Phil Isix

Very pleasant and easy to play acoustic guitar, pure sounds , you don't need more when plugged in a mixer or your guitar amp (even tubes one) I prefer the sound from the tubes , because warmer or with the Black Finger compression ...... a little bit of delay and reverb .... no chorus no modulation ....

I found this one in a store, just arrived and asked if I could play with it. Not plugged the sound is not bad but has a good projection for nylon strings, not too much. When plugged in a Roland JC120 even in a tube amp, sounds are nice and even more with little delay and some reverb, with the help of the good Fishman Preamp / tuner for nylon strings You can easily modulate bass mid and treble to adjust your own sound, don't go upper 6 with the output volume , that's enough to hear pure sounds ......... you can play classic bossa samba jazz and a lot of other modern styles. The fret board is thinner than a classical guitar but it's less uncomfortable because often classical guitars have a too large and too thick neck to fill at ease with it. Tuners are gold finished and it stays in tune. A cutaway is really awesome to access frets 15t to 21. Perfect finished on this instrument that sounds.

The top in cedar completely fits to this kind of instrument, ans plus a fishman pickup The Fretboard is made of rosewood, a scale of 650 mm, a large nut of 50 mm. Good tuners, and all the sounds are very surprising from bass to treble, the sound from a mixer coming from the pickup is totally great !!!!!

I love the baroc music with lute clavicin and so on ........ unplugged, this little thing makes magical sounds, chords or detached notes make the sound more brilliant and attractive, it gives you ideas for creation ..................... when you plug it in a simple amp in clean Chanel without distortion of course, comp is possible, chorus,delay and reverb are welcome to create incredible textures without lost of the main thing PURE SOUND and the attack of percussion at one condition : to take right picks not to destroy the real sound of this mandoline Thank's a lot to Fender

I play it in Irish folk music and it sounds loud even with or without microphone because of the thick round body, you can play solo with it, that kind of mandolin has it's place in classical / Celtic / Modern music, try it, I tested the power of projected sounds, and I had to put the SHURE SM 57 at more than half meter to loose 10 dB (only with the mandolin alone of course, you can't do this with bass,drums) but with another one nylon acoustic guitar , mandola, more, this was the loudest and clearest instrument from the three ones, don't put a piezzo pickup on it because the depth of the sound disappears, it seems like another instrument of another century but not the right one.

Don't be afraid of this 8 strings guitar because it's easy to play on its very thin neck even quickly ! Something very interesting in this neck, ultra thin and easily playable even for neophyte or experimented, and pickups are quite powerful when used with amps like Mesa Boogie Dual or Tri Rectified and great cabs that sound. I recommend you to try it in in a store, with a Bass Amp and 4x10 or more 8x10 cabinet, just to realize the power of this kind of guitar in bass frequencies ... surprising !!!! Great job from Jackson on this thin neck reinforced with carbon fiber ! Something is very strange , I often listen to the noise of the strings across the neck, and you can hear the strings ringing very loud and with a sustain in the thin maple neck with its rosewood fret-board (dalbergia latifolia) (12"-16" radius, 24 jumbo frets, 673 mm scale)

She can help you to sound great and play quickly without being tired after 5 minutes. Great sustain, and no tremolo, strings go through the body by the fixed bridge, angd the pickups are very high gain. The th string adds very large spectrum it seemed to be missing before.

Good guitar with a so nice neck, it's a pleasure to play but when I am sit down, cose I play for 50 years and this guitar is louder than my 59's Stratocaster, great sustain and 2 volumes but 1 tone, but sounds great even on non tube amps, very affordable with no default, it is rings !

Don't be ashamed by copies or reissued series, because some have less defaults of yougth than originals, the only thing you have to take care is the pickups if you don't like them you have EQ to change the colour of sound. It sounds very clean on a Fender Twin Reverb / Mesa Boogie / Marshall / Bugera with different 10" 12" 15" speakers .............. Try it !

This guitar has incredibly fantastic sounds with only one P100 bridge pick up, very well adapted to a lot of types of music, ... at little bit more powerful than the P90 but very precise and clear sound .... for a little budget .....

