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Description
Step into the world of seamless digital connectivity with the Roland MPU-101, a quintessential tool for musicians and producers looking to integrate their vintage synths with modern setups. This MIDI-to-CV converter bridges the gap between past and present, offering precision control over analog synths using MIDI commands. The intelligent processing unit at its heart ensures accurate signal translation, making it indispensable for studio enthusiasts who value the unique textures of analog sound.
Designed for both experienced professionals and budding musicians, the MPU-101 boasts a user-friendly interface that simplifies complex operations. Its robust build ensures reliability in both studio and live settings, making it a trusted companion for years to come. Whether you're looking to breathe new life into your vintage gear or expand your current setup's capabilities, the Roland MPU-101 delivers the versatility you need.
Key Features:
- MIDI-to-CV conversion for seamless integration of vintage synths
- Intelligent processing unit for accurate signal translation
- User-friendly interface for easy operation
- Robust build for reliability in studio and live environments
- Compatible with a wide range of MIDI devices
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Roland MPU-101.
Features and functionality
Use cases and applications
Comparisons
Value and pricing
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The Moog Werkstatt is highlighted as a budget-friendly option, typically retailing for under $200 new, though availability may vary.
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Software and compatibility
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To maximize the MPU-101, a MIDI source such as a computer or MPC is necessary, along with a keyboard featuring aftertouch.
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Setup and maintenance
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Different synths require varying CV and Gate settings, such as 1v/oct or Hz/V for pitch, which the MPU-101 handles effectively.
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Per "Rock This Town" publication, special issue 1991:
In 1991, the setup was as follows: [Rock This Town special issue 1991]
Sound studio: Analog Synths: Roland System 100/100M/101 (+Roland Midi interface MPU-101);YAMAHA CS-40M (in the Take One video); Oberheim Matrix 1000; Digital Synths: Yamaha DX-7 (2); Ensonic VFX; Roland DDR30; Yamaha tg77; Korg Wavestation; Sequencer: Atari 1040 (Sequ. Cubase 2.0); Samplers: AkaiS9000 (2); AkaiS1000 (8Mg + Hard Drive Mfile 44); AkaiS1000PB (4Mg); Emulator II; akai 1100, e-mu Procussion, roland s-10 for live use @ the mixing desk; Effects: Lexicon 480L; Yamaha SPX90 II (2); Roland SRV-2000; Roland SDE-3000; Alesis Midiverb II; Alesis Quadraverb; ART DRX; spx 1000 (x2); Eventide h3000 se; Mixing: Table TAC Scorpion 32/16; Recorder TASCAM MS16 tracks; Recorder DAT Luxman; Speakers Yamaha NS 10M pro ATC SCM50; QUAD ampli (for NS-10M); Diverse: compressor/limiter, noise gate, parametric eq. Live: Backline: Akai S9000; Roland DDR30; Simons & Roland Pads; Emulator II; TASCAM238 8
Graphic Studio: Commodore Amiga 2500 (6Mg + Hard Drive 40Mg); Commodore Amiga 500; Digitizer SNAPSHOT; Camera Sony CCD V-200E; Laserprint NEC Silentwriter LC890; Monitor NEC Multisync 2A.
Not that Isham has entirely forsaken his 'synthetic' past — far from it, in fact. Even his beloved analogue collection — now expanded to incorporate an Oberheim Xpander, a Roland MKS80 with MPG80 programmer, and a rare Moog Model 12, one of those 'big modular Moogs' he once admired from afar — regularly gets a look in: "I just did an entire film score that used the 2600, MIDI'd via an old Roland MPU101 MIDI‑CV converter" says Isham, with a hint of bravado. Isham's studio also contains an extensive selection of more modern synths. Of his Korg Trinity Plus, Z1, Prophecy, Wavestation A/D and ubiquitous M1, Roland JD800, and newly acquired, knob‑laden Access Virus, the latter is currently proving most agreeable with the composer.
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Based on how musicians on Equipboard use Roland MPU-101, it is most commonly used with the following gear.
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