanced control over the drive's impact.
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Trash 2's waveshaper graph allows precise control by adjusting a central point subtly, enhancing sound without radical changes.
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Comparisons
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Users find Trash 2's presets impactful but recommend using lower mix levels to avoid overwhelming sounds, unlike simpler plugins like Decapitator.
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Users note that the sound of Trash 2's distortion may not appeal to everyone, especially when compared to the Roar plugin, which some find superior.
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Critic Reviews
4.5 out of 5
Based on 29 Reviews and 159 Ratings
Trash 2
Izotope Trash 2 is a somewhat unique mult-fx, multiband distortion and compression plug-in. It can add very subtle and warm saturation, or hard and aggressive distortion, so it works well with sound design, mixing and mastering.
Trash 2 has sadly been discontinued recently, but Izotope have teased a newer version.
2113
Powerful = overwhelming
Trash is the distortion used on NIN's With Teeth album, so I should like it way more than I actually do. But the workflow just doesn't feel right for me and I didn't find any presets that I loved. I know it's powerful, but it feels overwhelming. I feel like I really need to sit down & teach myself to use it... it feels like homework, not fun. I'd rather reach for Guitar Rig 5 or Amplitube 4, or create some weird hybrid VST plugin chain combination.
565
Excellent
My favourite distortion plugin. Versatile and intuitive with good experimental capacities. Very recommended.
121
Why don't you have this plug-in?
I've had this plug-in for years and I haven't even come close to fully utilizing it. The most important feature to milk from this product is the multi-band distortion capability. If done correctly, this means distorting instruments or tracks not just so it sounds like you ran it through a distortion pedal, but to hone in on certain frequencies you want to pull. I've gotten a lot of really unique, warm EQ from tweaking that feature.
The presets which are usually "out of the box" sounding are anything but typical even before you customize them. Just when you thought you've tweaked everything enough to find your favorite tone, one knob creates an entirely unique sound and favorite setting. Then, you can double up your preset with more than one filter bank.
You can make tones that sound like the auditory equivalent of a savage ass beating, or simply shape an already existing tone. I can't stress enough how important this plug-in is for anyone making any type of music.
37538
Great review!
41010
cool but over the top
looking to fuck up your sounds? Trash ahs got you in spades..... all the spades in the deck and then some! I dock it 2 stars for having too many options. You can waste so much time fucking with this thing without finding the effect you're looking for. Its just too powerful. I feel like that with a lot of isotope plugins. Great sound quality, so powerful but in the end the bury you with options and slow you down. I seldom have time for them. I just wanna make music. Its also a vicious CPU hit.
71
Unique sounding distortion + filter + delay not limited to cabinets & amps simulation
This plugin comes with tons of presets and so many features that gives you control on all aspects of it's processing chain. What makes it a unique plugin is that it does not pretend to simulate cabinet & amp distortion sound intended for guitars. It's more like a plugin that can process any source through a chain of fully adjustable distortion, compression, delay and/or filter. I use it for any type of inputs like vocals, synths, basses, drumloops, drones... Anything, actually! Trash 2 is so versatile and powerful that it would be a shame to limit it's use as a guitar effect plugin. Try it and browse through the presets, you'll find out how diverse and versatile it can sound.
252
Leaves Ohmicide in the dust- considering it's also cheaper.
Many forms of distortion, 3 band distortion with corresponding compressors to keep the signal balanced, pre and post filters to make your sound more dynamic (responding to transients)- this is the best distortion plugin ever. Only problem is the annoying static-tails when the input signal stops (although sometimes that makes good effects).
290
Bizarre but fun
This thing is pretty crazy and difficult to get a handle on, but with the right experimentation it can add excitement to synths or drum patterns. It really requires a lot of playing around to get a grasp for what the different parameters do, but it can add some really weird and fun distortion to your tracks.
133
Skrillex was right
I love this, there is so much you can do with it if you know what you're doing. Honestly I am not the best in the area of sound design so when I went at this without knowing anything I made some of the most terrible effects I've ever heard but luckily the have a vast array of amazing presets and it's also been fun to learn on the go. Would definitely recommend. The sounds you can make are A1, it's relatively cheap and opens up a new meaning to distortion.
41010
try your shitty patches in a mix, sometimes the worst sounding effects solo are just the ticket in the mix.... consider trying the effect in parallel across a group of instruments on an effects buss to add a little shitiness to glue a group of sounds together... there's just nosuch thing as a bad patch, but there are certainly bad presets because every yob with a computer and a DAW is using those same sounds
213
Can rescue a sound by trashing it.
I've put trash on some tracks right before I'm about to delete them, and created sounds that ended up being the staple of the tune.
Working around the presets can be super exciting, to see how much you can change the original sound.
Trash 2 is the type of plugin that makes people hear your sounds and go "how the f**k did they make that?"
Highly recommend.
Artist usage
Add artist
When asked about his favorite gear, Skrillex talks about the iZotope Trash plugin:
"...these days I really like iZotope's Trash, actually. It's pretty cool. I've been using it on random things. It's like, here's a sound and I don't really know what to do with it, and I throw it on and start fucking with it, and it becomes something else. It's one of those plug-ins that I'm not totally familiar with yet, but I like messing around with it because it can change an interesting sound into something more random... Trash is something I'd like to explore some more."
Nicky says: "I would really recommend the iZotope trash plugin." at 11:49 in the Nicky Romero - Studio Masterclass #02 - Novell Pt. 2 Youtube video.
In a livestream on April 7, 2020, titled "Making a 'Reanimation' themed song LIVE," Mike Shinoda uses iZotope Trash 2, showcasing its capabilities during the creative process.
At 4:21 in this video tutorial of Feed Me making a Drum N Bass patch in Serum, he says, "I'm a big fan of iZotope Trash. I don't think there are many tracks I haven't used this on over the years."
In an interview with Musicradar, Nik Roos of Noisia discusses their use of iZotope Trash 2, highlighting it as part of their sound design toolkit alongside other plugins like FabFilter Pro-C and Pro-Q.
At the 5:08 mark in their "In The Studio" video, Firebeatz opens a window with iZotope Trash 2.
In this email from Mat Zo from February 2017 detailing the studio gear and plugins he uses, he lists the iZotope Trash2 distortion plugin.
The Glitch Mob's distinctive sound prominently features iZotope Trash 2, as highlighted in the Darkart Mastering's Tumblr Artist Spotlight.
We also used a lot of the mad distortions from Trash 2 on the drums in “Ballad of Me and My Brain” to make the drums feel super frantic and mad!
Album Usage
The iZotope Trash 2 has been featured on the following albums:
Aeoui
Breaka (2025)
Are We There
Breaka (2025)
Ex Machina
Metrik (2020)
Gravity
Metrik (2019)
Forever
Taska Black (2018)
Sober
Cat Dealers (2017)
Novell
Nicky Romero (2016)
Here Comes The Sun
Will K (2015)
Max Ammo
Firebeatz (2013)
Ein Tag Am Strand
Eelke Kleijn (2013)
Reanimation
Linkin Park (2002)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use iZotope Trash 2, it is most commonly used with the following gear.
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Trash was reintroduced by iZotope to its product lineup. This version succeeds Trash 2.
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