For people who don't like Ibanez, because of a lot of reasons , try this one, and you will be very surprised by the quality of all the pieces of wood, the perfect sound at every fret of the very thick and easily playable neck for experimented or beginners. The surprise comes from the very cool Tremolo that stays in tune without any lock-nut, sometimes you have to re-tune but you can play one to 5 tracks before retuning, better than some more expansive Fender. Try it and appreciate it's very clear sounds in the mid tones and its powerful humbucker

Very easy to play, neck is a little bit larger but sounds on this 24 frets mapple neck are very similar to a Stratocaster with Some good surprising details, my Fender Strat is from 59's and too heavy when I play it about 2 hours, (my neck hurts me), good sustain, very surprised, very light body, you don't get tired after one playing hour

This guitar is very easy to play and it is a good surprise to hear the sound of its pickups don't say they're bad, take time to test and if you don't like , use parametric equalizer you 'll get even Mike Oldfield's biting and crying sounds thank's to Jackson. Very light and very thin 24 frets neck. Good product indeed and small price. This one was fretted in China with bad metal not adapted for frets, So if you play more than 10 hours a day don't forget that frets are going to suffer of this bad metal. perhaps made now in Japan, this should be better quality but not the same price. So when you use the Floyd Rose to make some vibration / sustain on low / high ends, you will see that frets become cut by the strings very quickly even if you change your strings every week and don't play at the same positions all the time, but on 7 days it's a 56 hours work (more than 240 hours a month and about 300 hours a year !!!!??? this is here where finish most of guitars with planification or re-fretting !!!!!!

This guitar is pure fury, with its 2 volumes and one Tone and 3 positions switch. A lot of settings given with some possibilities of kill switch effects when you don't pick with your (right) hand. The switch is quite well positioned at the right place. The Kramer Vibrato is very stable and efficient. Even when volume and / or Tone is /are back, you still get precise sound because of the very powerful Alnico V pickups !!!! (very close to 1983 Seymour Duncan with more power)

In the 80's this guitar, was my best friend , the pickups HSS are not bad, they are special Japan, and with the booster switch of 12 dB sounds become very powerful, the humbucker is not one, this is a P90 more precise in response, you get also a useful kill switch, to cut all gain and volume, it can replace a volume pedal and a noise gate for instance by using the single coil pickups. This is still a Matsumoku great Japan guitars he made with a lot of care, and the Kahler flyer tremolo model that is put on the table, no hole in the body, that changes the sustain and makes the sound rounder. The neck is really a pleasure because very thin and 4,2 cms just at the nut, the frets are very large 2,2 mm and very easy to push or pull your fingers when bending. Every sound is perfect and just !! You can really play hours and hours, the body is well made and fits to your body. Some more informations http://matsumoku.org/models/ariaproii/mm/mm.html MM for Mega Metal Body : alder Neck : replaceable maple, original, smooth join, perloid fingerboard : rosewood, 22 frets Scale : 650 mm Pickups : Bridge 1MMK 45 Humbucher - resistance 11.6 Mid & Neck 2 single coil the bridge or neck pickup - resistance 5.6 Controls : Master Volume w/power switch 2 active control tones Power switch for active pickups - Booster switch +10 dB 5 position toggle switch - Kill switch all Tailpiece : Kahler Flyer 2330 vibrato Machine Heads : Die-cast String nut : bone + lock nut Harware plating : Chrome Finishes : Pearl White, Dark Metallic purple

One more model of Mr Matsumoku great conceptor and creator of a lot of Made In Japan models of different trademarks. It's called SPIRIT but french translated and printed such as "ESPRIT". This is the most surprising guitar I've ever had because the sound is active, the neck pickup and the bridge pickup can be in phase opposition with help of the phantom middle pick up that can add medium treeble bass to the pickups bridge/neck thank's to Mr Matsumoku that had great ideas to help guitarists. You can set up even with a distortion a clean acoustic sound bright and clean only by turning the tone and volume knobs down or up, completely amazing, even if you let the distortion, never seen that before. The quality of the sounds on this guitar is really a complete success. You can really hear a crystal acoustic sound. In these days, you would pay 2 or 3 thousand dollars, to get this quality, greater than a Fender Stratocaster, no noise with these pickups and you get more .... the possibility to get very precise EQ on the sound. The tremolo is a floating one with only 2 studs

I've learnt to play all EVH greatest hits like Eruption, You really got me, and so on ...... plug it with a Wampler Pinnacle into an amp put a script phase MXR before or after your amp an just listen ........................... or buy a Marshall Plexi, or all Marshall series, or Peavey 5150, or New EVH amplifiers and you will be afraid of your own sounds crying out of speakers. My first cab was made by my own hands with 4 x Celestion Side Winder White Snake of 150 w each one ......... go away before becoming mad of this brown sound !!!!!! this one have the real WOLFGANG pick up and not fuck Chinese one copy, one tone and no volume ...The response of this pickup is very sensitive to the volume you adjust even at 1 or 2 power is already here .....

