Jack Barakat

Jack uses 3 custom ESP Eclipses that are built specifically by ESP for him, with 2 Seymour Duncan JBs, with all controls except the volume knob bypassed as well as the neck pickup bypassed

At , Alternative Music Press Awards , he used this guitar

Jack is seen using this guitar and other ESP brand guitars in all their concerts.

Before ESP, Jack was also playing PRS. He used a Custom Paul Reed Smith SC245 guitar, in different colours.

Jack Barakat can be seen using this stratocaster in this music video of something's gotta give at 00:19

at 2:13 he is using an old school delonge strat with his tim burton vibe sticker on it.

both zack and jack are seen using the hummingbird

Jack Barakat can be seen using this SG Standard in this music video of "Dear Maria,Count me in

At 3:05 in this video, we can see Jack using this guitar

I saw Jack playing this guitar or another Taylor acoustic in video of the band playing an acoustic version of Kids in the Dark.

Back when Jack was indorsed by PRS he was using single cut models and costom 24s.

You can see this in the lost in sterio video from the straight to dvd proformenes.

Recently Jack has been seen with another Eclipse. It seems he is modding it and on it he has added on a sticker.

Jack uses several of these in black, but removes the neck pickup and toggle switch. The pickguards have been replaced for black, anodized gold, blue pearloid and red pearloid.

Alex and Jack are shown here in front of their Kemper Profiler Rack Guitar Amp System. Jack says in this Facebook post "Kempers have changed touring for me. In the past I believed that no matter what, digital heads would always sound a little "robotic". But now I have been proven wrong. My Kemper has given me any amp I could imagine. As crisp and accurate as the real thing."

jack uses a mesa head in custom white going into a di box staight into speakers

seen in jacks rack, not sure what it's used for

"The band tours nearly 300 days a year so to keep things running as efficient as possible Barakat uses a Kemper Profiler so he can quickly access all the band’s recorded tones and even shared settings given to him by Mark Hoppus of Blink 182. For his clean tone he’s using an AC30 model that’s miked with a Royer R121 ribbon microphone and for the more aggressive stuff the core tone is sampling from Barakat’s Budda Superdrive 30."

"The band tours nearly 300 days a year so to keep things running as efficient as possible Barakat uses a Kemper Profiler so he can quickly access all the band’s recorded tones and even shared settings given to him by Mark Hoppus of Blink 182. For his clean tone he’s using an AC30 model that’s miked with a Royer R121 ribbon microphone and for the more aggressive stuff the core tone is sampling from Barakat’s Budda Superdrive 30."

the TU-3 can be seen next to some other boss pedals on jacks board

at his feet, his delay of choice is the line 6

just in shot of the photo a boss NS-2 can be seen

"The band tours nearly 300 days a year so to keep things running as efficient as possible Barakat uses a Kemper Profiler so he can quickly access all the band’s recorded tones and even shared settings given to him by Mark Hoppus of Blink 182. For his clean tone he’s using an AC30 model that’s miked with a Royer R121 ribbon microphone and for the more aggressive stuff the core tone is sampling from Barakat’s Budda Superdrive 30."

seen in jacks rack

1:23 he states "i threw Seymour Duncan's in there"

at 5:06 he says "dude, we recorded rhythm guitars didn't tune the entire album"

He uses custom All Time Low-branded Jim Dunlop Tortex .73 mm picks.

1:50 guitar tech Mac says were using "11-54"