Noted for being as heavy as an 8x10 cab, the OLP Stingray 5 is well-balanced and solidly constructed.

Some owners reported the basswood body can dent easily with minimal impact, suggesting a softer material was used.

The pickguards are made from cheap plastic, prone to warping and cracking over time.

A Nordstrand vintage MM pickup and John Ashby Preamp upgrade can drastically enhance the bass's sound, reportedly outperforming pricier models.

Despite attempts with copper foil tape, the pickups are inherently noisy, suggesting limited improvement potential through shielding.

Owners report long-term satisfaction, with one user retaining theirs for 16 years, appreciating the neck and reliability.

A user mentioned their blue sparkle finish was visually appealing but didn't translate into a standout sound quality.

An owner has been using their OLP bass for 18 years, indicating long-term durability despite initial perceptions of sound quality.

The OLP Stingray 5 is preferred over the Epiphone Thunderbird for balance and sound quality.

One owner suggested considering lower spec Sterling models for potentially better sound and build quality at a similar price point.

Sterling models like the RAY4 and RAY4HH are noted for better tonal variety compared to the OLP, though they lack the classic Stingray sound when soloing the rear pickup.

Prices have risen from around $150 to $300, reflecting increased demand and value perception.

In Europe, high-end Sterling basses can cost more than their Ernie Ball counterparts on the used market despite offering Squier and Sire level quality.

Used as a beater bass, it has the potential to become a primary instrument due to its tonal quality.

OLP models feature two volume pots for each coil and a tone pot, but the hardware is considered low quality and likely to fail.