All in this guitar is pure love of music, indeed, Great work from Italy for this affordable instrument. Finition quality of Woods bindings 0 fret nut tuners frets height of strings, very great sounding and more with an amplifier. Thanks a lot

I choose this amp a long time ago, at the beginning for clean tones like acoustic guitar mandolin banjo ukulele to get the best sound with no distorsion ..... and I still have it. The cabinet used with this amp is a MONSTER Carlsbro Procab 2x15 2H 400W that has 2 compressors, and you can also play Bass on it, and Synth, Frequencies on 15'' are not the same compared to 12'' 10'' 8'' this one is very particular one, the color of sounds is always fitting to what you want because you have also an equalizer on the amp to correct spectrum of your instruments (and a chorus/vibrato)..Two chanels that can be differently equalized. No tube in this amp and it's better.

Just listen when you play riffs in rhythmic, or picking or anything else, you are always satisfied of the quality and response of every note sounding which is warm and round, no distortion, pure ..... electro acoustic or electric guitar even hollow body

You have 3 independent chanels with 120 w of power, and you can mix different tubes it is a lower price than a Boogie Mark xxx but for the price you get a pedalboard that lets you choose chanel 1/2/3 meaning Clean/Crunch/ Lead, without taking care of which tubes but sometimes, you an experience the changing with 6V6 KT66 EL34 EL84 ECC83 5881 6550 12AX7 12AT7 12AU7 bur but careful, to get right ones that really fits the amp because I'm sure there is a case where the amp will be damaged, and the result depends on the speakers you use, lower medium higher frequencies will be efficient only in the case where you have the right one that can traduce the frequency response of the tube you change

Always a pleasure so plug a guitar and listen to the excellent clean crunch lead tones with the simple pedal board to switch between chanel 1 or 2, it was my companion since 35 years, and no problem with it, only tubes changed twice a year, because of intense using, loop send / return, reverb, and choice of the class , simple but sounds very great to get every sound like Carlos Santa, Gary Moore and a lot of other great bands on this earth, never found a better amp to get long sustain in the 80's of course, and never change its 6L6 that I didn't want to change with another tubes to keep the original sound and not to destroy parts of preamp or amp. you can also get Marshallesque and Fenderesque sounds very easily with class A/B switch on the back of the head . Power of 100w under 4 ohm, bias must be done by a professional to avoid destruction of the amp / preamp or risk of being killed by high capacitors

The warmth of tubes, the quality of preamp and and powerfullness of the amp is the good thing that you get on Mesa Boogie, be carefull of what you do with cabinets impedance 16 / 8 or 4 or your amp can become out of service !!!!!! I also used my old but terror sounding MARK III always alive

BUGERA 1990 INFINIUM .More powerful than a Marshall JCM900 100 w 120W Tube Guitar Amp Head with Reverb and INFINIUM Technology Tube Life Multiplier À more intresting amplifier than 5150 Try it, and éven in front or in loop FX, it is à great job to get this sounds. A perfect Clone of JCM900 New look. New sound. New features. The new version of the 1990 amp head has many arguments to seduce you, including the pentode / triode switch to choose the mode of operation of the lamps. Both Clean and Lead channels are fully independent with dedicated master volume and reverb controls. If you are looking for the British sound, the 1990 INFINIUM will bring it to you! features - Hand-made 120 W tube guitar amp head, equipped with 4 5881 lamps (fully compatible with 6L6 and EL34, etc ...) - Classic design of the pre-amplification stage of the Clean and Lead channels, equipped with 3 ECC83 lamps: the metal sound of the 90s - Integrated reverb adjustable by channel - Revolutionary INFINIUM Tube Life Multiplier Technology: > Extends the life of your amp's expensive lamps up to 20 times > Provides incredible reliability and sound consistency over the life of your lamps > More need to invest fortunes in compatible lamp sets > Allows you to mix and match any combination of lamps, brands and compatible types (switch on the back) > Constantly check the performance of each power lamp and identify which (s) to replace (LED display on the back) - "Vintage" EQ section with dedicated Bass, Mid, Treble and Presence controls - Pentode / triode mode switch (60 W) - Output for recording with frequency compensation - Effects loop with volume - Robust crankset for choice of channel and reverb activation (included) - Switch impedance (4, 8 and 16 ohms) - Designed by BUGERA Germany

This head is completely well made, you can mix tubes 6L6 KT88 6V6 12AX7 ECC83 EL34 no matter, it's always matching, no surprise, no Bias setting needed after changing tubes..... cool ! 120 w very loud, PreAmp 6 x 12AX7, Amp 4 x 6L6 , 3 band EQ, 3 channels, commutable Impedance in 4/8/16 Ohm, pedal board to change between the 3 chanel Clean/Crunch/Lead and an FX loop with send / return. This amp is a good deal for the price and sounds great as well as Mesa Boogie , Marshall, Engl and so on ........... the sound is here !!!!

Le son sur le canal clair est impressionnant, tant avec les pédales d'effets en frontal, que les effets dans la boucle, et avec la clarté qui reste même avec l'amplificateur à la moitié, c'est vraiment bluffant. Après pour les amplis en modélisation on peut bien s'amuser en blues en jazz, il est multi facette, à condition d'avoir la bonne guitare / micros adaptés au style que l'on veut. Quand on arrive au dessus du crunch, attention les oreilles, car il se fait vite entendre dans la puissance il faut 100 w ! C'est un solide state mais de qualité.

Rétro et avant gardiste, c'est l'une de mes favorites, elle sait tout faire....... BRAVO

DIGITECH HARMONY MAN INTELLIGENT PITCH SHIFTER Incredible quality with such a nice and intelligent build effect, Hotel California, and al ot of bands like Queen with the great Brian May's solos ..... just some progression chords in this machine and play by layering yourself alone or with another guitarist or bassist, in stereo with more distorted sound with all these great sounds ..... Thank's to Digitech .....

All the things you can do with kind of strong pedal ... you get several pedal in only one completely crazy tones and sounds with all other FX

This one is electro-optical no mechanic parts uniquely optical has an audio taper that avoid signal loss in height and powe , with minimum volume setting, and a led lighted when it's ON Very well built-in and built like a tank. I really appreciate the coarse to smooth swell sounds very progressive and also very reactive to the foot to cut off the sound in the loop before delays / reverb

no switch......buffer ....electro-optical..... short coarse .... but can't stay in place without the help of your foot because it returns back completely to ZERO point ... like a old wah to close or open frequencies ... automatically switch from in use status to bypass when foot step out .. built like a tank (don't forget to use 9v 300 mA DC help to get any annoying noise !!!

Mine is from 1970, and still perfectly works thank's for this kind of TITANE quality, I prefer Mid range frequencies in that one ..this is the same as the VOX one of same years because only salers of VOX refused to sell it because VOX was not printed on the pedal ....... That's all folk's

You can use it with acoustic or electric guitars and even basses, you choose your mode Led or Valves compression, the sounds are different and attack also, but when your bout it in the effects loop it becomes very efficient with overdrive and distortion even at low level, sounds become very aggressive especially with Blackstar HT-Dual (Valve) and Blackstar HT-DistX (Valve). I bought it on Ebay because mine was stolen in my car ..... you can change the valves 12AX7 with ECC83 ECC84 JJNxxxxx a lot of if compatible. I finally mix one 12AX7 and one JJxxxxx

A very versatile pedal to get various sounds from clean to crunch to lead .........

Fuzz very know and used by so many people

Never desapointed by Electronics Harmonics pedals , the only thing is that when you want to register your product the website doesn't want to work properly

Just try it to appreciate sound quality ans possibilies , thats zll folk's

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Left switch equals to clean channel , right one is the dirty channel from distortion until METAL !!!! This pedal is also playable at a very low gain and volume with an electro-acoustic guitar to get a warm sound and it's cool ! but under this very heavy and strong pedal, the engine is sleeping and waits for your fingers to tweak every button, and that you press left or right to get the channel you want. Be careful with this one the sound becomes more and more sot or aggressive, don't forget it's a TRUE VALVE ECC83/12AX7 that completely changes the power and and the shape with the ISF button if you desire to get British or American sounding, it's a pure beauty and fury !!! great sounds I use it with a Fender Twin Reverb and Mesa Boogie Mark III and V and Bugera 333 / 6262 / Trirec .... never heard this before , every note is carefully reproduced without forgetting anything, don't touch too much the valve after playing you can be burned by it, like 6.35 jacks after playing a long time on tube power amps. Chanel one (lft knob) Crunch is very good and second chanel (rgt knob) is killer sound to soft distorsion to metal ones. Be careful voltage is 22 volts it is high one. You can change the "EHX 12AX7" with "JJ NN003 ECC83S" or "TAD12AT7" , I tested the JJ ones and did not remark a great difference but I prefer the Sovtek EHX ones they seem to be clearest and brightest , this is my opinion, not yours, experiment. These are pre amps valves and not amplification one don't be confused !!!

This is the best of the best pedals that can make you sound like a big monster even in a small amp from 10' 12' 15' and even compressors in bass cabinets. That sounds even in a solid state amplifier, but I recommend valves amps with other valves (see at bottom of this) and so on to get a more precise sound after tweaking, it's warm and very loud even without compression. Emulation is very well done and efficient. All frequencies with 6,7,8 strings are magnified !!!! I've tested it with a mandolin in an Ampeg Valve Head and 8x10" If you put on the compression, be careful your ears will quickly heart if your are very sensitive. One chanel , killer sound to soft distorsion to metal ones. Be careful voltage is 22 volts it is high one. You can change the "EHX 12AX7" with "JJ NN003 ECC83S" or "TAD12AT7" , I tested the JJ ones and did not remark a great difference but I prefer the Sovtek EHX ones they seem to be clearest and brightest , this is my opinion, not yours, experiment. These are preamps valves and not amplification one don't be confused !!!

This is a great distortion, not a high gain, so you can push distortion at 100% it sounds very clear and every note is reproduced like you played it, without missing any one in the tubes !!!!! Tone knob is very efficient to color your sound form dark to bright

If you want great sound of Big Stars like Jeff Beck don't search anymore, you've got it , this is the version 2 but not the least !!!

Another great pedal with a top boost used bu also many people

This is a must because all frequencies are the right ones to deliver a clean distorted sound, you can also choose the "low and high" ends of the signal , very ingenuous !!!!

C'est du pur créatif xè chez EUX comme d'habitude, aune surprise, multiples possibilités pour différents usagés. Bravo et c'est analogique à 90℅ , les 10℅ restant servante à des trucs assez fous

Easy 24 frets playablility, great sound with single pickups a blender very efficient, and 2 Bass Treble boosters, active electronics try it on Orange Micro Terror ....... !!!!!

All the sounds are very nice, this is a very powerful work station, a lot of possibilities with midi technology which can be used with others (old) synths and drums machines .............. you can play hours and hours and record same tracks with different settings and keep only parts and recreate another track that you can think it's the same but not the case , you can change some parameters and ............... it's magic ! I created more than 10.000 patches and all playable with other pedalboard like Line6 HD500X and Boss GT-100, it's a pleasure when you plug all this machines in stereo into a mixer, textures you got are completely MAD, you'll need a MIDI Foot Controller because of all machines that have got MIDI interface integrated, in the case where you would want to use all in the same time (MAPPING,Changing Fx on different machines at the same time and in real time, it's important, MIDI is Powerfull, it does not take a lot of place nor time) with different sounds amps and cabinets, progress is great indeed, I 'm a simple engineer and always surprised by the new , and sometimes I'm unable to understand very simple things. This GR-55 is the greatest sound machine ever seen in my life, indeed .... you 'll find Mike Oldfield's, King Crimson's, Robert Fripp's, Trevor Rabin's sounds, if you have time to spend to program the machine of 920 PCM sounds !!!!!! Completly MAD !!!!! Just try to adjust the Attack param of flute patch, and you can try to play "Bourée" of J.S Bach that played it 300 years before, imagine your can play 5 different instruments on 6 strings !!!!!! with 6 assigns for the sounds

Great synth in music 's story. Sold in all the world at about than 30 billions. Easy to create sounds. one sequencer !!!!!! Old sounds but great sounds of basses and pianos. They were neither on 24 nor 32 bits but, very good and well thought strong machine for to cross time away ..... I always like the touch and after touch of this keyboard (same as the Yamaha DX7), so you can't fill board by playing and playing. Very hard built and you can still find cards for new samples. Thank's to Korg. Indeed

KORG is and stays very great in musicians world, I began to play synth on a KORG M1 and was very surprised by the quality and easiness of use with an external sequencer. I still have it, a MUST in music 's story.This machine is completely MAD, because you have more than 550 ROM PCMs in 24 bits, but if you have a look in the documentation, you have on the AD model, banks RAM 1,RAM2,RAM3,ROM, CARD and you can plug your analog instruments like guitars in stereo or two different ones or different sources, it becomes NUMERIC and it is possible to mix them in the waves that is completely unbelievable, 50 performances / bank and 35 patches / bank, and 32 wave sequences / bank !!!!!! and when you create a performance you can get 8 patches in it, with some or all with wave sequences !!!!!!! You can color your sound with other input sounds or use it to color your guitar sound with effects and surrealistic but efficient sounds with different shapes and other cutoff and resonance filtering ......... I wrote several programs that never were written by anyone else, but anyway, you can mix your guitar sound in the stereo inputs and adjust the gain to blend it to other layered sound in a performance, that I recall 8 different in a patch, that can use 128 sequences of steps sequenced noises or sounds or drums, it was crazy in the 80's !!!!!! And the quality of the sounds are still actually usable !!!! Great machine, the screen can be updated by new one in blue color, better in the dark

I prefer light gauge because there is less buzz and the sound is clear It's easier for bends. Very resistant strings and at home with Floyd Rose tremolos you can repair a broken string just by cutting the end at the edge of the tremolo where it's broken. For other tremolos it's better to have some strings at unity to replace it

I must say that every setting of the pickup and tone or volume gives to this instrument all its power and warm sounds, only with a delay Legendary “F” style mandolin, Quad NanoMag™ adjustable pickup system Individual string pair output level SPECIFICATIONS Top : Solid Sitka Spruce Body : Flame maple Neck : maple Frets : 23 Nut width : 1.06” Neck joint : hand-fit, glued Scale 14” Fretboard : dot inlays Pickup : Quad NanoMag™ adjustable Controls : Master Volume, Treble, Bass, 4 individual string pair output levels; trimpots Power 2032 Lithium battery Machine heads : Vintage style in-line Hardware : Nickel Color : Vintage Natural (VN) Typical Weight (+/- 5%) 2.5 lbs

I never heard this kind of resonance & a quality with same lute from the, handmade in China and used V centuries Before J.C, and nearly the same with some details like strings, there are plenty of technics you can learn from it, and very surprising. I play it with acoustic amp and a Shure SM57, the sound stay clean in the Carlbro Stingray Lead 150w only made with transistors, even at half position that means 75 w the power doesn't destroy the color of basic instrument. And with some delays / modulations / reverb you get great sounds. If you often practice it is like a little bass with little strings that plays higher frequencies. Used with filter and EQs you can change the resonance ...... and you get non existing acoustic sounds. Thank's to China for his great instruments ... mine was broken in 2 parts just between the wood nut and head during handling in China or before arriving in France .... I had to repair it myself with great care because at this place it is very delicate and you have more than 4 types of wood that you don't find in France. I play it easily with my own nails because very long, I practically never used picks / plectrums because the sound is altered at the attack. I'm like Mike Oldfield and a lot of musicians that don't need anything else than nails you feel all vibrations in your fingers .... tremolos are a little bit difficult at the beginning but with practice you can get very good technique. Normally Chinese musician have false nails glued a little on their nail to obtain their picking result. the great thing you must retain is that you have a lot of place between every steel string (no nylon) but you can quickly feel ill at ease and maladroit because of this great space like a bass at the beginning , tuners are not very precise and very archaic but it is what they only had at his old V century

Pretty white 6 chanels , 192 khz sample rate + cubase lite, built like a tank + great quality in the sounds it sounds better than another or other, good preamps , filters, compression, 26 dB attenuation, reverb, 10 configuration presets, USB cable , manual, XLR , jacks, SPDIF, one application to download on Yamaha 's website, You can plug mikes for voices of anything you want to ..... you can also put it on a pedal board taking only 20 x 17 x 7........

Always use rechargeable batteries because if you play in live, a solo cut by not anymore power is equal to no sound to the amp(s) but also a lot of strange unwanted noises, be careful with this. Very light, only two small batteries, can be enough for a concert with up to 6 ~ 8 hours Audio frequency Response : 10 Hz - 20 kHz & width until 2,4 GHz. 6 different frequencies if bugs between instruments happen, never at this time, Signal up to 118 dB available until 30 meters !!!! that's enough for all the cases for a guitar or bass, and no problem with feet on the long cables and even sometimes a fall on No loss of signal, with all pedals in serial / parallel mode. No need to re-boost signal in the loop because of the loss of signal. You get the possibility to keep the relay at your waist, but br careful with some poor plastic retaining the batteries, put it in a small bag kept in and hooked like in a leather bag, or scotch around the relay box, it a forgotten point, its use during hours with small cables. Cut the power when you don't play between tracks to economize and when you change your plugged in guitar, this is better for the power, even if cut.

All the sounds, effects, mikes, cabs are efficient, the midi possibilities, the send return by loop, trhe software that helps you to create patches an improve your sounds. You can put effects before or after the amp, you have a mixer and use it with Variax guitars that contain RAM to stock settings, or emulation of other sound guitars,sitar,acoustic, simple coil or double and even piezzo. The PODHD500 is really the best maker of modelling sounds, and when you directly send the outputs to a mixer then amplify the same sound without touching anything like EQ or FX, just hear, you'll never be disappointed by the result, that sounds ............

Great sounds not better than the Line6 HD POD 500X but EQs are the great point of comparison with the Line 6, you don't need a guitar amp, I use it with two power ampsof 2 x 400 w, and speakers used for music, but not guitar amps, and it sounds really great when patch settings are adequate.

À ce prix, je préfère de loin, à des marques concurrentes. ..........

Very good sounds especially Fender Marshall Vox and so on ...... very small pedalboard but usefull for loops by send return for example for a Line6 POD HD500X or Boss GT-100 some effects are purely Digitech created and sound great in amplifiers. Don't miss the surprising option on this small Big stomp box, you get an LFO ,and try it on your patches, this is efficient !!!! Don't miss this one when you need to send your sound into too large or full pedal board with 12 pedals and wires. You also have a Whammy in this small but great pedalboard and Wah,Volume and so on ..... The drum-kit is very efficient and useful to stay in the tempo when you play alone without your drummer, don't forget it in your luggage when you travel. Thank's to Digitech, don't think it's a poor pedal board t is sheap but not bad beacause I created more than 8000 usable patches directly in a solid state amp or mix console don't laugh .....

Hi to all music men and women I'm musician since 5 years old, ingeneer in' AI since 35 years, and must say that I was sure it should come here in this World, as a gift for everybody. Great progress in sound quality effects and possibilities, when coupled with Amplitube 5, very happy. Thanks a lot to IK MEDIA, completely blown. Just enjoy it as well have to.

So what a pleasure to hear this quality with one stereo amplifier, it is completetly different compared to a 4 x 12, test it in a store, Every speaker has its power fro 25 w to 50 w, in different size from 10 to 15. If you even try to play with two 15" the colour is different and in another register and dimension. They are very well made et thought. Thanks

Super content de cet achat d'occasion Je ne regrette pas du tout au contraire

You can play Acoustics instruments, guitar, Bass, Synth It sounds ans very loud in 4 Ohms, with a guitar when you play distorted sounds with a wah don't stay too close to the cab because you're going to put your fingers in your ears, compressors are very efficient in the result of sounds, even for acoustic instruments, but it Can sound like some Mike Oldfield sound, very loud in low mids, mids, high mids with the help of the two compressors , but also with two 15"

A big tank with a lot of simple tool that Can help you when composing or loops on stage to multiple gears.

Just try it, Small, true bypass, multiple utilisations, and thé number of thé loop